Israeli settlement, yeshiva with a dangerous, charismatic rabbi, and a military unit of devout young orthodox Jews. Combination of fundamentalist approach to faith and proximity of weapons, always a very bad idea.Mix in two young men and the rebellious daughter of the above-mentioned rabbi Meltzer, and there we have a love triangle. I usually thoroughly enjoy Israeli cinematography known for its freshness and creativity, but " Time of Favor" falls short. Could be the lack of knowledge about the Orthodox branch of Judaism on my part ( i am not Jewish), or possibly the muddled vision of the director. I am not sure, but what's left is a tackle on this universal problem of religious fundamentalists who, of course believing that they are the only ones with the right answers, feel obliged to demolish everybody else. Sad state of affairs but not enough for a movie.

Against a backdrop of grandiose American thrillers lacking real character development, "Time of Favor" stood out as an intimate film with a denouement that, in its last third, kept me squirming on pins and needles and 40kg of emotionally charged stolen explosives. Exotic? The very idea of an Israeli suicide bomber, yes. Erotic? Let's just say that the mind is the seat of Eros, not the eyes. A simple scene between a fully clothed Menachem and Michal - just the shadows of their hands on the wall of a deserted house - for me, contained as much of an erotic charge as the soft-porn love scene in "Cold Mountain". It might not do that for you, but hey, a film is different for every viewer.I'd concur that some cultural elements of the film would be lost on a broad audience; i seek out Israeli films and speak a bit of Hebrew, thanks to an old penpal. But the themes - of how idealists are blind to the suffering they cause, and especially how ultra-religious individuals can exert a controlling and damaging influence on those close to them - are transcultural; something that any viewer who's brushed with fundamentalism can appreciate.

In a West Bank settlement a Rabbi has risen up to get his own following. It is Rabbi Meltzer's plan to build the temple and he has formed his own military unit under the command of Menachem, on of his disciples. Meanwhile one of Menachem's men, Pini, is called to meet the Rabbi's daughter, Michal, so that their marriage can be arranged. However Michal rejects Pini as she has fallen for Menachem.Other reviewers here have criticised this film for not giving them the understanding of the politics around the area, however I consider this a very unfair accusation. This film is not about the situation; it may have some subtexts that comment on it but generally the film struck me as a thriller based around several characters. As such (and I can only review it as such) I found it to be quite effective at points but also to be rather slow at others. As a thriller there were plenty of good moments – either tense, running with guns moments or good revelations or twists around the characters; however at other times it was too slow and seemed to drag to include at attempt at subtext or commentary that it didn't need (or certainly didn't do enough with).Outside of this the story is pretty good even if you ignore some of the character's motivations. I must admit to being a bit lost as to why Michal took the path she did with such vigour while Pini was a mystery to me; but ignoring the weaker turns helped me focus on the dramatic flow, flawed though it was. The direction is good even though the budget clearly would not compare to your average Hollywood thriller. I had never seen any of the cast in anything before and they were pretty average on the whole. The only performances that stood out for me were Avni's Menachem and Volf's Mookie – both had good presence.Overall this is not a great film but it more or less works as a watchable little thriller based around several characters. The story may have plenty of flaws but it moves along well enough save for a few dull patches. It won't teach you anything about the region and it's occasional attempts to pass comment only serve to take away from the main story which could have been a lot pacier and exciting without Meltzer's preaching.

This is the first Israeli film I have seen and I really wanted to get to know more about the citizens via this route. Though I did learn some things, it isn't enough to recommend. The director presumes the audience knows the situation and all the locales. Though I keep up with the news daily, I just couldn't identify with the West Bank settlers. The undertone of religious renegades and dark collusion just wasn't filmed correctly. The scenes kept jumping around and I wanted to call the editor and ask why there couldn't be more of a flow to the sequences. I am looking forward to seeing more Israeli productions. Perhaps I can learn more of that beseiged society that I didn't feel here.