Judy Garland's first film with Mickey Rooney concerns Ronald Sinclair and his grandfather C. Aubrey Smith who came from England to have their horse, Pooka, run for the American Cup. Mickey is a jockey, who is considered one of the best and who knows it. They try to get him to ride their horse into victory, because they need the money badly. Judy Garland and her aunt Sophie Tucker board the jockeys in a boarding house. What may seem as uninteresting is really brought to life naturally by good acting by all considered, especially Mickey Rooney and Sophie Tucker. And, Judy Garland of course is on hand to sing with gusto. This may seem to be a relatively unimportant little film, but I was pleasantly surprised to see just how entertaining and funny this film is. One gag has Mickey trying to apply ointment to Ronald's leg, after Mickey had been teaching Ronald how to ride a horse. And while Mickey is rubbing his legs, Judy bursts into song and is interrupting them. Ronald pulls up his pants, when Judy tries to enter the room, while Mickey keep pulling them off him. Why do I mention this part? It's funny and surprisingly risqué for a 1937 film. So sit back and enjoy a forgotten film of Mickey and Judy's that may be somewhat predictable, but is still a enjoyable ride to the finishing line.

The first film to feature Mickey Rooney and Judy Garland came up short in the music department as there was only one song written for the film Got A Brand New Pair Of Shoes and it was Judy's. I've a feeling that a lot might have been left on the cutting room floor because Sophie Tucker was also in this film as Judy's grandmother and she sung not a note. Thoroughbreds Don't Cry features Mickey as a jockey famous for his daring come from behind wins in the stretch and Judy the granddaughter of Sophie Tucker who runs a jockey's boardinghouse where Mickey resides. Into their lives comes C. Aubrey Smith and his young grandson Ronald Sinclair who are titled, but cash poor with only one asset, a prize winning stakes horse called The Pooka. Yes, I do believe it is named for that spirit who manifested himself as a six foot white rabbit in Harvey.Mickey's the best there is at his profession, but he's fatally compromised because of a no-good gambler of a father in Charles D. Brown who pretends he's on death's door. That's to extort a pledge from Mickey to throw the race The Pooka is running in. Mickey does it and finds out he's been framed. He's put everybody in a jackpot because of this and there is one death that results from it.Ronald Sinclair substitutes nicely for Freddie Bartholomew who this role was originally intended. But the chemistry with Mickey and Judy was readily apparent and MGM would team them several more times until Words And Music in 1948 which was Mickey's last film for MGM. But I like more singing and dancing when I see Mickey and Judy and I think more was originally intended. Just the mere fact that Sophie Tucker was in the film leads me to believe she must have had a number that ended up on the cutting room floor. Perhaps one day we'll see a director's cut.The racing sequences at Santa Anita were handled well, the track was only a few years old at the time and the movie land crowd were frequent visitors and owners of race horses out there. I've seen newsreel footage of Mickey Rooney enjoying the sport of kings there when he was not on a shooting schedule.Thoroughbreds Don't Cry is a good start for a most auspicious star team, but a whole lot better was to come.

Mickey Rooney was already a seasoned performer when he starred in this film about a young English friend and his horse. Rooney plays an egotistical jockey with all the cockiness and fireball energy of a young James Cagney. Ronald Sinclair, the child actor who later worked behind the scenes, is the young English chap. However, the irrepressible Rooney easily outshines the young Sinclair. The film also features a young girl by the name of Judy Garland. Judy repeats a similar role she had in The Broadway Melody of 1938 as the young charge of boardinghouse mama, Sophie Tucker. The blustery Tucker, who surprisingly does not sing in the film, easily steals every scene she is in. It's always good to see old stalwart C. Aubrey Smith add an air of dignity to the proceedings. Mickey and Judy are foes as well as friends in their debut film together. Judy sings a little, but the film is not a musical. It's almost as if MGM was giving the juvenile star movie format a trial run here. It's pretty much a predictable, formulaic movie, but, as is frequently the case with movies from the 30's, 40's, and 50's, the stars make it entertaining by their sheer presence and energy. **1/2 of 4 stars.

Left insolvent in America by the death of his grandfather, a young English lad learns that THOROUGHBREDS DON'T CRY. Now it's time for his new buddies, an irrepressible girl & an excitable jockey, to help him make his race horse a winner.This little film, with a horse race plot both contrived & convoluted, is mere entertainment fluff. Its real significance is that it was the first movie to co-star Mickey Rooney & Judy Garland. Rooney is hyper-energetic & Garland exhibits her wide-eyed exuberance; together they hint at much better films to come in the future. Ronald Sinclair receives equal billing with them, and he does a good job with his role, but up against the Dynamic Duo he never really stood a chance. His celebrity would prove to be rather transitory.Forrester Harvey does fine in a small performance as a jolly horse trainer. Wonderful old Sir C. Aubrey Smith lends a touch of class to his role as an English gentleman. But it is the inimitable Sophie Tucker who steals the film as Garland's mother, a big sharp-tongued woman you wouldn't want to trifle with. For some unfathomable reason, the script gives her no chance to sing. Unbelievable! At the very least, a Tucker/Garland duet could have made the film truly memorable.Movie mavens will recognize Lionel Belmore as a butler & Elisha Cook, Jr. as a jockey, both unbilled.A `pookah', by the way, is an Irish ghost horse.