Single mom Dottie Ingels (Julie Kavner) sells cosmetics in a department store and dreams of being a big comedian on the Tonight Show. She lives in Queens with her two daughters Erica (Samantha Mathis) and Opal (Gaby Hoffmann) in Aunt Harriet's house. When Aunt Harriet died leaving everything to Dottie, she sells everything to move to NYC. She works her way in small bars. She gets Arnold Moss (Dan Aykroyd) as her agent or at least his assistant Claudia Curtis (Carrie Fisher). She starts traveling and the girls are left at home.The big problem is that I don't find Julie Kavner funny in this or that she has a funny act. This movie is desperate for somebody with standup experience. She needs an act that is actually funny. Samantha Mathis is playing an Annie Hall type as a teenager. The standup life seems so unrealistic. If I could ignore her standup, this could be a cute Nora Ephron movie especially considering that this is her directorial debut. It would be much better to concentrate on Erica's POV which has the possibility of skipping more of the mom's act.

I do not know why this movie is rated so low. It's an endearing and funny film told to the audience from the perspective of 2 people: The mother and the eldest daughter. The mother, Dottie, played nicely by Julie Kavner, is a single mother of 2 who is working hard to support her daughters as well as to try her hand at stand-up comedy. Kavner, best known now as the voice of Marge Simpson on the TV show The Simpsons, is actually quite funny as she uses her entire body in her work. And it's nice to see someone make it in a field that seems, at least for women, to only reward those who fit a specific physical model. In this movie she's perfect. It's like the role was made for her. Samantha Mathis, as the eldest daughter Erica, plays the role of the angst-filled teenager perfectly. What to do when you love your mother so much but she causes so much grief and embarrassment? And Gaby Hoffman as the youngest, Opal, is right on, as usual. The eye rolling, the mixing up of what people said (fidgety versus frigid), and her total faith in her mother and sister ring true. Dan Aykroyd as The Moss, though his part is small, works well, especially in the the scene where Dottie is fighting with Erica and all he does is sit quietly (and maybe eat more paper!) as the "tornadoes" whoosh by. And one of the funniest scenes ever is the typical "first time" between Erica and Jordan (played so well by Danny Zorn). While this scene is happening the background music is Tchaikovsky's Romeo and Juliet, which makes it even funnier and made me laugh so hard I almost fell on the floor, especially when it was all over and Jordan says, It's over and Erica says, It is? And a quick poll of my male friends and husband verified that the experience with the condom(s) was right on the money, even down to the facial expressions. A refreshing movie with very few flaws with a good script and a good cast.

Mix every cliché known to cinema, add a dash of sub-par acting, and cringe every 7 seconds. Lather, rinse, repeat. The plot is weak, the characters are self centered, immature and dense. Also, completely static. The soundtrack... who decides on things like this? They should be banished. The moral of this story is something everyone over the age of six already knows, and at best it is just a simple reminder, nothing fantastic. You might as well watch the hallmark channel. Its only saving point was getting to hear Marge Simpson the entire time, and afterward you will want to drown this movie with the first six seasons. Everything, literally everything, ends unresolved as the movie comes to a close. The climax, breakdown, and ending happen in the last ten minutes of film. Boring, unnecessary secondary characters fall off without a trace after they serve the bleak purpose of providing a few one liners a crap screenplay writer couldn't fit into the actual premise otherwise. The budget was small to begin with, and when the money ran out, everyone threw their hands up in the air and threw together a few sure-fire movie tactics for endings, and the happiness of its last few scenes temporarily overshadow the hour and a half crapfest, and if your lucky, those feelings may just last long enough to make you forget about it.

This is a not so good flick about an aspiring and unfunny stand up comedienne. There is a great little subplot involving the Sam Mathis character and her dopey boyfriend. Ending in a very funny and daring love scene. I would have like to have seen a whole film about the Sam Mathis daughter character and the boyfriend instead. The rest of the film, the script, direction, etc. are the just awful.