Somehow it seems music directors have a free hand. Over and over I see films and television shows where the music is wrong and being wrong dominates the show. I bought west wing and couldn't watch it as the music was over the top. Sopranos, deadwood starred actors. But lately music seems to rule and often does not fit directors seem to rule. Have they not listened to Max Steiner? He worked with the nuances of the picture. Of late it seems this is grandstanding, showing your chops... want to be a director? Find a script. But goodness gracious stop making the film a vehicle for your score. Watch "White Heat" the music is perfect. It is there in spades, but you don't hear it, you feel it.

When THE YOUNG AMERICANS was released it was marketed as a cool , tough British thriller . But after watching it the reality is that it`s average at best and is disappointing in many ways , especially its casting , Harvey Keitel as a tough NY cop , Keith Allen as a violent London gangster , wow get ready for some on screen fireworks ! Or rather don`t because these two characters become sidelined halfway through and Chris O`Neill becomes the film`s focus . In truth THE YOUNG AMERICANS is more of a drama with some subtle political comment about the Americanisation of Britain rather than a tough action thriller as it was marketed

I am a tad biased here when writing regarding this film, because I live in London myself.I thought that TYA lacked a little in as far as character depth, but never the less I thought the acting was slick and to the point. The photography in this flick really captures parts of London that are rarely seen on film. The underground. The rave at the beginning. The market seen where christian is collecting his wages are so familiar. Keitel again was very good. I especially liked the way he acted around the London police - cool, calm with lack of visual emotion. I guess that at present TYA is quite ironic in some ways as london police are using NY methods to battle crime. I liked this film alot, and would give it an eight out of ten based on photography, soundtrack and a cool storyline,

You HAVE to remember that he made this at a young age and little examples of first class directing shine through. The Cinematrography is also of a high standard. The subject matter is of the dark world of London and what it holds for young Britains. For some enjoyment and a way of living is achieved through working for an American crime lord who has taken to living in London. Our hero has to decide whether to follow in the footsteps of his own father's past and accept a secure life of working for the American or to change tune and try something different. Those who have seen it and enjoyed it should check out his earlier film "Play Dead". It's probably "Young Americans" with more money and more experience