The World Unseen is an outstanding movie about the topic of apartheid in the last 20 years of 1900 placed in south Africa. The interpretation of the actors and actresses is perfect, In particular Lisa Ray is perfect in playing the role of ingenuous wife submitted to the husband's rules. Even Sheetal Sheth in her character is very heart-warming. The story is exciting and rich of twists and involves the spectator make him aware of the pain of character. I suggest to the movie to everyone interested in this kind of plots especially to whom is interesting in lgbt movies. There is also the book of this movie that is amazing as well.

'The World Unseen' is a beautiful film. The issues it deals with can be seen to be controversial through a modern audiences eyes. Racial and gay issues seem to be handled with a strict fist these days, but 'TWU' tip-toes elegantly around these contentious matters making the segregation between races and the circumstance of being gay come across as simply outrageous and unacceptable by todays standards. People should not and should never have had to live in fear. 'TWU' contains great cinematography and the acting (notably from the two beautiful lead roles Sheetal Sheth and Lisa Ray) is second to none. They obviously received heart felt direction from Shamim Sarif and this heart felt dedication shines through, throughout the movie. The ending seems rather unresolved but we all have imaginations and thats half the fun. We can decide for ourselves what happens to the characters Lisa Ray and Sheetal Sheth portray (among others) in this magnificent thought provoking drama. 'TWU' makes us feel thankful that the world it depicts is a thing of the past, and long let it stay that way.

I too, saw "The World Unseen" at the Toronto International Film Festival. What a lovely film, and a wonderful story which unfolds in a loving and natural way. A superb cast helmed by a talented director. I was also especially struck by the song during the end credits. This was an absolutely magnificent song sung with such clarity and feeling that it seemed to captivate everyone in the theatre. (No one left the theatre during the end credits - people sat back down to hear the entire song, and that was the first time I saw this happen in my 45 years of movie-going). I have a feeling that we'll be hearing more from this singer/songwriter, Leonie Casanova.

I also saw this at the Toronto Inter. Film Festival. I came to see Lisa Ray, who was actually at the screening along with the director. What made the movie for me was Sheetal Sheth. Yes, she had a more flamboyant part than Lisa, so she had more to work with, but she blew me away. Where has she been hiding? Unbelievably gorgeous.As for the movie itself, it reinforces the theme found in Fire--don't beat up your wife or she'll turn Lesbian on you. If Indians really beat up their wives like this, they deserve to have them turn Lesbian.The police were just over the top--it made those sections almost comical, not menacing. More subtlety would have gone a long way.The restaurant looked way too much like a set, and it would have been a lot more effective if all the blacks/coloreds/Indians that were supposed to be beaten down actually looked beaten down once in a while. They looked way too happy most of the time.But these were minor quibbles. Lisa and Sheetal alone make this a good movie, whether you are Lesbian or straight.