Great beauty, great visuals and also very good drama and a positive love triangle. A triangle that says a lot about manner, honor, the relativity of being right and wrong. It's about how conflicts, inner conflicts, can be. How can impact you.The life is complicate. The established rules for right and wrong are far from to be true. It also talk how people change. How the man who doesn't love the girl, finally couldn't not love her. When you go through new feeling experience you'll change. You will not comes back. There is no restore point in feeling.This film, depicts how complicated human drama is. How complex its emotions is and How dynamic he/she is. I think this film enlighten the viewer to take a deeper look to complex human interactions and how simple are our religion and established norms and stereotypes.

Period pieces of this sort, well, just not my type of films. I do love Atonement though, although that really proves to be the exception. But this one wasn't the usual stuffy period melodrama, the writing and direction prove o be really restrained and elegant while still being sensitive and graceful. The performances are also fantastic. Bonham Carter really should do more grounded roles like this, she's amazing here, showing how subtle she can be when the part calls for it. Alison Elliot is also magnificent, even threatening to steal the whole film. This actress deserves to be so much bigger, if her talent here is any indication.

This is a great film to watch when you are feeling a little melancholy and want to be taken away somewhere else- Somewhere far away, and subdued.It was a slow yet enjoyable film. I would say that some might find it boring. It is true that the plot is fairly simple, and you have to wait a while for the few twists and turns it has. Though, it does always have something interesting going on, and the pace is decent for what it is. But if you don't enjoy long cerebral romances and period films, you probably won't enjoy this.I have to say it was visually appealing. This helps the film from becoming boring. Also the two leading ladies are gorgeous. You see the beauty of darkness in Kate and the beauty of sunshine in Millie- like night and day. I must agree fully with Lord Mark's comment about Kate's eyes.What was great about this film was the acting, presentation, mood, and lesson.Okay spoiler time, because I'd like to share my opinions on what happened. What I took away from this film is that it is not a good idea to persuade your love, for whatever reason, to be with another, even if it seems like a good idea at the time! Ha. Though I fully sympathized with Kate. She wasn't the sociopath that you often see in stories like this. She actually did care for Millie, and it seemed that she tried to convince herself that it would actually be good for Millie, at first. Although, the way she did try to break them up was a little heartless to her friend. But you can understand how it would be difficult for her to find any other way to do it. I suppose she could have admitted it to Millie herself, but I would think she might be too ashamed to do this. And anyways, she did say "this is the first time I didn't feel bad for her." She was jealous, and whilst at first she may not have expected herself to feel jealous, I think we can all understand the lack of sympathy we might have for someone if we did truly become jealous of them. So it is a little understandable that she would have hurt her friend. Besides, her friend would have been hurt anyway if she knew the truth with whatever way she found out, and she did deserve to know it.The best part for me was the ending where she was turned away by Merton. (By the way, did anyone else notice how at the end, Kate laid in the same position as the woman in the painting she asked Millie to look at?) I didn't fully expect her to be rejected. But it did make sense afterwards, as he was faced with a truly good human being, and felt so wretched about what he and Kate did to Millie, and finally realized that Kate wasn't such a great person after all. I think he was put off by the selfishness in Kate's final demand. I think if she hadn't requested that, he might have let bygones be bygones. But seriously, one can understand why she felt hurt and worried about throwing away so much to pursue this "true" love that she wasn't sure still existed. She was worried she already lost him to another woman and missed his undying singular commitment to her. But I can see why Merton would be so offended. Her request really did speak of an ignorance and uncaring about his feelings which may have developed, which were all her fault to begin with. I honestly thought it was a little silly for Kate to make her final demand. I mean honestly, she loved Millie and she should have realized that it was only natural to love such a great person. Besides, it's not like she would truly be a threat any more, 6 feet under! All things fade with time. Kate was honest with him about her feelings and intentions, so I don't think that Merton should have turned her away due to a lack of trust. Especially since she did change her mind in the end about going through with the plan. But I do suppose he could have resented the fact that she wanted money so badly, or acted so selfishly, or lied at all, and would have never known whether she was with him for his money after he got it. I suppose that was where his demand came from. But the fact she agreed to marry him should have been enough. He should have called her silly when she brought up her side of the bargain, and admitted that yes he loved the memory of Millie, just as Kate found herself loving her. I mean come on, Millie was an easy person to love, and Kate should have understood that. Besides, if Kate truly just wanted Merton for the money, she wouldn't have made her request.But really, they probably did need some time apart. I think that later on, they probably would find themselves back together after they had healed from the experience.One last thing I wanted to mention - The scene where Merton was crying was amazing. I don't think I've ever seen such a realistic portrayal of a man crying on screen before. He really nailed that one, and I felt very sympathetic to the feelings he was portraying.Anyway, it really was a wonderful film. It was very grey in its portrayal of the goodness and badness of the characters, which I like, and which isn't easy to do. It also made you think. I only downgraded it a bit because the storyline, while nicely portrayed, wasn't anything really spectacular.

Directed by Iain Softley, "The Wings of the Dove" is a period drama set in England, which tells the story of Kate Croy (Helena Bonham Carter), a beautiful, wealthy, woman who wishes to marry a common journalist, Merton Densher (Linus Roache.) Their love is forbidden by society, until a young heiress from America (Alison Elliot), enters their lives, and tempts the couple to set forth an unorthodox plot to be together.The acting in the film is superb. Helena Bonham Carter's sensual, thoughtful, performance as Kate Croy earned her many critics awards, as well as an Oscar nomination for Best Actress (This reviewer maintains that she should have won.) Supported by a wonderful supporting cast, Alison Eliot delivers a touching performance as the young heiress, and Linus Roache is magnificent as Bonham Carter's poverty-stricken love interest. The film is further enhanced by the beautiful cinematography, at it's best in the scenes set in Venice, and the gorgeous costumes. Ten stars