Five years after three year old Emma has died, the family holds a little get together. Two sisters, their husbands, the sister's mom and a friend/business partner of Hannah (Michele Hicks) mother of the deceased. They talk, try to have a good time and then things happen as this turns into an possession/exorcism film. In a subplot Eric Roberts, police psychologist is interviewing two individuals (we know they live) over the murders at the house (We know people die before they do.) Normally this is a film I run away from. It has all the bells and whistles of a mediocre film, especially with Eric Roberts being in it. However the film builds slowly. We got to know the characters, if only briefly, plus the aspect of secrets that one wouldn't expect a family to have so many added to keeping my interest. The acting wasn't half bad on what could have been a disastrous script.Guide: F-word. No sex or nudity.

Seeing in the credits that most of the lead actors also served as producers of one sort or another, I was shocked when I checked their credits to learn that they are all trained actors with hefty resumes. I was sure that one or more were simply wannabe movie stars with more money than talent. Although a few of the lead actors were attractive, on the whole the cast was dowdy and unengaging. One of the lead males looked like Ross from "Friends" if he'd put put in a trash compacter then dressed in an outfit designed for a five year old boy. His haircut didn't help -- it looked like he had an accident with a Flow-bee. His thick Gaelic accent made him stand out even more, not in a good way.On balance the lead female characters were more likable than not, despite the ham-handed direction. The rest of the cast were just annoying, from the "sassy" psychic to the harpy of a mother and the poorly cast priest. With his unkempt shoulder length hair and grubby whiskers he looked like the guy who'd bring a keg and an eighth of weed to the party, not the gravitas of an exorcist.The script starts off on a fairly solid collection of clichéd story points but halfway through the characters go off on illogical tangents and there's little suspense throughout. (What man wouldn't be tempted to French kiss his wife after she'd been possessed for a day, complete with deep processed demon voice.) Character emotions change erratically and the horror comes in choppy doses, but there's no one to care about anyway. Eric Roberts collected a day's pay for his wraparound stint as a police psychologist. Whatever they paid him wasn't enough.

I don't even know where to begin - I started watching totally blind, no reviews read and no word of mouth. It just doesn't make sense - establishing some things as facts and then from scene to scene acting as if no revelations or oddities had occurred.Seems a waste of a good chance for the team to make a solid movie, most of the elements are there but it falls apart due to horrible storyboarding/writing/editing (could be any of those things... or all of them).2/10 just because it begins quite well.

Another Exorcism movie! Exorcisms and found footage, two types of movies that apparently are here to stay.I don't think there was anything new here, the most absolute used plot in such productions and all the cliché elements the story needed to pass as an horror. It didn't take long to realize where it was headed and it acts as predictable as possible. To me, this was a disappointment. Glad to see others appreciated it, that's always good, but for someone that is truly familiar to the genre, it will be a let down, trust me on this one. If you do decide to give it a go, please return with an opinion, let's see what you have to say.A Wicked Within, a yawn production that stood no chance with this script.Cheers!