The West Point Story
The West Point Story
NR | 25 November 1950 (USA)
The West Point Story Trailers

A Broadway director helps the West Point cadets put on a show, aided by two lovely ladies and assorted complications.

Reviews
TheLittleSongbird

A shame really. With the talent, how could one go wrong with Doris Day, James Cagney, Gordon MacRae, Gene Nelson and Virginia Mayo, 'The West Point Story' could and should have been really good, even if not an instant classic.Well something did go wrong, because 'The West Point Story' (despite being called 'Fine and Dandy' here, being British it is being referred to by its English, and original, title, just wanted to clarify to save any confusion) was a heavily problematic, lacklustre effort that doesn't even utilise its talent very well (even though they still come off well). Not an awful film, but not a particularly good one but more of a difficult to rate film for me.The best thing about it is Cagney, who may not be exactly subtle (which came across to me as making the most out of, and doing at least something with, his material), but brings a tremendous amount of energy which is a marvel to watch. So much so that it makes one frustrated that that energy doesn't come over in most other elements. Day and MacRae also don't come off too shabbily. Day is fresh and endearing and one cannot get enough of her voice that shines even in not so great material. Meanwhile, MacRae shows off his warm baritone voice to perfection and is a charmer on screen, when he and Day are on screen they are irresistible.Mayo and Nelson deserved better (as did Day and MacRae) but do a lot with what they have. Mayo is luminous, snappy and saucy, while Nelson's dancing is as dazzling as ever. The songs are pleasant enough and sung beautifully.Against all that, of the songs there isn't one that stands out and it is crying out for a show-stopper. Likewise with having a show-stopper of a dancing sequence for Nelson, he dances really well and the choreography is witty and graceful but at the same time there is nothing extraordinary or memorable. As said though, Day and MacRae do sound wonderful and the songs suit their voices, one just wishes that the overall standard was more inspired.Nothing against black and white (there is a very big group of great films and even masterpieces in black and white), but 'The West Point Story' also cried out for Technicolor. The sets do look shoestring-budget cheap with obvious rear projection and the cinematography is dull. Roy Del Ruth is the sort of director who could do this with his eyes closed and despite some energetic moments in some of the choreography elsewhere this was a real going through the motions effort from him.Script goes overboard in the silliness and feels very limp too. Worst of all is the story, which is pedestrian in pace, takes silliness and contrivance to very high degrees and is filled with inconsistencies, dumbness and improbabilities, with very forced subplots and parts that don't really go anywhere. Day is also rather underused with a character that is given short shrift too much.Overall, very difficult to rate but generally very disappointing. 5/10 Bethany Cox

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marcslope

He spits out lame dialog like it was Shakespeare, he talk-sings with a verve that could give Rex Harrison or Robert Preston lessons, he stomps up and down, he uppercuts, he dances up a storm. There's plenty of A-list talent in this uninspired Warners musical, but a 51-year-old Cagney is pretty much the whole show, and he appears to believe in the hole-filled plot so much that you buy it, too, despite the many lapses of logic. I find his teaming with Virginia Mayo a little distasteful--he's plainly too old for her--but she lends a lot of enthusiasm, too, as does Doris Day, given some middling Jule Styne-Sammy Cahn ballads to warble (and some very unattractive gowns to model), and Gene Nelson, tapping exuberantly, and Gordon MacRae, with his fine natural baritone. Cagney felt he did his best dancing in this film, and it's worth sitting through the dated, hit-you-on-the-head patriotism and weird plot mechanics to get to his virtuosic numbers--he even taps a bit with Day, who started out as a dancer and keeps up brilliantly with him. It's not a good movie, exactly, but I'd trade a lot of neater, better-crafted musicals for this one's dumb liveliness, and for Cagney's genius. I mentioned Robert Preston above; Cagney was, in fact, considered for Professor Harold Hill before Preston was hired. I think he'd have been terrific.

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edwagreen

Average musical where James Cagney goes to West Point to get graduating senior Gordon MacRae out of the military so that he can pursue a show business career.Virginia Mayo and Doris Day are 2 ladies or cohorts in this scheme and go know that Day falls for MacRae causing many complications.As always, the musical productions are nicely staged as Cagney dances away 8 years after his Oscar-winning turn in "Yankee Doodle Dandy."There is some uneven moments as Cagney is castigated for being out and then is promptly honored. In fact, he gets "honored" several times in the film and it can be annoying.The songs Military Polka and the ending Brooklyn are memorable.Mayo and Cagney proved that they could dance up a storm here. When Day gets excited with Cagney, would she ever think that 5 years later the two of them would be in probably the best picture of their respective careers-"Love Me or Leave Me."Due to the weak plot, some may have wanted to leave West Point prematurely.

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rube2424

This one was a real disappointment. I mean with James Cagney, Doris Day, Virginia Mayo and Gene Nelson how could they go wrong! Somehow they did. Cursed with a dumb screenplay, clutzy direction, far too many stock shots of West Point and pretty sloppy rear screen projections, WEST POINT STORY just doesn't make it. Cagney is great as always, as is Doris Day, (and that the Academy has never seen fit to give her an honorary Oscar is a real crime!), but the songs they have, by Sammy Kahn and Julie Styne, no less are instantly forgettable. And to put the icing on the cake, the thing is filmed in not so glorious black and white!!! I can't believe that Jack Warner couldn't have sprung for color, but there you are! (Remember, this is the same man who passed on Julie Andrews for MY FAIR LADY!) Anyway, see it for Cagney and Doris, but otherwise give it a pass. A five..not horrible..not great...just "Bleh!"

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