I don't know what the heck that was, or why people need to rip off Edgar Allen Poe for ideas, other than he's in the Public Domain and won't ask for a royalty! The plot, which kind of echoes Poe, is that an English professor is enticed from his engagement to a singer to a sultry Goth babe from Russia, and is convinced to use his immense wealth to rebuy her Russian estate while she looks for ways to extend her mortality through magic and science. What we get is a confused mess of body swaps and the kings of Direct to DVD, Michael Madsen and Eric Roberts, playing largely unnecessary supporting characters.Other than that, some parts of the film look quite good for a low-budget made in Eastern Europe mess...

To put it mildly, most of the Horror genre owes a huge debt to the works of Edgar Allan Poe. So many of the genre's finest works of literature and cinema wouldn't even exist without writings like "The Conqueror Worm", "Masque of the Red Death" and "The Black Cat" just to name a few. Hell, there have been some stellar films based on his works, especially Roger Corman's absolutely essential 60's adaptations. Sadly, the adaptation of "Ligeia" from 2009 named "The Tomb" is not one of the great adaptations.Jonathan (Wes Bentley) has a lot to look forward to. He's a respected professor, has a gorgeous girlfriend in Rowena (Kaitlin Doubleday) and so much more. Then Ligeia (Sofya Skya) enters his life. She's beautiful, tempting, and she has him under her spell, and they move to her castle by the Black Sea. That is, until he finds out that she's been stealing souls to defeat a disease she has and gain immortality. And if she can't have Jonathan, nobody can.There are a few things "The Tomb" gets right. Some (not all mind you) of the performances are good, especially Skya as Ligeia, who plays the character as an Gothic beauty with the right balance between erotic desire and deadly siren. Eric Roberts aka "Mr. Straight to Video" is also fine in his role, though one wishes you had gotten to learn more about his character. Also worthy of note is the fact that for a low budget horror film, the CGI isn't too bad. Finally, the score by Patrick Cassidy is a lot of fun, and reminded me of the best work from Richard Band.And that's where all the goodwill vanishes. While first time director Michael Staininger certainly has an eye for visuals, none of the movie captures the kind of dread and madness that makes the writings of Poe so great. Instead, many of the scenes that are supposed to be creepy instead come of as goofy. Some of the other performances in the movie are rather weak as well, particularly Bentley and Michael Madsen. Bentley is more wooden than a 2X4 here (the less said about his rendition of "The Conqueror Worm" in the end credits the better-though I guess it's more dignified than being in "Jonah Hex") and Madsen can't deliver any of his lines properly to save his life, not to mention that it feels too much like he showed up on the set a few days and then left.The biggest problem with the movie is the script. There are too many lapses in logic (okay, so your boyfriend leaves you for a hot Russian girl, and he comes back, and you just let him back?) and plot holes to count, and it feels more like a rough draft. The really disappointing thing about this though, is that it was written by John Shirley. While he's mostly known for writing the original script for "The Crow", he's also written some fine Science Fiction ("City Come a Walkin'") and horror novels ("Wetbones", "Cellars" and "Demons" to name a few.) For an author I enjoy so much to write such a bad script really sucks."The Tomb" really has no reason to be watched. Sure, it occasionally resembles the kind of enjoyable Gothic yarns Full Moon Studios used to make, but more often than not it feels like a Lifetime Channel horror movie than an Edgar Allan Poe Adaptation. The movie should have just been called "The Bore of Ligeia."

Some other comments tear this film apart completely. I just felt like someone (else) ought to do justice to some of the good sides.First, I was amazed after finishing watching "Ligeia" at it only being a little less than 90 minutes long -- felt more like an hour 45-50 to me! Now, don't think of the reason for that being a boring plot. The original story is by Edgar Allen Poe. More like the director really didn't waste any time dragging out the story at all. I believe, though, it would help if the sequence of events wasn't quite as rushed. More precisely, if in places there had been more room for emotion and human appearance of the characters. The parts of Ligeia and Rowena, the female antagonist and protagonist, were very well acted and a terrific choice of actresses. Michael Madson is also convincing doing his usual thing. For some reason, Wes Bentley comes across as very stiff and it's hard to read what's even going through his character's mind most of the time.But one thing I do believe really worked out great is the atmosphere. From the way the names in the opening cast turn into curls of smoke to the coloring (or reduction thereof) and lighting to the beautiful shots of the locations and sky ...I guess what's showing is just that it's the director's first serious movie. But the movie is worth watching, especially if you like the genre and an Edgar Allen Poe story drenched in a somewhat Gothic atmosphere with two truly talented and beautiful lead actresses.

I always have high hopes for anything based on Poe's work or that of Lovecraft, yet always seem let down. If Dario Argento or any worthwhile Italian Director would have handled this poorly drafted script, it would have probably gotten the treatment it needed. I had to watch it in two parts because I fell asleep. Slow paced, wooden NPC style acting, and predictable character development and plot twists that are better suited for an adventure or RPG video game than a feature film.But I did give it a few stars! One for beautiful art direction and locations. Another one for the actresses, they were all beautiful and pleasant to watch even during their worst acting moments. Another one for the cinematography and special effects used aptly within the budget, although the style of the film is predominantly visual and better suited for a music video production or in-game cut scenes. Tighter editing and either a revised or shortened script would have helped this film immensely. And finally one for the perpetual references to Absinthe, as it is one of my fondest libations.To sum it up, it's worth a watch if you can catch it on cable at like a 2am time slot or perhaps a red box rental, but nothing to go out of your way to see.