Aaaa... wow. I began watching this movie because it was shot in Lawrence. I wasn't expecting anything remarkable. But this movie is. Its sad enough to make you look away but its so good you can't. I don't doubt that this is exactly the effect Blake Robbins was looking for. He skillfully represents all the horror of a tragic happening and the fact that sometimes there are no words that can help yet others around are compelled to offer them. But no matter since and heartfelt they are they only cause pain. If you are looking for quality and meaning and completion of purpose then this is a film you shouldn't miss. I'm going to be watching for more work of Mr. Robbins.

Blake Robbins took on a daunting task: Writing a story about a profoundly sad event in the life of a family. The hazard in such an effort is to fall into tactics of cheap and obvious manipulation. Not only did Robbins tell the story with realism and respect, he carried it through 90 minutes of film further enriched by the right actors, cinematography, musical score and all the other elements of a nearly perfect movie. I did not cry when I watched it, but not because I wasn't moved. Blake put me in David's head and I felt locked in a state of shock and denial. Add David's struggle with middle-aging even before the tragedy, witness the impact on David and Kelly's marriage, the reactions of friends, family and community, and this film feels as real as it possibly could. As art, it is the best possible treatment of one of the darkest aspects of the human condition.

this is one of the saddest films ever made. the screenplay is so thoughtfully deep, Blake Robbins, the screenplay writer, the director and the main character....the only word i can say is WOW...!!! he really knows the saddest feeling what a human being would have to face, suffer and to deal with. the family, the kids, the wife and the marriage before after the tragedy. the relationship among friends and colleagues, the mind, the shocks, the lost, the void and empty space of a soul. the lost hope of tomorrow. the....there's nothing i could say more when and after i watched this film. guess drunk driving is the most heartless and irresponsible behavior that a human being could commit.

I once took a writing class where the teacher told us that the best way to get readers to care about your characters is to make terrible things happen to those characters, forcing some type of reaction. The Sublime and Beautiful is the greatest example of this that I've ever seen. Throwing on a multitude of hats as director, producer, writer and lead actor, filmmaker Blake Robbins offers up a tale of a husband and wife who lose their three children in a tragic accident. Robbins reveals flaws in many of the characters throughout the film, but none so much as the main character—creating a stunningly authentic feel with each role. Though The Sublime and Beautiful is by far the heaviest film I've seen in a long time in terms of mood, its depiction of grief is stunningly honest and matter-of-fact. When you experience tragedy in life you don't want to talk to people you hardly know, you don't want people constantly asking how you are and you certainly don't want to hear about how "these things happen for a reason"—you want someone to blame. Robbins understands that perfectly, and his film is both sublime and beautiful.