The film follows two orphans, a sister and her younger brother, separated when the youngest is stolen for his magical ability to feel gold, something which at the same time tortures the young boy. The sister runs, looks, even sees him at a distance, but her struggles only continues. Luckily she gets aide from a philosopher and healer, who in many ways serves as the film's main comic relief, but his journey is not a happy one either. From the very beginning, as the camera closed in on the town, as the music played, as the colors exploded, I knew I would love this film. Almost every frame was perfect, and they drew up the magical world we are visiting in the most perfect way imaginable. This is a beautifully dark and twisted fairytale, in the way only Eastern Europeans can make them. It created it's own world with an amazing eye for details, and managed to be absurd and funny, at the same time as it told a very, very bleak story. It could be described as an odyssey, a tragic chase, a voyage into strange lands, and visions we will see. And beyond it all, there is color. Nearly every image seems perfectly crafted. The full glory of soviet cinematography. It was so masterly directed and shot I bookmarked all films directed by Aleksandr Mitta, and even looked into other films by the cinematographer, Valeri Shuvalov. Two names I had never heard of before. This was a truly amazing discovery, and I can't wait to search out more.

I first saw "Skazka Stranstviy" in my early teens. Loved it but waited almost ten years to see it again. The film is brilliant, and invokes a lot of emotions and thoughts. Until I was adult it was too dark and too deep to comprehend and deal with. I definitely wouldn't recommend showing it to children. But for adults it's a must see. Every time I've seen it I've ended up crying through most of the film. Especially touching are the part where Orlando dies, and the end when Mai draws the diagram in the ruins. While dark and disturbing, the film provokes thoughts and emotions that modern films fail to touch. Like one reviewer mentioned it's a true classic fairytale. Not a Utopian fairytale we're used to in United states, but a true dark fantasy. The score is wonderful and adds on to the overall mood of the film. While the whole film is dark and gloomy, the end is very beautiful and hopeful.At the time I first saw it, I just became a sister. So for me, at the time the plot and the story were particularly real and threatening. I wouldn't let my baby brother out of my sight after seeing the film. I could understand what Martha was feeling when she lost her brother, and the end of the film provoked thoughts on what I would feel if my brother grew up to be an individual I wouldn't be proud of. Even with all the fantasy involved, the film is really easy to connect to.

I have not much more to add to the reviews - this movie gets a 10 from me. This flight episode, together with Tarkovsky's flight episodes from "Andrei Rublev" (opening) and "Solaris" (closing) is IMHO the most moving and inspiring moment in film history.A small remark for the former Soviet citizens among you;-)Has anyone also felt some well-concealed allusions to the life behind the Iron Certain as much as I did in the episode with Don Quixote and the knights on top of the dragon? Just like in a "communist" system, for many it was actually quite warm and sweet while for some it was not quite as easy to get out as it was to get in (most likely the same could be said about a "capitalist" system too though). I think such allegories were quite common in Soviet movies and it is often a sport to find and interpret them.

This is the story of a girl, Martha, whose brother, Mai, possesses a unique gift, he can find buried treasures. But it makes him very ill, and Martha prefers to live in poverty rather than make her little brother suffer. However, not everybody is just as concerned about Mai's wellbeing, and one Christmas, Mai is kidnapped. Martha decides to search for her brother, and her story begins. On the way, she meets a genius inventor, Orlando, and they travel together meeting various people, and most of these encounters threaten disaster to Martha and Orlando. This is, indeed, a dark fantasy. Yet it is extremely, breath-takingly poignant and poetic. It has a great score by Alfred Shnitke, and the music heightens the emotional impact of the film. I was a child when the film came out, and I was utterly captivated. Yes, it is scary, but the poignancy of the film far outweighed the scary bits for me. Even though it is essentially a fantasy film, the characters are more complex than in most "real life" dramas. They are sometimes likable, sometimes exasperating, and always human (that does not include the Plague who does make an unforgettable impression, not for the faint of heart for sure). An excellent film overall.