I would imagine that after their breakup four years after this film was made, both Martin and Lewis could look back on this film as being a bit of a premonition of things to come. Here, a singer (obviously Dean) with a stage act that is going flat hires a stooge (obviously Jerry) to spice up the act. But in a sense, it's a role reversal, because here Jerry is getting no attention, while Dean gets all the kudos in the press. Ironically, after the real Martin & Lewis breakup, it was Dean that was expected to flounder and disappear, while Jerry was expected to continue to rocket to success. How ironic that in this film Dean is told, "You're not a single, and you never will be!" While there's lots of classic Martin & Lewis here, this film does have a serious story line...2, in fact. Singer neglects and almost loses wife. Singer doesn't provide his stooge with the dignity he deserves and almost loses act. There's some good sentimentality here, and both Martin and Lewis probably do their best real acting to date.Dean has several good songs here -- "I'm Yours", "With My Eyes Wide Open I'm Dreaming", and "A Girl Named Mary And A Boy Named Bill". Plus there's a fun Dean & Jerry version of "Just One More Chance".Polly Bergen is very good as Dean's wife. We survive through Marion Marshall as Jerry's love interest...again. Eddie Mayehoff is really good as the agent. And it's interesting to see Frances Bavier (Aunt Bee on Andy Griffith's show a few years later) as Jerry's mother.This is one of the better Martin & Lewis films because -- like "That's My Boy", there's some drama mixed in with the comedy. Recommended, but their best films are yet to come.

The Stooge was Dean Martin & Jerry Lewis's 7th Movie together (8th if you include the blink and you'll miss it cameo in Hope/Crosby's Road to Bali), and it's one of their best.Dean plays Bill Miller a Broadway star and part of a successful musical comedy double act, who decides that he could be just a big a star doing a single act. despite all around him advising him that he couldn't.As predicted, his solo act goes down like a lead balloon and he lays egg after egg in all the houses he plays, thanks to his poor and well travelled jokes. His agent Leo Lyman, (Eddie Mayehoff), convinces him to get a 'Stooge' to sit in the audience and heckle him as he performs in the hopes of adding life to his stagnant act.Enter ex stock room boy Ted Rogers,(Jerry), as the klutzy kid hired for the role. The new and revived act brings the house down with audience convulsed with laughter at the way they played off each other.Bill & Ted tour the country to rave reviews but Bill has delusions of grandeur by thinking he's still a single act. Even though most of newspapers are praising Ted, he receives no formal billing, a fact that either doesn't bother Ted, or he's content to see his friend happy by not mentioning it. In Bill's defence, there is no conscious malice towards Ted as he does genuinely care for Ted as a person, but sees him as nothing more than an essential prop in HIS act.Ted is naive in every single way and will not have a bad word said about his 'partner', especially when his girlfriend, Genevieve 'Frecklehead' Tait, (Marion Marshall), Leo, and even Bill's wife Mary, (Polly Bergen), try to stick up for him by telling him that he's being made out a stooge in more ways than one. Bill's failure to realise that he is actually part of a mega successful double act finally threatens to alienate everyone close to him and even end his marriage.The Stooge is in many ways a mirror of Dean & Jerry's own rise to fame and also a precursor of the demise of their partnership in 1956. When they were both booked to play the 500 club as single acts in 1946 both acts were not very successful until Jerry started heckling Dean during his act smashing plates and causing mayhem. The act quickly took off until by the end of their first week it was standing room only. When they split up 10 years to the day later, critics were convinced that Dean Martin would disappear from the scene and wouldn't be able to make it without Jerry who would no doubt become the clown prince of Hollywood. Thus the entire film is an undisputed case of life imitating art.The support cast is brilliant, the songs superb and you can never EVER get sick and tired of listening to Dino sing. Jerry has couple of great scenes. One see's him singing a song in his own squeaky voice but turns into Maurice Chevalier whenever he puts on a hat, the other is in his very first scene in the diner where he shares the laughs with that brilliant character actor Donald MacBride.Drama, Comedy, and Dino singing, this movie's got the lot.Enjoy!!!!

STOOGE, THE (1952) *** (out of four) Dean Martin plays a singer wanting to make it on his own but he needs the help of a stooge (Jerry Lewis) in order to hit the big time. Once there, Dean decides he can make it solo. Outside his performance in THE KING OF COMEDY, I wasn't really a big fan of Lewis whose humor just really doesn't appeal to me. I had been told that his teamings with Martin were much better than his solo career and that's certainly something I'd agree with because THE STOOGE turned out to be a nice little gem. The film features all sorts of wonderful gags including a scene inside a diner and another were Lewis takes his first drink of alcohol. Even the songs are pretty good, which is why I was somewhat shocked that Paramount kept this on the shelf at first.

I haven't seen this movie in years, but a flick like this one just cannot be forgotten! I am in my early twenties and for more than half my life, I have been a film buff of movies old and new. Martin and Lewis are one of my all time favorite comedy duos, and at one time, I was renting movies here and there so that I could see all of the films they made together, and ones the lively, virtuous humanitarian Lewis did during his solo career. When I saw this movie, it just blew me away. This film is the most dramatic film those boys ever made--and if you're thinking that that can't possibly be saying much since most of their movies were screwball comedies, I'm here to tell you you're mistaken. This movie is funny, but it's also very impassioned and heart-rendering, so you might do yourself a favor by keeping a box of tissues near you when viewing it.Both Martin and Lewis are great in these dramatic and comedic roles as a comedy team that splits up because Lewis' character is under-appreciated and emotional mistreated by Martin's character. In a oddly coincidental way, this movie seemed to foreshadow the boys' split up in '56, but of course, in the movie, there is a happy ending. And while everyone knows that both Dean and Jerry went on to have successful solo careers and reunited as friends years later, I think that it would have been great to have seen them do a couple more films together that were as unforgettable as this one.