On its own this film isn't bad but if you compare it to the original then you will be disappointed. I only wanted to see it as I was such a fan of the original anyway, but the thing that really annoyed me was why were the first names of Gondorf and Hooker changed to Fargo? and Jake? respectively. This sequel follows the same plot as the original in that a good friend 'kid colours' is killed so revenge must be taken by way of a con. Kid Colours however is no Luther Coleman and as a viewer I couldn't have cared less as we were never given an insight into the character as we were with Coleman. When Luther was killed, you felt sorry for his family and were immediately drawn into the plot for revenge. The hook was lame and if Macalinsky was such a feared gangster he wouldn't have allowed 'Fargo' to crack on to a girl he fancied in a club that he owned now would he? The movie got progressively worse from there. The best bit was when the mark wanted to see Jake fight and so the grifters managed to gain the use of a gym in a similar way to the originals taking over of the Western Union office. I don't think it was as predictable as some make out but 'Fargos' daughter was obvious, I'm afraid.After watching a truly great film you feel as if you were a part of what you were actually watching and wonder what became of the characters long after the final credits have rolled. That is how the original made me feel but the sequel was 'just a movie' and nothing else.All in all not a bad film but when compared to the classic it follows it is nowhere near as good.

You'll forget all about Newman and Redford once this picture starts and you see Gleason and Davis take over the characters. I think if it weren't for the original this might have swept the Academy Awards, including a very deserved Oscar for Teri Garr. Gleason is the definitive Gondorff! Davis, hot off his success in "North Dallas Forty" charms his way through another great performance as Hooker. With Oliver Reed and Karl Malden one wonders if we'll ever see such caliber of actors in the same room again, let alone the same film. Wow! Sorry, none of this is true...this is a Sting...too.

Dismal follow up to the Oscar winner with Gleason and Davis poorly attempting to ignite the same flame as Newman and Redford as con men looking to get well and rich. Malden is laughable as a tough guy. Reed is no Robert Shaw by any means and it shows. Garr is passable, but she looks bored with David S. Ward's script, who oddly enough, wrote the script to the Oscar winner. What happened? While the score is catchy, the rest of the film is quite embarassing at times.

Good acting. Good story, but a little confusing at times. Very good photography. Too true of the dark side to be funny. No laughs, but none desired (I presume).