The Nutty Professor
The Nutty Professor
NR | 04 June 1963 (USA)
The Nutty Professor Trailers

A timid, nearsighted chemistry teacher discovers a magical potion that can transform him into a suave and handsome Romeo. The Jekyll and Hyde game works well enough until the concoction starts to wear off at the most embarrassing times.

Reviews
Dalbert Pringle

This is now the second Jerry Lewis movie that I've recently watched - And I swear that it'll be the last. I refuse to watch another film with this #1 A-Hole in it, ever again.In one word - I sum up Jerry Lewis as being nothing but AWFUL!!!... AWFUL!!... AWFUL!!This brain-dead Jekyll & Hyde story from 1963 stank, big-time. With Lewis portraying 2 personae in this picture - He certainly managed to be unbearably irritating as both characters.It was especially as the infantile Dr. Julius Kelp character (aka. the nutty professor) that Lewis totally grated on my nerves like you wouldn't believe. It was a good thing for subtitles here 'cause otherwise I wouldn't have ever understood WTF!? his character was babbling about most of the time.I honestly cannot believe that this idiotic doofus (Lewis) was a really popular and well-liked comedian of his generation. ' Cause, as I said earlier - Lewis was AWFUL!! AWFUL!! AWFUL!!

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jamariana

(1) How much do I like it? 2/5. (2) Direction: 3/5. (3) Is the personal style of the director noticeable? Yes, 1/1. (4) Editing: 2/3. (5) Plot/Story: 3/5. (6) Quality of dialogue: 1/3. (7) Originality: 2/3. (8) Level of sophistication: 1/2. (9) Is it good writing? Not really, 0.5/1. (10) Cleverness: 2/3. (11) Memorability/Uniqueness: 2/3. (12) Quality of the ending: 1/2. (13) Quality of characters: 0/2. (14) Is there character development? Not really, 0/1. (15) Do you root for the lead character? Nope, 0/2. (16) Do you care for the lead character? No, 0/2. (17) Act structure, conflict/denouement/etc.: 2/4. (18) Acting: 2/5. (19) Chemistry of the leads: 0/1. (20) Cinematography: 3/4. (21) Style/Art Direction/Wardrobe/Make-up & Hair, etc.: 2/3. (22) Emotion/Experience of watching it/Catharsis: 2/5. (23) Atmosphere, i.e. were you sucked into the film? Not really, 0/1. (24) How well made is it?, i.e. effort clause: 2.5/4. (25) Entertainment value: 1/4. (26) Coolness: 0/2. (27) Would I be OK with dying while watching this? Nah, 0/1. (28) Would I be ashamed to admit I like this? Yes, 0/1. (29) Would I rewatch this? No, 0/1. (30) Soundtrack: 1/2. (31) Sound: 1/1. (32) Do I like it of my own free will? I don't like it, 0/1. (33) Is it one of my favourites? No, 0/1. (34) Did something I like happen? 1/3. (35) Would I recommend this to someone? No, 0/1. (36) Truth to the genre, or first of its kind (trailblazer): 1/2. (37) Is it believable? Or Reasonable? 0/1. (38) Overall quality 3/5.Overall score: 42/85, which is 49% and so a 5/10.

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tigerroux

I grew up watching Jerry Lewis act in the 1950's, and he was always very funny. However, I did not care for his suave transformation character in this movie, because the cool guys during the 1960's did not wear that much greasy hair dressing, so I felt that was way out of place. (He wore greasy hair balm in real life I believe at this time Well - yuck!) If there were men like that, they would have been slapped left and right acting like this character did in real life. I suppose he was trying to be the obnoxious cool guy anyway, but I really hated him acting this way. Stella was perfect for her part. Very cute then, but I was so glad her character didn't fall for this Buddy Love person. I think to appreciate this movie, you have to understand or have lived that era. I like the different format Lewis used when at the end of the movie, all the actors/actresses walked out and bowed their parts as if having made a stage show.

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A_Different_Drummer

Jerry Lewis himself always considered this his greatest film. He's right. It is. We will never know what he had in mind when he came with the idea -- looks like a stab at a "goofy" version of Jekyll/Hyde -- but whatever it was, it worked. Years later, Lewis would boast to interviewers that he not only had the pleasure of making this film a success at the time, but he made money a second time when he re-sold the rights to Eddie Murphy. (Who used said rights to make a film of considerably lesser merit. But HEY if Jerry had a payday, I'm happy for him.) Frankly it is hard to discuss the contribution of the rest of the cast because, of this there is no doubt, Jerry steals the entire picture. (In most of his other films, he "attempts" to steal the picture, but rarely succeeds. Here he nails it. Big difference.) Stella Stevens is memorable even in a fairly understated performance. And the parrot does a good job too -- playing a parrot. I believe the sub-themes spinning around the way the Stevens character immediately goes for the "bad boy" in Buddy Love do have implications for the culture of the day, but the film is oh so much more than that. It is about the difference between who you are, and who you want to be. It is a must-see, a one of a kind. And as promised here is what may be the secret to Lewis' pitch-perfect performance. In an interview given years later by Lewis' son, the interviewer was told that Jerry did such a great job on Buddy because Jerry "was" buddy in real life. No acting required. Food for thought.

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