This is an extraordinary film, which I gave 10 out of 10 even if Warner Brothers, the film's theatrical distributor, cut the film in half for its American release. If ever this film (and its predecessor, "The Emigrants") makes it to DVD, I sincerely hope those 102 minutes are restored, so that I can at last see the film that Jan Troell intended for me to see.As it looks on video, "The New Land" is still magnificent - its depiction of Swedish immigrants settling in frontier Minnesota outdoing every Western ever made. Be sure to look for the scene that George Lucas stole wholesale where Max von Sydow slaughters an ox and places his freezing son inside it during a snowstorm.

This is an important movie historically, though many will also find it very slow going and a bit boring. While this IS true, the life of the average immigrant of this time was ALSO quite boring, so to keep the movie as an accurate representation of the Swedish-American experience, it is awfully low-key to say the least. The acting, like the average Swedish immigrant, is very restrained and understated. Again, they were seeking absolute realism and got it. However, while I generally enjoyed this SLOW tale, I found the part when von Sydow's brother returned to be very poorly executed. Instead of a narrative, it was shown through cloudy dreams and confusing snippets--and TOTALLY derailed the movie until this segment was completed. I really can't understand why they chose to change the pacing, focus and perspective of the film so abruptly. Well, fortunately, after this brother dies, the film gets back on track. Not a great film, as it's too slow to interest all but the biggest historians and cinephiles and the segment with the brother just didn't ring true. However, its importance as a realistic portrayal of the immigrant experience is great.

The New Land is a sequel to the 1971 Swedish film, The Emigrants. Karl Oskar and Kristina begin their new life in Minnesota. It is not easy in America. The immigrants clear the land and build cabins. We see in Kristina's face that she misses Sweden. Kristina and the prostitute, Ulrika, are friends now. Ulrika models her new hat. Robert and Arvid set off to dig for gold in California. Liv Ullmann as Kristina is beautiful, her long golden hair down on her shoulders. More Swedes arrive in Minnesota. Karl Oskar plows his fields. Robert returns a broken man. The Civil War is fought. Indians threaten. Kristina finally pines away in the new land. Karl Oskar lives out his life. The sense of mission in the first film gives way to the drama of everyday life.

"The New Land" is the second half of a story started in Troell's "The Emigrants," which depicted the struggles of a band of Swedish peasants in their move to America. Here, several of the settlers- such as the priest and the prostitute- move away in the first half-hour and reappear here and there throughout the rest of the film. The plot focuses on Karl-Oscar, his wife Kristina, and the family they try to raise in the Minnesota wilderness.Von Sydow and Ullmann are given a chance to embellish on their characters, and they both do excellent work. Axberg also does a fine job of lending more depth to the character of Robert, Karl-Oscar's rebellious younger brother. There is also material worked in that examines the mistreatment (and eventual uprising) of local Native Americans and the futile searches for gold in the north. These other elements do not always seem to fit with the central story, but they effectively add to the sense of time and place anyway."The New Land" does not have the same emotional impact that "The Emigrants" had, but it develops the two central characters more and intelligently explores how they learn to adapt to their new life. Put together, these two films convincingly illustrate the plight of those who forged our frontier.