The gangly James Stewart doesn't seem to understand anything or anyone other than his own culture, and how to treat ladies in this film. His character is despicable, and there are times when he is downright racist saying 'I don't take advice from Chinese people any more'. He fails to take you on the journey with him, and you get the feeling that in 1960 at the age of 52, he is growing old and getting set in his ways. His characters seems to be fixed at this point in his career which is why there is very little room for him to grow as an actor. Only John Ford would take him to the next level in 'The Man who shot Liberty Valance' two years later.

Legendary American reporter Theodore H. White covered China in the 1940s, and he wrote the novel on which this unusual James Stewart feature is based. It's not quite anti-war, but it's a very long way from the flag-waving military movies that Stewart made in the 1950s.Stewart's character is a U.S. military engineer working with a small team trying to slow a Japanese advance in China. Though there's plenty of action (especially explosions), the emphasis is on the Americans' interaction with their Chinese allies -- which is fraught with problems. Stewart's character has a local love interest, played by Lisa Lu, but their relationship is nothing like a conventional GI romance."The Mountain Road" was obviously meant to be a thought-provoking look back at World War II, and to audiences in the early 1960s it probably was. The climax may have been almost shocking. In today's more jaded world, the movie is likely to strike many viewers as dull, with an ending that resolves very little. But it you still have a rose-colored view of the "Greatest War," and think it was less morally messy than our current conflicts, this could be enlightening.

I have seen practically every film Jimmy Stewart made in his long and wonderful career. Somehow or other, I never saw this film and was surprised to see it was coming on--especially as I've never heard of it. Well, after seeing it, I can clearly see why this film is rarely seen or talked about, as it stinks.Up until the amazingly confusing ending, it still wasn't a good film but at least was passable entertainment. Stewart plays a major who's in charge of a small group of demolitions experts whose mission is to slow down the Japanese invasion. Despite the importance of the mission, I was surprised how many of Stewart's men seemed like unprofessional whiners. I would think that anyone who really did this job would be offended by this far less than heroic image--and these men must have been very brave and dedicated in real life.Into this motley crew comes a Chinese colonel and the wife of an executed Chinese general--who tag along for part of the mission. Having the lady there in the middle of war and with a group of desperate men seemed to make little sense. It made even less sense when inexplicably, she and Stewart completely out of the blue are in a bit of a romance. And it made yet less sense when she behaved the way she did late in the film, as she came off as sanctimonious and confusing. Stewart's character also made little sense late in the film, as he went from being a decent leader to Captain Ahab's less stable brother!! In fact, by the end of the film, the whole thing just degenerated into a mess--with everyone bickering and killing and complaining. Wow, how inspiring!! My advice is that unless you are a completist who wants to see every one of Stewart's films, this one is amazingly skip-able. Also in this same category would be POT 'O GOLD, THE MAGIC OF LASSIE and AN American TALE: FIVEL GOES WEST. Even great actors can't win 'em all!

I first saw this as a 16 year-old on its release in the UK, and have seen only glimpses on TV since. What I remember most is, having the year before seen "The Big Country", recognising the similarity of the scores as having the same composer in Jerome Moross (I had taken my seat after the opening credits). I felt quite pleased with myself at the time. I thought the movie to be much along the lines of earlier James Stewart/Anthony Mann classics, although with not quite the punch or pace. Harry Morgan's performance explains why he was never short of roles and why he became a stalwart member of the "MASH" brigade. Definitely worth another viewing.