The Maverick Queen (1956)Well Barbara Stanwyck made a lot of Westerns in the 1950s, and most of them are routine stuff, and in them she has often limited if still central roles. This is a great example. She's in the film much less than her co-stars, and the story is a patched together set of common problems--the cattle rancher faces trouble from the cattle rustlers and a hero has come to town, and a little love is going to cross the frontier.The key difference in all these movies is that Stanwyck plays a strong, sometimes very very strong, woman. That alone makes them watchable. But don't expect "The Maverick Queen" to hold up critically or even hold your attention fully. The plot even has so many little confusions, on purpose. you have to pay close attention (and show some patience) to keep in on track.For one example, without giving too much away, the main man, played well by Barry Sullivan, is new in town, and he says he's Jeff Younger, a famous gunslinger. This suite Stanwyck's character perfectly--she runs the tavern but also the general racketeering schemes for the province. But then another man arrives in town and says he's Jeff Younger. Hmmm. Along the same lines, the pretty young girl in town is another strong woman, clearly a good one, and her sidekick is a lazy loaf but a good guy, until you see him start telling people things he shouldn't. And so on. These are really great plot twists but they aren't handled with total clarity or given the impact you might expect so the movie totters a bit.The director, it might be noted, is Joseph Kane, who pretty much only did Westerns, over a hundred of them, and he probably didn't distinguish one from another very well. He's not even trying to create a masterpiece on the small budget this small studio gave him. (It's a full color Republic Pictures production, and there are corners cut.)The one other interesting side note is the presence of Sundance as a major character (and Butch Cassidy as a very minor one). Of course, history is thrown to the wind on what happens to Sundance, so never mind that . (Watch the Newman/Redford one for the classic outline.)And Stanwyck? She's strong, and I mean physically tough, and she busts out with good acting in a few scenes. But she, too, seems to realize she's doing routine stuff.A final note--I saw this on TCM, and for the first time in twenty years of watching movies there I saw one that was not shown full screen. Yes. A shame. It's a wide wide screen enterprise and it uses an unusual system called Naturama, and it was the first Republic movie to use it. It was really just a compatible anamorphic widescreen system like Panavision, but for some reason it was cropped (given the awful "pan and scan" treatment) for this release. That didn't help with the fluidity of the filming, or the appreciation of the big landscape of Colorado so proudly announced in the opening credits.Should you see this? Not really. There are better Stanwyck Westerns, and better Westerns. And better movies.

Considering that "The Maverick Queen" was the first widescreen film from Republic Studios, you'd think it would be a prestige picture. Well, apart from sporting a once A-list actress Barbara Stanwyck (who looks pretty awful in color under such heavy makeup), it was far from a memorable movie.The film is about Butch Cassidy and the Hole in the Wall gang. It seems they are being aided, covertly, by a lady (Stanwyck) who runs a business called 'The Maverick Queen'. When a guy comes into town saying he wants to join the gang (Barry Sullivan) and that he's Jeff Younger (of the famous Younger gang), Stanwyck goes gaga for the guy and blindly pushed him into a role in their next robbery. At first the ruse seems to work--until the REAL Younger shows up--then it sure looks as if Nelson's days are numbered. Will his new sweetie just stand back and let the gang do him in or will his sheer manliness win her over to his side--getting her to give up EVERYTHING she's ever worked to create?! Well, in real life, the answer would clearly be NO--but this is a movie after all! As the film progressed, I kept feeling like I've seen this film before. The notion of a butch female gang leader falling for a lawman and betraying the gang is very old and very clichéd--and other actresses like Marlene Dietrich and Joan Crawford (among others) made similar flicks....VERY similar flicks. Additionally, in a scene when there is a showdown and Nelson's character attacks Sundance, not once does Sundance call out for help from his gang who is waiting outside!! Because of bad writing there is never any suspense in the film if you've seen many westerns--you know what MUST happen with each and every cliché--especially the ending. The bottom line is that although this movie looks nice with its location shoot and color widescreen print, the story itself is pure B-movie all the way. It's pretty indistinguishable from a Roy Rogers or Gene Autry film the studio made in previous years--films which cost a whole heck of a lot less to make and with much more modest pretensions. Passable entertainment but no more and perhaps my score of 5 is a bit generous.Please note: In the film, Sundance is killed. However, in real life he died in South America--thousands of miles from where the film is set! Historical accuracy....who needs it?!

When Barbara Stanwyck's era of Hollywood superstardom came to an abrupt end in the early fifties, she refused to quit and became the star of a number of feminist westerns which cast her as a tough yet sensuous aging woman in tight pants and a cowboy hat, oftentimes the leader of an outlaw gang. She'd make one minor classic of this variety, Forty Guns for Sam Fuller. The Maverick Queen has a bigger budget (and was shot in color) but lacks the energy and magnetism of that later film - both, however, co-star he with Barry Sullivan, a highly underrated leading man who enjoyed far greater success on TV (including a two year stint as Pat Garrett on The Tall Man) than in the movies. Babs struts around in tight pants and we're not supposed to notice that she could easily pass for her boyfriend's mother. And as the badguy, her former boyfriend the Sundance Kid, there's Scott Brady - who played The Dancing Kid in JOHNNY GUITAR, the very best of the odd westerns that cast visibly aging former big name female stars in cowgirl roles. (Joan Crawford, in that film's case). This is handsomely produced by strictly minor stuff. We're supposed to cry when Babs "gets it" in the end, but I can still recall kids in the Rialto theatre in Patchogue, Long Island laughing out loud at the end way back when.

Stanwyck's portrayal of the outlaw woman Kit Banion is an all-time classic. This role sets the standard for strong western women in the cinema. Stanwyck perfect for the role of the beautiful and strong-willed Kit Banion, leader of the Wild Bunch outlaw gang who can ride and shoot with the best of them. Stanwyck more than holds her own, matching wits and pistol shots with outlaws and lawmen alike. However, her lawless days are numbered when she falls in love with a Pinkerton agent (Barry Sullivan) who infiltrates the gang. Good supporting cast with familiar supporting actors. Visually pleasing with great western scenery, shot on location in southrn Colorado. Exciting action scenes liven up a sometimes plodding script. Well worth watching. A must see for fans of classic westerns.