It's undeniable that this kind of plot was worked and reworked in many movies but "The Match" has a wonderful locale and a decent cast (also starring the American Tom Sizemore). The team of misfits subject is here handled focusing on quirky characters and on a romantic basis (Willie is still in love with his childhood friend Rosemary). This small-town comedy - with a little Pierce Brosnan cameo - dealing with the underdog theme and the football/soccer popularity, could somehow remind other working class stories but it's completely different from Ken Loach pictures because is less centered on social problems and more on a melhancoly atmosphere. However it works

Gregory's Girl meets Brassed Off - or Brosnan meets the Channel 4 style of film-making and loses. You probably need to be rural British to appreciate the rigours of amateur football played on pitches utilised (and fertilised) by farm stock for the rest of the week. And it would also help if you understand the dedication to one pub over and above another. The real problem is the total predictability; no-one could possibly deny the inevitable outcome and although there are a few laughs en route it's a journey hardly worth bothering with. If there's nothing else on then switch off brain and press start. It's totally harmless fun and good triumphs over evil. But for really good films about football then try Gregory's Girl or the classic "Ripping Yarn" of Michael Palin's Barnstoneworth United made by BBC TV many years ago.

Every male character in this movie behaves as if he had the maturity of a ten-year old, or worse. A pub is put on the line for no particular reason. Everything is over-the-top and overplayed to the hilt. Producer Brosnan has a pointless cameo. I found the entire experience an utter waste of my money and time.

Now this one is a remarkable little gem. The plot is very sympathetic, it has no great ambitions to prove it's a box-office topper, it has a kindness and warmth many a film lack these days, or even, I dare say, these decades. This film is proof that we still need a British film industry, for it has a very strong cast, a very well-written script, and very human elements to deal with. The film really aims at your heart and hits. It's funny, it's real, it is alive. The British these days are really very good at making films that are about all things human but which are not boring; this one is a very good example of it along with Notting Hill, Lock, Stock and Two Smoking Barrels, and The Full Monty (yes, NH is actually US-backed, but it is typically English). When Americans try to be this life-like, the result is as boring as Dancer, Texas, pop. 81. I had just picked this one up for it starred Max Beesley that I had liked at the TV series Tom Jones and the ever-charming Richard E. Grant. I am very pleased that I made a very right decision not only for the two were great to watch -especially Beesley proves he is a very good and versatile actor and he manages a near-perfect West of Scotland accent unlike Richard E. Grant- but for it is a very good film as well. The acting's brilliant, the main event so small and unimportant that it proves life is not actually about saving the world from great enemies of humanity but is a structure made out of small, delightful and not-so-delightful elements; and that love, friendship, competition, are all nice, human desires and are there to be shared. This is one hell of a feel-good film and I hope anyone seeing this review will watch it. It'll make you feel good and human, too. This is the very film if you're feeling bored of all the Cruises, Damons, Willises of Hollywood, for it proves how you can be a very good actor and still not play-act as well. I definitely recommend this to anyone who still thinks cinema is about things human and not necessarily expensive and superhuman/surreal/ridiculous.