While nothing can approach reading the actual novel, this television film version of THE MASTER OF BALLENTRAE is far better than the 1953 film version. At the very least it managed to recreate the real personality problems that appear in that egoist James Durrie. Michael York is shown to be an amoral, selfish human being from the start, when he is carrying on an affair with a poor girl of the local village - an affair that leaves the girl with a child that his family has to help support. York never shows any redeeming quality in his James Durrie. In fact one moment I recall (which is not in the novel, but should have been) is when he and his friend Col. Burke (here Timothy Dalton) are commenting on requests from the Durrie family to try to economize while they are living in Paris. York smiles and laughs that they will stop drinking so much brandy and only drink champaign from now on.Richard Thomas plays Henry far better than Anthony Steel did. Steel was too young in the role - he never grew into the money obsessed ant to York's spendthrift grasshopper that Thomas could grown into. But the writers watered it down a little, allowing Thomas to be a bit warmer than Henry is in the novel (and allowing a genuine affection to grow between Thomas and his wife). It is a bearable change in the story.Similarly commendable is the worldwide scope of this film version: there are scenes in the novel in the Caribbean, Europe, and India, which are picked up on as we watch James traveling around the world with Burke. The only difference here is that Burke dies in India (but significantly his death barely fazes his so-called friend James). The pirate section in the Caribbean is also changed because the pirate is Blackbeard (called Captain Teach - Brian Blessed in a nice performance). I don't think that Blackbeard would have killed off his own crew as Blessed did, but it was an interesting section of the film.The finale of the novel in the upstate section of the colony of New York maintains the fantastic trick that Stevenson used in the novel - a trick which may be too fantastic. However, it's results are also watered down here, as only one fatality results.With all these alterations the story's bitterness is handled quite well. It certainly is a worthy addition to the films that have appeared based on Stevenson's works in the movies and on television.

we thought this was a great film at our house. we have a large movie library and enjoy this film very much. we found the acting fine. The vistas are breath taking the musical score is excellent the relationship between characters comes off well. the plot moves along at the proper speed not to fast or slow i am not generally a richard tomas fan but i like him in here, he stretches his usually simple acting to something new and good. The movie and its message are profound. People who pan it i think do not understand it. the Errol Flinn version i do not care for at all. this has all the meat without the fluff. wish it would come out on DVD

Okay, I disagree with all previous comments.I find this "Master of Ballantrae" a memorable, exciting and effective adaptation of the novel, and much closer to the book than the previous version with Errol Flynn. Sure, some of the accents sound forced, and some of the acting is melodramatic and over-the-top--but that suits the subject. Normally, providing a happy ending for a story that normally ends eerily and tragically would be jarring, but it really works, here.The characterization is excellent, and you really get three adventure movies in one for your money, here: the love-triangle, rival-brothers and family inheritance story (Michael York is perfect as unreasonably beloved, ill-intentioned James, and Richard Thomas (always an under-rated actor) as long-suffering Henry) , swashbuckling pirate combat, and North American Wilderness quest for buried treasure.I have cherished the copy I made from the Hallmark Hall of Fame tv broadcast--twenty years ago, now! and only wish that someday it would be available on DVD. Because the location cinematography, settings and costumes (who'd have thought there were that many types of plaid!) are all stunning. Too bad it seems to be unappreciated and forgotten. It will remain one of my favorite films forever.

This version of the film, which gets about everything from the novel wrong in spite of a competent cast and some good location shots, is one that all of its participants -- all who are still living, that is -- seem never to mention. Michael York in particular goes through the whole thing with an ironic smugness that suggests no one was really taking Stevenson seriously. That's a pity, because it could have been a good old-fashioned action flick in the manner of its predecessors, but with an added cachet of great color and wide Scottish vistas. Truly a disappointment.