First, I need to thank the Seattle International Film Festival for locating a copy of this movie and screening it. They went to enormous lengths to make sure a few hundred Americans saw The Lizard, but it was worth it.The film focuses on Reza "The Lizard," a robber doing time in a prison run by a warden who plans to make him go on a "diet for the soul," so that Reza can enter heaven. Reza has obviously had some negative experiences with religion in the past, and this doesn't do anything to change his view. When he sees an opportunity to escape by dressing as a Mullah, Reza, fearless of the religious implications, takes it. Hilarity ensues.He ends up in a small town where he must pose as the new leader of their mosque. In so doing, Reza is given a unique opportunity: to create a religion built not on the hypocrisy of others and all the negative things he sees other religious people doing, but one that truly represents the positive possibilities of his faith.I am firmly agnostic and my study of religion is and always has been one born of curiosity rather than personal belief. This movie was inspiring and moving in a way that few others are, not only for its eventual embracement of the good aspects of all faiths but as a simple parable that religion is unique to each person rather than a reflection of the negativity of some of its practitioners.Unfortunately, it doesn't look like this movie will ever be on DVD, and except for the one copy screened at SIFF 2005 it will probably never make it outside of Iran (where it was banned for being sacrilegious). If you ever get an opportunity to see The Lizard, don't pass it up.

Summary: One of the best Iranian movies ever made, but for an Iranian audience only.Marmoulak is a political/social satire, but its comedy is subtle and better understood by an Iranian audience. I'd like to compare it to "Blazing Saddles", often cited by American movie watchers as one of the funniest movies ever made, while a non-American audience is only mildly amused by it. Cultural differences play a big role.Marmoulak's power of humor lies in the comments, words, situations and overall behaviour of the characters, which are not always understandable to the non-Iranian crowd. For instance, many of the seemingly innocent comments in the movie are copied or distorted very cleverly from the political/religious slogans, speeches and actions of Iran's religious clergy. Those parts are easily identifiable and enjoyable by Iranians, while non-Iranians may not quite understand the subtlety of it.That said, the movie is powerful, enjoyable and with brilliant acting. The story is quite simple and has been repeated in many forms before. A jailed thief seizes upon a chance encounter to escape from prison using the stolen clothes of a clergyman. With Prison's warden (depicted as a despotic maniac) after him, he escapes to a border village where the local people think he has been sent for preaching in their mosque. The rest of the movie depicts the thief's efforts to find a way across the border, while playing the role of an unconventional preachers who actually plays a huge role in the life of the villagers. Parviz Parastooi plays the lead role in a breathtakingly magnificent way, and this fact is again only obvious to an Iranian audience who know exactly the class of people he is trying to portrait. The movie has a good pace; in contrast with other well known Iranian movies such as Kiarostami's and Panahi's works that are typically very slow. Dialogues are extremely clever.Given 9 out of 10 by this reviewer.

Being a practicing Muslim myself, hearing the storyline of the film gave me reservations. An Iranian film about a thief escaping prison by emulating and dressing as a religious scholar, I knew the film was going to deal with sensitive religious and political matters. Although not Iranian myself, I was aware of cynicism towards the Iranian government and its religious rulings on its citizens.On that basis I knew that when I had to judge the film I had to also try to understand it from the perspective of an Iranian living under the government. When I saw the film, however, I realized that it had a deeper meaning than I thought it would. I found it to be an intelligent film that had a comical plot and funny parts but with more serious implications. The thing I most like about the film is that it is quite fair and balanced. The thief, after pretending to be a religious scholar, realises that God is good and finds religion during this point, instead of criticising religion. This helps to show a distinction between the perfection of religion and the imperfection of human beings, who at times misuse religion.However whilst saying this I did find some parts of the film quite offensive to religion such as the mockery of the young boys who were inspired by the scholar.Overall I thought the film was quite deep and was made in a clever manner but the issues dealt with were too sensitive and quite offensive at times.

It's rare to see a film that as much as it amuses, it also takes an angle on serious matters. These last fifteen years have seen a series of films flourishing out of the path of some very talented Persian directors, expressing their views on life, on people, on the political issues and so on, through an anthology of subjects that come to show with finesse things that couldn't be said otherwise. "Marmoolak" is one of those. Only here, the destiny of men and women of an entire country subject to the whims of its rulers symbolized here by one man (the fake cleric played with gusto and talent by Parviz Parastui) is shown not by the means of drama, but throughout comedy. And comedy is something that Persians seem to know about. To say that this film is funny is a euphemism. There is situation comedy here, and it is treated with much lightness. But if one goes farther and looks through it, one can easily capture the fate of an entire people. Works like this, in the form of a film or a book, etc, usually help change things. Let's hope this one does. Talent as they say, has no boundary.