at first sigh, the Wes Bentley return. with small observation - it is not really a new American Beauty. it is bitter, sarcastic, a kind of dark chocolate. a part of long chain about strange men and nice girls, secrets and fundamental choices but all are only details.because it is a fresco not for a love story but for life love. a different writer and his clients. a meeting and a relationship. and old story, with cinnamon traces, about she and him. I love it. for its aura, for the levels of story for Wes Bentley in his perfect character clothes, for Winnona Ryder and her work to be decent Charlotte.like many films of present,a movie about nothing or only about insignificant events.

This film takes one good character, one good performance and some vaguely amusing banter and buries it under an avalanche of moral obtuseness, male wish fulfillment and bizarrely incompetent writing. Writer/director Geoffrey Haley somehow came up with an outlandish premise that was rich in potential for dark comedy and satire, but demonstrates in the making of this movie that he didn't have the emotional or intellectual depth to do a damn thing with it.Evan (Wes Bentley) is a young writer in Los Angeles who makes a living writing for a particular sort of special occasion. He composes suicide notes for other people. People contact Evan through his website, he learns about their lives and then composes beautifully poetic final messages for them. Only about 30% of Evan's clients actually off themselves, but that's besides the point. This is a morally reprehensible thing to do. It's inviting people at the lowest point in their lives to come to you and then treating them with something worse than indifference. It's not just standing on the shore and watching someone else drown. It's standing on the shore, watching someone else drown and yelling out as they go under for the third time "Is there anything you want me to tell your mom after you're gone?"It's a horrible act and Evan is completely oblivious to how horrible it is, which makes him an even more horrible person…but that's okay. A person with such a stunted and disconnected nature could be a very interesting character. The problem is that the story is oblivious to the awfulness of Evan's actions. There's not a moment in this film where there's any sense given that there's anything wrong with what Evan is doing, except that other people might disapprove. Not only is that offensive, but such profound moral ignorance is boring.The stuff that happens to Evan starts when he attends the funeral of one of his clients to hear if the suicide note is read aloud, so Evan can critique his own work. His dead client's sister, Charlotte (Winona Ryder), notices him and here's where the male wish fulfillment comes in. Evan is dull as dishwater, lacking in any social graces and seems not just disinterested but annoyed at Charlotte's attention. Yet, this lovely, sexy, smart and vulnerable woman continues to throw herself at Evan until he deigns to have sex with her and become her boyfriend. It's every lonely nerd's ultimate fantasy. A hot chick falls in love with him and he doesn't even have to alter his pathetic personality.What's especially frustrating is that Charlotte is a very well written character and Winona Ryder does a fine acting job. There's a dramatic and emotional integrity to Charlotte. She's not just a pawn that gets moved around the plot to service Evan's story. She has reasons for what she does, she's aware of those reasons but she's not controlled by them. There are several points in the movie where Charlotte does the exact opposite of what you usually see from the "girlfriend role" and it's a little thrilling when it happens. For her part, Ryder is more than up to the demands of this role. She really captures the uneasy swirl of strength and weakness, confidence and desperation, self-awareness and self-deception a woman would have to have to be attracted to a guy like Evan. It also helps a lot that Ryder's physical attractiveness here as a grown woman equals all of the sublime cuteness of her youth.There's also a few laughs to be hand from the interaction of Evan and Abel (Ray Romano), a misanthropic client who insists on hanging out and talking with Evan like they were friends. Abel's not much more than a collection of funny lines of dialog and, again, there's no lesson or real point to their relationship because the story persists in denying the appalling essence of what Evan is doing for Abel.You can probably guess that Charlotte eventually learns that Evan wrote her brother's suicide note, imperiling their relationship, and that easy-to-predict point is where the film implodes from the pressure of fundamentally flawed writing. After Charlotte finds out what he did and is rightfully repulsed, Evan tries to redeem himself to her and the audience by explaining that her brother had advanced cancer, was in serious pain and only wanted to be at peace. That's supposed to at least partly ennoble Evan in the eyes of Charlotte and the viewer. It doesn't do that at all, for two very simple reasons.1. Evan spends their entire relationship lying to Charlotte. So, when he says Charlotte's brother had cancer, the first reaction from both Charlotte and the audience should be that it's just another lie. That very logical and reasonable response clearly never occurred to writer/director Geoffrey Haley. Not only does Charlotte never question it, but Haley never offers up any evidence to her or the audience that Evan is telling the truth. 2. If Evan is telling the truth, it only magnifies what a disgusting person he is. In the story, Charlotte is really torn up over her brother's death. Yet even though Evan is confronted with the human trauma enabled by his passive acquiescence to suicide, he still doesn't realize the horror that he's part of. Evan (and obviously Haley) thinks that because Charlotte's brother killed himself for a supposedly good reason, it somehow justifies what Evan does.I don't know what to make of this film. One aspect of it is very good, but the rest of it is so bad that I can't really believe that one filmmaker is responsible for it all. It's like trying to comprehend how George Lucas could create both Darth Vader and Jar Jar Binks. Tragically, The Last Word is mostly Jar Jar…and does anyone need to be told not to watch more Jar Jar?

I love Ray Romano but this movie was way too dark for me and there was too much swearing in it. I'm not usually one for censorship but I find that this movie was odd. I had never heard of Wes Bentley before - even though it says he was in American Beauty - but he isn't an actor I'd search out again. Winona is usually very polished and maybe it was her character. I hadn't seen it advertised anywhere either. Maybe it is an independent film. The music was great. I enjoyed the "music" Abel created in his studio and the compositions were nice - even after I realized what the movie was about. I have seen Gina Hecht in other pieces and she does a nice job. The rest of the family was dysfunctional and maybe that is why I didn't like this movie. Very odd film.I HATED THIS FILM.

This is a very strange movie about a guy...a very strange guy...who makes his living as a freelance writer of suicide notes for other people. Very dark most of the time with bizarre bits of comedy thrown in thanks to the presence of Ray Romano of all people (Everybody Loves Suicide, I guess). Although you think he'll only be around for a walk on (and kill off) he's around for most of the film and really makes the picture with his deadpan delivery of some wacky but very funny lines that are all the funnier because of the bleakness of the film surrounding them and the context plus his delivery. Romano is a human Eeyore and this film is a perfect foil for him.One joke is very vulgar but (I'm ashamed to admit) I found it very funny, thus the R rating, but most of it is probably from a liberal use of the "F" bomb.Very unsettling, very odd, and all the more surreal because it's also very funny. Worth watching for the (to me) surprise ending alone. Which is appropriate as a last word for this film.