Photographed entirely in Mexico in CinemaScope and Eastman Color by Pathé. Producer: Howard Christie. A Universal-International Picture. Copyright 1958 by Universal-International. No New York opening. U.S. release: 27 July 1958. U.K. release: 29 June 1958. Australian release: 2 May 1958. 7,370 feet. 82 minutes. Cut by Universal in Australia to 69 minutes so that the film would slot easily into the lower half of double bills.SYNOPSIS: Gunfighter Brad Ellison (Jock Mahoney) accepts an offer from wealthy John Forbes (Carl Benton Reid) to locate his brother who disappeared in Mexico thirty years ago. At Sam Grypton's (Edward Platt) hide-out for gunfighters he gets no clues. After a brush with bandits, Brad meets rancher O'Reilly (Lorne Greene), his daughter, Maria (Linda Cristal) and his foreman, Miles (Gilbert Roland) who are convinced Forbes died ten years ago, but Miles offers to help Brad's search.COMMENT: A lively, fast-moving western in which director George Sherman not only puts his action across with punch, but with style, making full use of his CinemaScope cameras to capture some impressively rugged terrain of Mexico's mountain wilderness. A tight, taut story, soundly acted. In fact, one of our favorite actors, Gilbert Roland, is back in the saddle with "Last of the Fast Guns". This silly title disguises a fascinating Mexican western. Not only lots of broodingly atmospheric scenery, but some rather interesting Mexican actors as well, including Eduardo Noriega who made such an impression in the Mario Lanza "Serenade"; George Trevino, well known to "I Love Lucy" fans as Desi's Cuban uncle; Francisco Reguiera, a film veteran of Mack Sennett comedies; and young Gilda Fontana, a former Hollywood starlet who switched to Mexico.

Gunfighter Miles is hired to go south of the border to find a dying man's missing brother. However, things are more complicated than they seem.Generally underrated western, with good scenic Mexican locations, a non-clichéd plot, along with a few good twists and a colorful cast. Getting Roland, Greene and Franz was a real coup since each is a very distinctive presence. Mahoney certainly looks the part of a western hero, but is a rather bland actor, not to the extent of being a problem, however. Director Sherman makes creative and compelling use of the locations and I especially like the shack set against the cliff; it's like nothing else I've seen. Unlike many oaters set in Mexico, this one comes across as genuinely persuasive. Cristal's role (Maria), surprise, surprise, is little more than eye candy, but I don't blame Ellison (Mahoney) at fade-out. Anyway, don't let the first tame 20-minutes or so fool you, the twists and action pick up considerably.

This is a western but the plot could be that of a film noir ,a thriller: a wealthy man in a wheelchair hires a gunfighter to find back his brother and heir;he probably won't live that long and he does not want his fortune to fall into the hands of an unscrupulous associate.The story is a quest and the identity of the brother which I will not reveal of course, for it's one of the few surprises of the film, is a bit unexpected ,but all in all,makes sense .The female star,Linda Cristal has not really many things to do (except for a bath in her birthday's suit ,but no close shots!);Lorne Greene as his dad has not much to do either.

After viewing the fast draw at the waterhole many times in freeze-frame, I think it was faked. Looks like Mahoney started his draw with his gun out of his holster, and the sound of the gun clearing the holster was added post-production. Just my take on it.Superior-to-great script, charged dialog. Hate to say it, but the ending was a disappointment. The anticipated gunfight was short and the fight was resolved by other means. Better if Mahoney had just shot him dead. No film is perfect.When I was in Japan, this film was shown a number of times on their TV. The Japanese were big on things like friendship/betrayal.Give it a 9 because of the way it ended. Highly recommended.