Rugged great white hunter Steve Bentley (well played with appropriately manly resolve by Rod Cameron) and feisty Indian princess Mari (a sturdy performance by the sultry Marie Windsor) embark on an expedition into the India jungle in order to find out the source of wild animal stampedes that have left many people dead.Director William Berke relates the engrossing story at a steady pace and maintains a likable sincere tone throughout. Cameron and Windsor make for personable leads; they receive fine support from Cesar Romero as Mari's loyal and protective husband Rama Singh. Carroll Young's tight script draws the characters with some depth and presents plenty of thrilling obstacles for the protagonists to contend with. The exotic locations add an extra tangy flavor. The stampede sequences with scared elephants trampling everything in their path are genuinely harrowing; ditto several moments depicting animals fighting each other to the death. A dance sequence with various lovely harem girls rates as another definite highlight. Clyde DeVinna's crisp black and white cinematography basks everything in a gorgeous sepia tone. Worth a watch.

Jungle, The (1952) * 1/2 (out of 4) Low-budget nonsense about Princess Mari (Marie Windsor) who moves back to India where hunter Steve Bentley (Rod Cameron) and Rama Singh (Cesar Romero) fight over her. While all of this is going on villagers are being killed by stampeding elephants so the three love birds go into the jungle and discover woolly mammoths. The jungle film had been around since the silent days and when you hear jungle and low-budget you typically expect all sorts of stock footage mixed in with the actors on a sound stage. It's shocking but that's actually not the case here because this film gets the added benefit of having actually been shot in India and these locations are certainly a major plus. Sadly, the rest of the film is a major chore to sit through because the 73-minute running time is pretty much all start and very little end. We know we're going into the film to see the "monsters" but they don't show up until around three-minutes left to go in the film so we have to sit through countless dialogue scenes that just go no where and it's clear the only reason they're in the film is to fatten up the running time. We get quite a bit of footage of local animals including several elephants as well as lions, tigers and boars. We even get a pretty violent fight between a boar and a tiger that might be the highlight to many even though it never gets too graphic. Being able to see all this stuff was a bonus but the rest of the footage is pretty lame. The sight of the woolly mammoths are a real treat because they're just elephants with some sort of rug thrown over them. I will give the producers credit because they don't look too horribly bad but at the same time it's still very obvious at the trick they did. The three leads are decent in their parts but none of them are worthy of awards. I'd say it's a safe bet that all three were happy with their trip to India so we're lucky we got anything from them. Director Berke was a veteran of this type of film has he was behind the camera on several of the Jungle Jim movies but I can't say I'm impressed with his work as he brings no energy to anything we see.

Most films about prehistoric animals almost always feature dinosaurs. This is one of the few films I know of that deals with prehistoric mammals. In this film the menace is woolly mammoths that are driving elephants out of the countryside and into villages wrecking havoc and death. While the basic idea is interesting, the film itself is slow going. The American version which is only a little more than an hour long is padded with lots material designed to use up footage. Its seems it takes the party almost forever to encounter the mammoths. The final confrontation is exciting but it takes too long. The only other point of interest is that this is the earliest American/Indian co-production that I am aware of.

Interesting tale of giant mammoth elephants running amok in modern India. Features transparent special effects-elephants dressed in shaggy coats sporting tusk extensions. All this said, we do have a good story and a fine cast at work, and an exciting climax. It's been said that the running time on this one was doubled when it showed in India-courtesy of Robert Lippert, a master at 'padding.' Given a choice, opt for the shorter version.