It's not quite the blazing masterpiece the cover blurb, in English, would have you believe. And for English-speaking viewers, it has subtitles although I'm quite happy with that.The movie tackles a very, very, very touchy political and religious subject. I make no claim at all to fully understanding the issues which, I suspect, will make the movie difficult to understand for UK, EU and American viewers. There's not really a good guy or a bad guy, hence the difficulty, although quite early on it's obvious the writer - oh, gosh, who also directed! - is portraying Tony as the bad guy. And, indeed, he is what his opponent calls a 'f*cking pr*ck.' There's no getting away from that, in spite of subsequent revelations.The movie soon turns into a courtroom drama - which I love - and we see how easily the media manipulates the masses - and how ready they are to be manipulated.It's expertly directed and all the actors are superb.There is a slight 'turn' towards the end which doesn't really make sense but which provides a meagre optimism which the writer/oh boy/director obviously wanted. It's a plot device, not a characteristic of the character.The movie highlights the impossibilities of the situation and there really are no winners or losers. This will take generations to end, if indeed, it ever does. If you're not directly involved in the Middle East conflict, thank your lucky stars, Watching this movie is moderately interesting but it will solve nothing and probably inform you less.

Why do Lebanese movies leave us breathless? Or better question can be "why do movies from the Middle East / made by artists from the Middle East catch us so helplessly?" For years and years, for centuries and centuries, the soil of the Middle East has been harvested with beautiful sunshine and woes for every nation, every group, every society and every human on this soil. No need longer words, the movie 'The Insult' gives not the answer of why questions expecting for these woes but perfectly explains that the woes have been experienced equally, in the same manner, with the same style of tragedy for every human being in the Middle East. Is this movie for peace? More than this, it is for mutual understanding. Where is no empathy, there is no peace. The story evolves around a conflict between two men, one from Christian society of Lebanon and the other from Palestinian refugees living in Lebanon. The court case expands the story and brings the audience into a spiral labeled with "hate and revenge". The insult is an excellent movie, an excellent shot directed by Ziyad Duveyri. All players in the movie amaze us with their performances. But the biggest part of our thanks must be delivered to Ziad Doueiri and Joelle Touma, who wrote the script. We, the audience, have watched many movies, TV series where the plot happens in a court. It is surely not easy to write a scenario, a realistic scenario on a court case. The weight of dialogues, the order of words, and the stream of the case, all need a delicate equilibrium. Very few of scenarios can reach the excellent level in realizing this tough mission. As for the Insult, the pen in the hand of Ziad Doueiri and Joelle Touma suceeds this magic without having any difficulty. There is also another success in the movie, it is to be unpredictable. For the experienced audience, the satisfaction of watching movie has been lesser nowadays because we predict / guess what comes the next. The Insult does not give this comfort to its audiences and keeps the audiences every moment inside the chamber of sweet excitement to watch a movie. The Insult is a movie rightly deserves the statement "must be watched"!

After an emotional exchange between a Lebanese man (Adel Karam) and a Palestinian refugee (Kamel El Basha) escalates, the two end up in a court case that gets national attention."L'insult" ("The Insult") is Lebanon's official submission for the best foreign language film in this year's Oscar race. They have tried to achieve getting nominated for 14 times in the last 40 years, and this is the first successful attempt.I would call it a solid mix of social commentary and courtroom drama but can't find inspiration to write about the experience at length.Maybe it's a brave movie by Lebanese standards, depicting the long-standing tensions between nationals and refugees, but it seems pretty mainstream work compared to the standards set by American or international movies.The screenplay is certainly intelligent but doesn't feel especially original or deep - just a relevant topic and quite a simple story well told.The clever part is showing how loaded issues start a life of their own fast and may travel far beyond the point that the instigators intended.Still, the undoubtedly strongest point of it all is the captivating, understated acting by two leads which gives even the smallest events a hefty bunch of suspense. The performances feel more Oscar-worthy than the whole thing itself, really.All in all, "L'insult" is an agreeable submission for Oscar race, but I'd rather vote for Russian "Loveless" or Chilean "Una mujer fantástica" ("Fantastic Woman"). Both feel stronger and more ambitious dramatically and artistically, also partially cover the same topics of irrational hate and possibility of redemption.Of this year's five foreign language movie noms, I haven't yet seen Hungary's "On Body and Soul".

"The Insult" (2017 release from Lebanon; 112 min.) brings the story of Tony, a Christian Lebanese, and Yasser, a Palestine refugee and long-time resident of Lebanon. As the movie opens, we see Tony at a rally of the Christian party in Beirut. When Tony gets back home, he spends time with his highly pregnant wife Shirine. Them by accident, and resulting from a faulty drainpipe on his balcony, he wets Yasser, a foreman in a construction crew that is repairing buildings in the neighborhood. One thing leads to another, and Yasser calls Tony a "f---ing prick". Tony is outraged, and decides to pursue the matter. At this point we are 10 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.Couple of comments: this is the latest movie from accomplished Lebanese writer-director Zid Doueiri, who previously has brought us excellent films like 2012's "The Attack". Here Doueiri brings another heavily politicized tale that pushes all the right buttons, this time pitting Arabs against Arabs. I must admit that I wasn't really aware of this, but if we believe what Doueiri portrays in this film, there is a deeply-seeded resentment within the Lebanese Christian community against the many Palestinians what have over the years crossed into Lebanon and settled there. Central to the film are the long court proceedings that eventually take place between the two protagonists. I shan't say much more (biting my lip)! But I will say this: the movie flies by in no time. When the Best Foreign language Oscar nominations were recently accounted, I was a bit surprised to see that this was nominated. Now that I have seen the film, I can't help but feel whether this was nominated more for political reasons that for pure artistic reasons. Not to imply that "The Insult" is not a good movie, but in my humble opinion there are other foreign language movies from last year that seem to be more deserving, such as "Thelma" (from Norway). "B.P.M." (from France), or "The Commune" (from Denmark), just to name those."The Insult" opened in early February at my local art-house theater here in Cincinnati, and I couldn't wait to see it. The Super Bowl Sunday matinee screening where I saw this at was attended very nicely, somewhat to my surprise. Glad to see there seems to be a strong interest for this! If you are in the mood for a highly charged and political drama that pits Christian Arabs against Palestine Arabs, you cannot go wrong with this, so I encourage you to check out "The Insult", be it in the theatre, on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion...