Soviet-American screenwriter, producer and director Andrey Konchalovsky's thirteenth feature film which he co-wrote with screenwriter Anatoli Usov, is inspired by real events in the life of a Soviet man named Alex Sanchin who was the private projectionist for Joseph Stalin (1878-1953) for twelve years. It was screened In competition at the 42nd Berlin International Film Festival in 1992, was shot on locations in Moscow, Russia and is an Italy-Russia-USA co-production which was produced by Italian producer Claudio Bonivento. It tells the story about a field projectionist named Ivan Sanchin who lives in an apartment in Moscow, Soviet Union with his fiancée named Anastasia and who one day in 1939 after a man named Aaron Gubelman who lives in the same building with his wife named Sonia and their daughter named Katja is taken by KGB officers to the KGB headquarters. Distinctly and precisely directed by Soviet-American filmmaker Andrey Konchalovsky, this quietly paced and somewhat fictional tale which is narrated by the protagonist and mostly from his point of view, draws a moving and unsettling portrayal of a patriotic Russian man who during the beginning of the Second World War in the late 1930s is brought to the Kremlin and offered a job as a projectionist for the authoritarian and dominant leader of the Soviet Union which then was ruled as a single-party state by the Communist Party. While notable for its naturalistic milieu depictions, fine cinematography by Italian cinematographer Ennio Guarniero, production design by production designers Gianni Giovagnoni and Vladimir Murzin and costume design by costume designer Nelli Fomina, this narrative-driven story depicts a thorough and empathic study of character and contains a great score by Soviet-Russian composer Eduard Artemyev. This biographical, at times humorous and conversational drama from the early 1990s which is set in the former constitutionally socialist state of the Soviet Union (1922-1991) in the late 1930s, 1940s and early 1950s and where a woman forms a strong bond with a little girl who has been left on her own after her parents were taken by the Committee for State Security and an ordinary man becomes so proud and committed when he gets to work for the most powerful and worshiped man and dictator in his totalitarian country that it affects his relationship with the woman he loves, is impelled and reinforced by its cogent narrative structure, substantial character development, colorful characters and the charming and engaging acting performances by American actor Tom Hulce and Canadian actress Lolita Davidovitch. A historical, heartrending, romantic and informative narrative feature.

I saw this movie in the 90s and there were no more than 10 people inside the cinema and the movie did impress me at that time. then i watched it again few days ago and i can only confirm my first impression. it gives a true and realistic view on what stalinism was with that feeling of terror and madness that permeates the entire movie. Hulce, Davidovich and Hoskins deliver a great performance. It is an almost unknonw movie that rivals with blockbusters such as Schindler's list without suffering any inferiority complex. We celebrate the holocaust day every year but we don't know much about stalinism and its atrocities. this movie opens the door and it does it greatly. watch it!

There are a myriad of insightful techniques in this film that reveal themselves with repeated viewings. The recurring images of cows being led to slaughter are my favorites. A great tale of a horrible situation.That being said, I did not appreciate Russians speaking English with Russian accents. I compare it to the way the DeNiro film "Stalin" dealt with language. Ethnic Russians spoke with very proper British accents, ordinary Russians with common English accents, and Stalin with a rough accent, using simple language, that was hard to place. I also found Tom Hulce's performance to be excessively maudlin. The sense of irony that all the other characters seemed to have was absent in his.

There is a human tragedy of global scale - and those humans who sway this tragedy and who just turned out to be grains of sand under those wheels of history. To model what those people were in their good and weak producers and authors of "The Inner Circle" made an awesome cast in this movie - don't you agree that Bob Hoskins playing marshal Berija is worth seeing anyway. Lolita Davidovich's and great Russian actor Oleg Tabakov's was magnificent performance. And at last the central character - Ivan Sanshin - is utterly shrill figure and utterly potent message. Due to genius Tom Hulce who looks and acts completely and very naturally Russian - as I see it being Russian myself. No further words on Tom Hulce - he's just a great actor (though not a "star" in the industry, as I can guess) and every one of his works worth seeing. Even in his small role in "Parenthood" he's very convincing and dramatic - and in "The Inner Circle" he has a great material to work on... An obvious merit of this film - it is historically accurate (with exception of ahead-of-time tanks and probably something else) in details. Accurate Soviet uniforms in a Western movie is really very rare thing and in this film uniform of NKVD-officers looks authentic to the Soviet people like me... And the director's job is not bad at all - Konchalovsky has his peaks and faults and The Inner Circle is one of the peaks, I guess...