Audie Murphy calls his posse of women, his 'men'; they're armed, laid up in a sort of fortified mission and awaiting Indian attack after a reprisal.Lt. Frank Hewitt, (Murphy) is an Army deserter and on the run, back to his home in Texas. He has refused to take part in an attack on Indians at Sand Creek but when said Indians are out for revenge for the attack, he chances upon this ramshackle group of women and children.Much of the (shortish) film is taken up by trying to prepare the women for imminent battle. Giving them firing practice with rifles and generally a battle of wits and the sexes as he has to bully and cajole them into new thinking and tactics. Hope Emerson, at 6'2" and 230 pounds, a formidable lady by any standards takes to the challenge with gusto and enthusiasm, whilst others, especially ones with strong religious beliefs cannot abhor fighting and don't so easily, whilst Kathryn Grant, a young feisty woman, becomes romantically entwined with Frank Hewitt.It's quite a good film and quite likable. There's good comarderie and dialogue and some neat action scenes when they come. However, Audie Murphy never really struck with me, his persona, or perceived one always seeming a little bland. He looks just too boyish and sweet to be bossing these women around, whereas someone with more gravitas and snarl would make for a more interesting film.That's just a personal view and I know Audie Murphy has his fans out there, too.

As every Audie Murphy buff knows, his best western was the near-classic No Name On the Bullet, with perhaps Destry a close second. But in the top three (setting the short but brilliant Red Badge of Courage and the autobiographical To Hell and Back, an A movie, aside), Guns of Fort Petticoat is at the top of the list, owing to splendid outdoor action sequences, a smart sense of humor that doesn't allow anyone to take this all too seriously, and . . . to put it bluntly . . . sex appeal. Also, a political consciousness, with Murphy a) going north, despite his being a southwesterner, to fight in the civil war because he's against slavery, and b) his attempt to try and stop the Sand Creek Massacre and save Native American lives. (One historical error: The massacre was not perpetrated by 'regular U.S. army,' as the film suggests, but by a self-styled civilian-soldier group called a 'militia outfit' though really noting more than racist vigilantes.) Knowing that an Indian war is impending, Murphy returns to the war torn southwest and, with men absent, trains women to fight and defend themselves. Something of a feminist western, way ahead of its time, but (thankfully) no polemics, only action, romance, and surprisingly effective comedy. Kathryn Grant makes an adorable female lead for Audie.

The man who left the mission did not tell the Indians about the women at the mission. That was done by three "bad guys" he told. As was usual for movies of the 50's, they came to bad end. The theme is a morality play as were most westerns. It was also of interest to see Kathryn Grayson before she married Bing Crosby. There is little to give one a reason to watch except for nostalgia. It must have been released as a "B" movie even though Audie Murphy was a star of sorts. For an hour of time requiring suspension of belief and no worries about thinking, this is just the one to watch. I would rate it as a five at most! You can probably catch it on cable on the Western Channel.

The title of this film almost sounds like it will be a comedy.....sort of like "F Troop" meets "Petticoat Junction". It is, however, a relatively serious affair with some decent action sequences and some (sometimes unintentional) amusing moments. Murphy stars as a Cavalry Lieutenant who deserts his post in order to go a warn the people of his nearby hometown of an impending Indian attack. Unfortunately, virtually every man is gone from the area and the remaining women all resent him for wearing the blue instead of the gray uniform. Once the Indians start to make their mark, the ladies begin to change their mind and Murphy rounds them all up in an abandoned mission, determined to convert them into soldiers for their own sake. An already slightly campy film (check out the Indian grandma doing a child's hair at her camp right before a marauding cavalry unit appears), gets even loonier at this point. The mere idea of women brandishing guns and fighting physically must have been otherworldly in 1957. The enterprise is treated with all the expected attention and detail for the curio that it is. Murphy refers to the ladies as "men" and appoints sergeants, etc... He drills them in target practice, hand to hand combat and skirt-tucking (turning skirts into makeshift pants!) Naturally, there is every type of woman imaginable.....the old love, the new love, the haughty rich bitch, the one "in trouble", the religious fanatic, the tart, etc... What gives the film a great boost in the arm is the irascible, irreplaceable presence of burly, sarcastic Emerson as the leader of the women. Always intriguing to watch, she gets a plum role here as a bossy, tough, but good-hearted pioneer woman. It also helps that the film isn't dumb enough to suggest that this sort of thing wouldn't lead to casualties. So the unusual aspect of seeing women holding a fort with guns is accented and enhanced by seeing some of them take a fall as well. This adds to the realism of a film which is, at heart, pretty trite and coy. There are some fairly tough scenes and the Indian attack is actually pretty tense. (And it's awful nice of the Indians to wait and WAIT before coming until Murphy has trained all the gals, drained the water from the well, taught them how to make "bombs" and ammunition and solved various other problems!) Maley as a saloon singer and Elsom as a society matron help push the camp envelope. A few other ladies (like the one who gets upset and literally gobbles like a turkey with her face in the ground) take it even further, but Nolan rips it open. She is downright embarrassing as a devout Christian who clutches her Bible and spouts messages of nonviolence. However, when push comes to shove and arrows come to necks, she has a freak-out scene that is one for the books! Even with the pat situations and mundane dialogue, there's a certain curiosity value to the film and scattered laughs throughout (Wade, as Elsom's maid, has a real zinger of a closing line for her character!) Grant would later become better known as Mrs. Bing Crosby.