Prairie saga with just awful performances in almost every role. Incredibly slow moving considering the short running time. The wretchedness of the performances can be partially, but only partially, laid to the cringe worthy dialogue that the actors are forced to spout. It's what they do with it where the rest of the problem lies. Eleanor Boardman comes off best although some big silent screen gestures occasionally slip in to her work here and there. Still compared to the truly dreadful acting of the two main men, Johnny Mack Brown and Gavin Gordon, she's a Duse. That's Lucille La Verne, the voice of the evil Queen in Snow White and the Seven Dwarfs, hamming it up as Brown's mother.If you're a fan of Anita Louise don't be fooled by the prominence of her billing, she has what amounts to a bit in the very beginning of the film and is gone from the picture after that.All in all a struggle to get through unless you're a student of the early transition from silence to sound.

This is an interesting period piece in which an extremely predictable and none-too-deep plot is partially salvaged by compelling history and several captivating sequences, such as when the would-be settlers are nearing their destination and have one final mountain to traverse in a torrential downpour. There are many small, thoughtful touches throughout that illustrate the trials and tribulations of early American pioneers, a group and era that are not often explored. Whether it's a close- up moving shot of the pioneers' and their animals bare feet and worn-out pants after months of journey or a static, minute-long shot of Diony and Evan trying to close and secure their cabin door during a blizzard, the little touches are treasures. Early scenes that dwell longer than expected on Diony's emotional farewells to her mother and sister, and small moments while parting from her father and brother, are also surprisingly moving and impressive, especially for a little pre-code B-movie. These little moments counterbalance the film's just-as-frequent formulaic scenes. Most of the performances are overcooked to one degree or another, but the accents seem surprisingly authentic and the cast works really well together, neutralizing any negative effects of overacting. In the end, it's a welcome, thoroughly enjoyable tribute to frontier families and the brave pioneer spirit of early America.

Far from boring, the opening minutes of the film take the time to introduce us to the lives of Virginians in 1777. It helps establish how folks lived in an established colony. A base line. The film then covers the trials leading to a new country. This contrast is extreme. The climb of the mountain is one of the great sequences in film history. The idyll on the other side is rewarding but still packed with danger from both the Native Americans and the weather. I don't believe any other film quite captures how tenuous life was back then.The dialog is a bit ripe but the actors deliver it with such conviction that I accepted it as the way folks talked in the 1700s. I became invested in them, particularly Gavin Gordon and Elenor Boardman. John Mack Brown simply plays himself. The Great Meadow deserves to be much better known. Turner Classic Movies should show this in the 8 PM spot with commentary by Robert Osborn.

THE GREAT MEADOW is an early talkie "western" about settlers moving from Virginia, across the Appalachian Mountains into Kentucky. The film stars Johnny Mack Brown and Eleanor Boardman as a newly married couple who make the trek to "the great meadow" because of a speech given by Daniel Boone.This is a solid film with excellent production values that do not glorify or simplify frontier life in 18th century America. Life is rugged and tenuous with starvation, illness, and Indian attacks all a part of everyday life. Brown is solid as the impetuous settler who is up to any task of frontier life. He leads the band of settlers across the rugged mountains and keeps them moving despite the hardships. After his mother is killed by the Indians, he foolishly embarks on a journey of revenge. Boardman, who made only a handful of talkies, is quite good as the naïve young woman who trudges forth with her husband, only to be abandoned by him.The supporting cast includes solid work by Lucille LaVerne (the mother), Gavin Gordon as Brown's rival, Russell Simpson, Julie Haydon, Dale Fuller, Guinn Williams, Anita Louise, Virginia Sale, Sarah Padden, John Miljan, and Helen Jerome Eddy as the woman driven crazy by Indian attacks. Worth looking for.