This movie was not exactly what I was expecting. I thought it would be a more focused character study of Albert Fish - the kidnapper/murderer/cannibalizer of young children in New York City in the late 1920's-early 1930's. That angle isn't lost here. The movie opens with a depiction of Fish as an abused child in an orphanage, giving some insight into where he developed his sado-masochistic tendencies, but really this movie focused more on the police investigation into one case - the kidnapping, murder and cannibalizing of 10 year old Grace Budd. The Budd case was the one that eventually brought Fish down, and the movie really revolved around Police Detective William King, who headed the investigation into Budd's disappearance.Fish seems to have been one of the earliest serial killers to prey on young children. The cannibal angle makes the case even more sensational. The movie, thankfully, isn't very graphic, although the details of exactly what was done to young Grace are talked about but not depicted. What we hear is very disturbing. As far as the Budd case is concerned, the movie seems to be a pretty accurate depiction of real events, but really the Budd case is the only one looked at in any detail, even though there were several other child killings that Fish was responsible for.Patrick Bauchau was pretty convincing as Fish. He captured the part well - the guy was someone we would all think of as crazy, and yet he was sane enough to plan things out pretty methodically. And in a lot of respects he seemed pretty normal and trustworthy - making him even more frightening. Bachau did well. I wasn't entirely taken with Jack Conley as Det. King, and I found the depiction of Grace's mother (Jillian Armanante) to be strange. She was portrayed almost as being more interested in publicity than in her daughter. That may be true (everything else in this seems pretty accurate based on what I've read so I don't know why they writers would make that upon) but it still seems pretty strange to me.Really, this provides a glimpse into the mind and one crime of a notorious serial killer. A little more depth and insight would have been necessary to make this a truly good movie. (6/10)

Considering that this film was supposed to tell the story about one of the most bizarre serial killers in history, it's absolutely amazing that the end result we get served is this tedious muck. Something is definitely wrong when you realize that the film you are watching easily can be labeled " a film for the whole family", a film the Hallmark channel would "proudly present." Instead of a thoroughly deep-dive into Mr. Fish's murky psyche, a proper probing into the mechanizations that drove this deranged specimen of a man, a both tell and show with the slaughter and cannibalizing of Grace Budd, what you get is a badly acted detective-story ( with film-noiresque monologue ), a lead that don't remotely look like Albert Fish, and a misplaced focus on the detective in charge. The gore is of course non-existent, and while this "tell, don't show" approach work excellently in films like The Texas Chainsaw Massacre and Dahmer, here it is sorely missed. Inexcusable. Not to mention that certain liberties is being taken in regards to what really happened.Bottom line; if you want a scary film for the kiddies ( age 3-12 ), go for this one!! On the other hand, if you want a properly nasty horror-film about good old Albert, you better keep your fingers crossed for a director that truly have the courage to handle this dark material the way it deserves! Hopefully soon one will come along......

Visually, this film is interesting. Light is literally thrown in a way, together with cinematography and an alluring introduction before the titles, that had my hopes up at the start, but then - a b-movie is a b-movie is a b-movie, no matter how much spectacle is seen. This film surrounds the life of Albert Fish, one of the most well-known serial-killers in the world. Active around the start of the 20th century, Fish's life is hastily and blurry dealt with before before he started killing children at an old age. This film is based upon two tracks: Fish's life and that of William F. King, lead investigator of the case. What saves this film from becoming a Hallmark spectacle and debacle of the usual sort, whenever films about serial killers are concerned, is the direction, which is a double-edged sword; director Scott L. Flynn sheds focus enough upon the b-actors not to let their flaws shine through too much, but at the same times created a truly dull and stereotypical view of the American police through the King-angle. Sure enough he dealt quite thoroughly with Fish's meet with Grace Budd, the 10-year-old girl that he killed, even though I'm not really sure if her mother was the media-crazed person that Flynn really tries to emphasise that she was. I miss more psychological diving into Fish, not to mention the very little time which was spent on Fish's post-capture. All in all, interesting for those who are into serial-killers, but mostly a let-down; however, if the director will make another film about another serial-killer, I'd definitely see it in hopes that holes were patched-up.

Period detective movie with outstanding craft and style. Albert Fish was one of the first serial killers to live and die in America in the early part of the last century. Although he committed crimes beyond comprehension, his tale was relatively unknown, until now.The story is based on a solid script with emphasis on plot and character rather than gore and violence. This is not to say that this is a family movie. It just avoids the temptation of gratuitous violence and instead focuses on the human dimensions of the protagonists. The story follows Detective King on his obsessive manhunt as he assembles the clues to establish the killer's identity. At the same time, it attempts to read into the mind of the killer, even portraying a bit of his human side.There are great performances by Patrick Bauchau (Fish) and Jack Conley (Detective King). In addition, the stars of the movie was the stellar photography by Dave Rudd, and the production design by Jennifer Gentile. Given the modest budget, the film convincingly captures the feel of New York in the 1920s and 1930s. The art department went to great lengths to recreate the slightest period details. And yes, it was shot on actual 35 mm film, in unsurpassed color. A visual feast.