The Frightened City
The Frightened City
| 20 July 1962 (USA)
The Frightened City Trailers

A small time thief is recruited by a mobster to help with the racketeering. He doesn't like the job, but with the mob on his back, a femme fatale in his bed and a sick friend to care for, he will have to keep all his wits about him.

Reviews
Martin Bradley

A better than average script from Leigh Vance and director John Lemont and a highly charismatic performance from a pre-Bond Sean Connery give this British gangster picture something of a lift. It's hardly ground-breaking and the plot offers nothing new but it's tough and well cast, (as well as Connery there is excellent work from Herbert Lom and Alfred Marks as villains even if we do have to put up with the dull John Gregson on the right side of the law), and it passes ninety or so minutes pleasantly enough.

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bkoganbing

The Frightened City is one of several films where Sean Connery is getting more and more noticed, leading to the stardom he would obtain the following year as James Bond. Though he's third billed in The Frightened City, it's his performance you'll remember.Herbert Lom, a seemingly respectable businessman, is asked to launder some money by Alfred Marks one of London's top crime bosses. It occurs to Lom he's in unique position to make some really good money off all the crime bosses of London if they can be organized. Using Marks as a front, Lom does just that and the two of them hire Connery to be their chief enforcer in their protection racket.It all works out really well when the hoods are muscling small businessmen for protection, but when they start going after bigger targets David Davies becomes squeamish and Lom and Marks decide he's to be eliminated. They use Connery to set him up and when Connery realizes he's unwittingly helped do in a friend he becomes a man with a mission. It's never good to have Sean Connery with a mission after you.I think you can figure out the rest of the film. The Frightened City is a plot done many times over in American noir films which cycle had ended about five years earlier in America. This one gives you a nice glimpse of the seamier side of London. It was interesting by the way to hear the objections to going after big targets who might have influence with members of Parliament and the Home Office. Crooks are the same all over the world, pick on those you think can't fight back.John Gregson is the Scotland Yard inspector who heads what we would call the organized crime unit there. He represents the good guys, but it's the bad ones that make The Frightened City an interesting film.

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Michael O'Keefe

Sean Connery plays Paddy Damion, a thug in the West End of London that is lured into a protection racket scheme. The story takes place in a rundown section of the city, where the citizens and business owners are held in the tight grip of extortionists. Damion goes to work for a mobster(Alfred Marks)in order to support his fellow burglar(Kenneth Griffith), who was injured during a robbery. There's plenty of work to go around as six major "protection" rings join together for combined success. Damion has a change of heart and helps Scotland Yard Inspector Sayers(John Gregson)bring down sinister crime boss Waldo Zhernikov(Herbert Lom).John Lemont directs this crime drama for Darryl Zanuck. The movie is good and Connery is better. Also in the cast: Yvonne Romain, Olive McFarland, David Davies and Patrick Holt.

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withnail-4

The film is above average, well made, but lacking the style or brio that makes a good US or Italian crime film really fun. Sean Connery is great to look at in his leaner, pre-Bond form, and Herbert Lom is excellent. Connery plays a low-level mobster, and Lom is the criminal mastermind behind the mobs. It's interesting to contrast the portrayal of violence in this early 60s British film with American or other later portrayals. The approach here is so banal, and the mobsters are obviously pulling their punches in the fight scenes. The director seems completely uninterested in making the violence realistic or exciting. The final fight, however, has some choreography to it and a few interesting touches. In summation, a paint by numbers job, competent British B film, uninspired film making, but good nostalgic fun.

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