The Flying Serpent
The Flying Serpent
NR | 01 February 1946 (USA)
The Flying Serpent Trailers

A demented archaeologist discovers a living, breathing serpent creature known to the Aztecs as Quetzalcoatl and accidentally kills his wife by giving her one of the beast's feathers, causing the creature to track her down and slaughter her. Using this knowledge he exacts revenge upon his enemies by placing one of the feathers on his intended victim and letting the beast loose to wreak havoc.

Reviews
mark.waltz

Remember "The Giant Claw", that radio active turkey from that turkey of a late 1950's science fiction movie camp classic? Well, check out "The Flying Serpent" which seems to be its much smaller cousin, equally ugly and equally dangerous, taking over where "The Devil Bat" left off only five years before this. In that P.R.C. classic (of which this is a re-write of), Bela Lugosi made giant bats which attacked at his will, and now we've got archaeologist George Zucco doing the same thing with the guard of ancient Aztec pyramids to get rid of his enemies. Zucco's own wife was killed by the same creature so rather than destroy it, he turns it into his own evil tool of destruction. The creature, looking like a blood-sucking flamingo (the ugly one), seems to be operated by either remote control or batteries, and when it takes off to make its first attack, it is flying so ridiculously slowly that it doesn't even appear to be really flying. P.R.C. put some thought into creating the sets, but as far as the plot or script was concerned, very little went into this. The same year, they had an unfortunately unnecessary sequel to "The Devil Bat", so this one goes hand in hand in being genuinely bad. Fortunately, there are unintentional laughs here; What happened in "Devil Bat's Daughter" just left it a tiresome bore.

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Cujo108

This disposable cheapie stars George Zucco as an archaeologist who discovers Montezuma's treasure and uses the Aztec god, Quetzalcoatl, to kill those he thinks might pose a threat to his secret fortune.This is basically a remake of the 1940 Bela Lugosi picture, 'The Devil Bat'. In other words, there's nothing new here. Nothing particularly memorable either, though Zucco does well enough in his role. The special effects for Quetzalcoatl were better than I expected, but they're still not all that convincing. This is just your typical 40's flick with all the predictability and lousy attempts at humor you'd likely expect. We also get an unappealing hero played by Ralph Lewis. I was rooting for Zucco all the way.It's not a long movie, so at least you won't waste too much time on it. Still, there are far better 40's films out there. I'd suggest seeing one of them and letting this serpent fly right on by.

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MartinHafer

This is a completely craptastic film with absolutely nothing going for it. Yet, oddly it has an overall score of 5.0 on IMDb currently--and I just can't see why. After all, the film is made by PRC--perhaps the worst of the Poverty Row film studios. And, on top of that, it has perhaps the dumbest plot of any of their films--and that's saying a lot!! A maniac (are there any other types in these films playing lead?!) has discovered a creature--a flying serpent who was apparently THE Quetzelcoatl from Aztec mythology. However, unlike THE Quetzelcoatl of the Aztec tales who was able to devour planets, this flying serpent is more like the size of a flying Dalmatian. How a flying reptile the size of a medium-sized dog is scary is anyone's guess. And, while I think about it, having it take off and land like a motorized plane AND seeing the wires suspending it is amazingly dumb--even for a 4th rate production! Being a maniac, George Zucco is intent on using the beast to both kill off his enemies as well as protect the area in which the treasure of Monteczuma is supposedly buried. Eventually, though, a wise-guy radio announcer puts two and two together and is able to turn the tables on Zucco--leading to a silly and happy conclusion--happy because it puts this dopey movie to the test.Overall, even for Zucco completists, this will be a very tough film to take. It has absolutely nothing going for it--a dumb script, bad acting and a rehashed plot that manages to make the worst of "The Bat"--the film which has been reworked into this mess. Its only value is as kitsch--a film so bad that it's good for a laugh.

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ferbs54

George Zucco's archaeologist character has a major problem at the beginning of the 1946 cheapie "The Flying Serpent." He had recently discovered Montezuma's treasure horde in an Aztec cave in New Mexico, and now fears that the locals might start to get snoopy. Good thing he's also found Quetzalcoatl, the legendary Aztec serpent/bird god, and has learned that the creature will track down and kill whoever is in unwitting possession of one of its feathers. Thus, pretty soon, Zucco is planting Q plumage left and right, sitting back and enjoying the carnage... Anyway, this 57-minute film is minimally fun, and Zucco is always interesting to watch, but the picture is unfortunately done in by supercheap production values, a tediously talkative screenplay, occasional goofball humor, and the simple fact that we never get a solid, steady look at Quetzalcoatl itself. Worse, the film's resolution is asinine and inane, with Zucco behaving uncharacteristically stupid and contrary to common sense. Matters aren't helped by the badly damaged film print offered to us on the Image DVD that I just watched, with problematic sound, to boot. Many other viewers have noted the similarity between this picture and another PRC effort, "The Devil Bat," a Bela Lugosi vehicle released five years earlier. In that film, Bela had lured his flying killer to the intended victim by using a special shaving lotion; here, those darn feathers have been substituted. Bottom line: I would have to say that "The Flying Serpent" is a movie for George Zucco completists only, if such an animal exists. Other viewers who are interested in a film featuring the feathered serpent god alive and well in the 20th century would probably be better advised to seek out Larry Cohen's 1982 film "Q."

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