Cuba Gooding, Jr. is among one of the most likable actors I can think of, who always seems subjected to bottom-barrel dreck. His performance as Tre Styles, living on the wrong side of the town with a smart brother and a thug for a friend in John Singleton's Boyz N The Hood is one I recall as one of the strongest of the eighties and one of infinitely powerful emotional impact. On a lighter not, he too gave a quick-witted, inspired performance as a luckless schmuck in pursuit of $2,000,000 in Rat Race. In Jonathan Lynn's Fighting Temptations, his character is Darrin Hill, an advertising executive in New York, who roots stem from Monte Carlo, Georgia. He learns of his aunt Sally's death just as he was leaving his firm with all his things after being informed he was fired for having a resume consisting mainly of false pretenses. He flies down to Georgia to attend the church he did as a child, and is reacquainted with the heat, the atmosphere, and the backsides of the girls by Mike Epps' Luscious. Darrin, then, learns that his aunt left him $150,000 in her will if he can rebuild the church's choir from the ground-up in six weeks. Learning that those who willingly want to join are less than qualified, he holds auditions, wanders around town, and in the meantime, constantly tries to form a relationship with Beyoncé Knowles' Lilly, his crush at a young age who had her heart set on Michael Jackson.The story here is told with an alertness to its formula, yet a bounce in its step, fully capitalizing on the potential of Gooding, Jr. as an actor and Beyoncé Knowles as a screen presence. As someone who had no desire to watch any film Beyoncé went near and a distaste for her music, she is wonderful here, playing a character not as helpless or as self-consumed as I thought. She also isn't placed in the foreground either, nor does the film feel like it's simply capitalizing off her bankability as a singer. Her and Gooding, Jr. make a perfect pair.Yet what's really to praise and write home about with The Fighting Temptations is the soundtrack. The choir sequences are energized precisely to give them the added effect and extra boost they need to work. The little rap tune, "To Da River," that comes relatively late in the game, is about as catchy as any song can be, and so often do the songs break free from the depressing shackles of being trite or undercooked.If there's one point of "triteness" the film incorporates, it's the melodrama and Darrin's slightly smarmy attitude to the idea of running this choir and his romance, which is played out and redundant. It's not as painstakingly cheesy or as tiresome as it could've been (worse, more confused writing that is present in a melodramatic picture like Tyler Perry's Diary of a Mad Black Woman would've steered this film off the nearest cliff). Not to mention, if the film would've had, say, lesser performers, ones with not nearly as much drive, passion, or soul as the cast presented here, this would've spiraled further into lame, contrived mediocrity.There isn't too much in The Fighting Temptations, and it does go a tad too long, with a story that reaches the two hour mark. It's not great cinema by any stretch; it's the kind I call "Sunday morning-fare," the kind of film you tune into fifteen minutes after it started, watch till the credits, and resume your day unaffected in any way, positive or negative. As awkward of a statement this may be, there's worse "Sunday morning-fare" out there. Certainly it'd be harder to find one as nice, free-spirited, genial, and effervescent as this.Starring: Cuba Gooding, Jr. Beyoncé Knowles, Mike Epps, and Steve Harvey. Directed by: Jonathan Lynn.

Darrin Hill (Cuba Gooding Jr.) is a ambitious but habitual lying junior advertising executive. After his lies get him in trouble with his paranoid boss (Dakin Matthews) he gets fired and worst of all, he loses his aunt Sally (Ann Nesby). He travels back to his home, makes a new best friend in a guy named Luscious (Mike Epps), and rediscovers his childhood sweetheart Lilly (Beyonce Knowles). His aunt's will states that he shall direct the town's local choir to victory at a gospel explosion. One thing he falls for Lilly is her voice. She rejects his advances at first but within six weeks she realizes she loves him (and he feels the same for her). But in the meantime, he recruits her in the choir (after she becomes irritated and does it anyway *before they fall in love*). Unfortunately, the reverend (Wendell Pierce) has a sister (Latanya Richardson) who hates both Darrin and Lilly because his mother sang seductive music and she had a child out of wedlock and everybody in town hates and rejects her (except the Reverend, Darrin and Luscious). Darrin loses the choir but after he goes back home, he realizes he loves the choir and Lilly and he returns and with help from Luscious and the Reverend, Darrin and Lilly regain the choir and Paulina is kicked out. They later WIN THE COMPETITION and Darrin wins Lilly's heart. On stage, he publicly asks her to marry him and of course, she says yes. 18 Months Later, all's well, the church is repaired, Paulina turns nice all of a sudden and Darrin and Lilly have a baby.

This movie is a very sloppy one. The story is filled with some unlikely events and characters and the directing and especially editing is seriously flawed mostly. Still thanks to its music, this movie still has some entertainment value and also somewhat still works as a 'feel good movie'.Perhaps the biggest problem with the movie is that the comedy and drama elements of the movie are not balanced out very well. At times the movie can't seem to decide whether it wants to be a comedy or a drama. A result of this is that most of the comedy feels out of place and seriously mistimed. The movie becomes never funny to watch because of this but the warm feel good atmosphere of the movie still somewhat compensates for this.Cuba Gooding Jr. seriously needs to start looking for another agent. I mean this is an Oscar winning actor but yet he appears in movies like "Chill Factor", "Pearl Harbor" and "Boat Trip"? I mean, what's up with that? He deserves to play better roles in better movies. This movie is also one of those movies in which he feels out of place. I know he can play comical roles well but in this movie he just never gets enough opportunity to show this. As a matter of fact, none of the characters in the movie work out or feel deep enough. The movie seems to concentrate more (and too much) on its music than on its characters and story in general. I seriously don't think that Beyoncé Knowles is a bad actress but just like Cuba, her role isn't significant- and present enough in the movie. Rue McClanahan also somehow got mixed up in this mess.At times it just totally feels like entire sequences in the movie are missing. Lots of moments in the movie feel rushed and are not satisfying enough. The movie is a real sloppy job. You can't just blame the script for this but also the filmmakers involved. Yes, it's a real mess of a movie at times, that too often takes the easy simple road.But yet the movie still works good thanks to its music. It makes the movie very pleasant to watch and therefor the movie still works good as a simple feel good movie. But that obviously doesn't mean that the movie itself is also a good one. The movie is too flawed in its story and way of film-making to consider this movie a good or totally recommendable one.There still is enough to enjoy in this movie but the sloppy way of film-making and storytelling don't make this movie really a recommendable one. Perhaps this movie is a typical case of 'watch at your own risk'...chances are you might end up loving- or totally hating it.5/10http://bobafett1138.blogspot.com/

I'm not going to go into a lengthy critique. Suffice it to say, the plot 'borrows' way too much from Sister Act and Sister Act 2 (yes, both of them). With the exception of the romance between Cuba and Beyonce's characters - which by the way, has no chemistry at all) Yes, the musical numbers are nice, but the scenes where the choir is rehearsing with new members for the first time seem a little too choreographed to me. However, if you love gospel music and light, fluffy non-complicated plots, you will love this. It just didn't "sing" to me... Regardless, I love Cuba - particularly in comedies, but why oh why this one? Cuba! Show me da talent!