The irony of The Fall of the Roman Empire is that no one wanted to be in it. Kirk Douglas turned it down for $1.5 million, an incredible offer in 1964! If you watch the three-hour movie, you'll understand why. Kirk Douglas was able to recognize a terrible script when he read one. Ben Barzman, Basilio Franchina, and Philip Yordan's script is so bad, it's hard to believe through the dozens of drafts and rewrites all film scripts must endure, no one could have improved it before the actors started speaking. For example, Stephen Boyd sees Sophia Loren after a long absence and tells he she's beautiful. "Beautiful?" she repeats. "What . . . does that mean?" As another example, in one of the plentiful battle scenes, Stephen tries to convince everyone to stop fighting, but the angry mob of bad guys won't listen. "Let us die killing them!" one extra shouts. The dialogue is so stilted and mostly unnecessary, that even when the tedious fight scenes are over, you almost long for them to return. In a film that could have easily been an hour shorter, you'd think I'd be grateful to have three hours to stare at Stephen Boyd's handsome face. As much as I love him, and as beautiful as Sophia Loren is, Christopher Plummer ruins the movie-with help from the script and the ridiculous rip-offs from Ben-Hur. In the beginning of the film when Chris and Stephen are reunited after years of being apart, they embrace and drink a toast with their arms entwined. I realize that was a Roman custom, but since the scene was so similar to Ben-Hur, it's hard to take it seriously. It's the same with the chariot race, in which Chris-the Messala to Stephen's Ben-Hur-tries to hook his wheel under Stephen's to break his chariot. When that doesn't work, he actually starts whipping him; sound familiar? Unfortunately, even if you've never seen Ben-Hur and could watch this movie with fresh eyes, Christopher Plummer still ruins the movie. He speaks nearly every line with a sing-song lilt, and he prances around as if he was a stereotypical French fashion designer, instead of a Roman leader. His performance is so horrible, it's shocking that he had a career afterwards, let alone had to be coerced into taking the role of Captain Von Trapp the very next year.Dimitri Tiomkin's score earned an Oscar nod, and when you listen to the soundtrack, it sounds very pretty, exciting, and Roman. Hearing it while watching the film feels a little incongruous. Dimitri may have come up with a pretty theme, but he probably wasn't watching the movie while he wrote it. Music buffs might not want to sit through the entire movie, and despite the supporting cast including Alec Guinness, James Mason, Omar Sharif, Mel Ferrer, John Ireland, Anthony Quayle, and Finlay Currie, movie buffs might want to either.

The title refers to the corrupting politics setting the stage for the final collapse of the Roman Empire far in the future. Marcus Aurelius (Alec Guinness) is the aging Roman Emperor. His closest supporters are the ethical general Gaius Livius (Stephen Boyd) and Greek former slave Timonides (James Mason). Livius is in love with Aurelius' daughter Lucilla (Sophia Loren). Aurelius wants to make Livius his heir instead of his son Commodus (Christopher Plummer). This sets off a series of dark events with consequences that will bring down an empire.Although this is a sword and sandal epic, it has more in common with a Shakespearian play. There are some action battles and big set pieces. The settings are impressive. There are some big scenes with lots of extras. It is however more reliant on an epic of human drama. Some of the acting can be old fashion but that's par for the course. Loren comes off a little stiff while Plummer revels in some broader work. In a way, it fits the Shakespearian feel. This is a nice example of a lesser known Hollywood epic.

Far from awful, this Samuel Bronston produced epic features some great direction by Anthony Mann and some terrific acting by an unlikely cast. Marcus Aurelius dies and, knowing that leaving Rome to loony son Commodus is a bad idea, names Livius (Stephen Boyd) his heir. Livius insists that Commodus take command and thus begins the fall of the empire. The film moves quickly and it's apparent fairly fast that Commodus, played by the unbelievable Christopher Plummer, is a madman. Boyd is actually quite good and has some real chemistry with Sophia Loren (playing the daughter of Marcus Aurelius). Plummer steals the film with his wicked performance. There is perhaps one too many characters to keep track of, but for a 1960s epic, this is a standout. James Mason, Omar Sharif, Anthony Quayle, John Ireland and Alec Guinness co-star. Featuring one of Dimitri Tiomkin least bombastic music scores and stunning cinematography by Robert Krasker.

This and 'Spartacus' are the best of the Roman Epics, and it's no coincidence that 'Gladiator' is essentially a remake of TFOTRE; Scott was inspired by the best.This is a beautifully made, intelligent film with great performances, especially from Mason. And quite fitting that it was the last of the 'Epics'...I grew up watching these films on TV with my late father who always explained the history behind them, and they remind me of him when I watch them.I've just picked it up on Blu-Ray for very little. Although the transfer isn't as great as 'Ben Hur' or 'Cleopatra', which it fully deserves, it still looks good.