What other movie gives you placid scenes of babbling brooks & dragonflies ...then WHACK! someone gets their head blown off ...then ahhh, tranquil mountaintop trees ...then WHACK! someone throws a pig carcass all over the dining room ...then ahh, pretty caterpillar on a leaf... etc, etc, etc.This movie is unique, that's for sure. I thoroughly enjoyed it.The story presents the bipolar life of a gangster's son. Raised on violence but with a strong inner "goodness", he is torn between two incompatible worlds. His father is a ruthless criminal who, in his spare time, hunts wild boar as if they'd insulted his mama. His sister (mother figure) is a level-headed, sensitive person who, in her spare time, rescues dogs & kittens from the streets. Eventually our hero hooks up with a bunch of diaper-wearing, drum-beating freaks on a mountaintop, and that's when things start to happen. I told you this movie is unique.Some parts are delightfully predictable--almost borderline sappy--but there are some clever plot twists as well. Really, though, this movie shouldn't be watched for its plot. It's about the spiritual journey we all face in life, whether or not we hook up with drum-beating freaks. The drums represent a primitive connection with oneself. The drums represent discipline & a return to sanity when we're bogged down with "too much mind". As the opening narration indicates, the first sound we ever hear is that of a drumbeat (the rhythm of our mother's heart), and this forges deep connection with our spirit. There are some very interesting thoughts presented on the subject, and while I was initially skeptical about how smacking a tom-tom could relate to a person's soul, I was gradually mystified and eventually convinced that there's something worth pondering.If you're starting to doze off, don't worry. A few brutal murders, dismembered body parts & pig carcasses ought to wake you up again. This contrasts sharply against the serene mountaintop and calm disposition (not to mention vegetarian meals) of the zen drummers where the kid finds temporary refuge. One reviewer said that the contrast makes the film schizophrenic, and it certainly does, but in a deliberate way. It did strike me as a bit disjoint, though. I was expecting a film with slower pacing to allow us to digest it, but this flick comes at you pretty fast. As a result sometimes it feels like we're getting two halves of two different movies rather than an integrated whole. To me, this film could've easily been an hour longer, but I supposed 113 mins is pretty long for most audiences already.The music is very nice, with a soundtrack performed by the great young cellist Trey Lee. And of course there's the fantastic performance of the "U Theatre" drummers (who play themselves in the film).Overall, I'd say this film is like a blend of "The Karate Kid" & "Scarface" with a dash of "The Bird People of China". Similar films are: the Korean buddhist/gangster flick "Bittersweet Life", Takeshi Kitano's Japanese masterpiece "Fireworks" and an obscure but very enjoyable Vietnamese flick called "Buffalo Boy". All worth checking out.

I liked the movie a lot due to the kinda spiritual message or Buddhist philosophy that was eloquently conveyed throughout the movie. But much more than that, I truly enjoyed the beating of the drums and rehearsal scenes of the artistes in the movie. The way Jaycee Chan's character evolves gradually into a better being is conveyed impressively. Jaycee is a decent actor but I must say he looks blank in many scenes which required intense expression of emotion. One of those lesser known movies here in India which can be watched without any guilt. Maybe you might even become a calmer person or have a greater appreciation for the little things in life after watching this!

This is about 60% of a great film. Jaycee Chan plays a drummer in a band who beds down a gangster's girlfriend, only to be found out. Sid (Mr. Chan) has a father (Tony Leung Ka Fei) who is also a gangster and the other gangster wants revenge, specifically Sid's hands chopped off. Sid flees to the mountains of Taiwan, whereupon he stumbles across a group of zen drummers. He is captivated by them and looks to join him. They take him in and make him go through rigorous training to prove himself. Herein lies the problem in this movie. Its not a fatal one: This film should have stayed with the zen drummers. Instead we get more of the gangster goings on in Hong Kong. The parts shot in Taiwan (its beautiful countryside, and the cinematography is great) make up a very good film. Although she doesn't do enough, the so pretty Lee Sin-Je (also known as Angelica Lee in other films) is part of this. Her beautiful piercing dark eyes are always welcome (an aside: see "The Eye" with her as the star, not the horrible Jessica Alba remake), but I wanted more reaction from her. She's a very good actress and looks beautiful, especially when she smiles. There is a bit too much of the gangster stuff going on, it drags the film a bit. However, its still worth watching for the zen drummers and Jaycee Chan is a fairly good actor. Recommended, just could have been a great film.

The following are extracts from the program of a recent performance of U-Theatre that I attended: "The 'U' of U-Theatre is a phonetic transcription of a Chinese character meaning 'superior, excellence'. In ancient China, this word also referred to 'professional actor'…..U-Theatre is an arts group established in 1988 by Liu Rou-yu…..As a student of Polish director Jerzy Grotowsky, Liu had undergone professional training that took place in the woods….. She decided that the focal point should be 'the development of a performer's body and mind'…In 1993, Huang Chih-chun was invited to join as a drum instructor, and he introduced the training method of 'learning meditation prior to drum techniques'….For U-Theatre, performance is not an end in itself, but an aspect of a holistic way of life." U-Theatre has performed in art festivals around the world – New York, London, Moscow, as well as numerous in cities in Asia, Europe and the two American continents.This movie is first and foremost about U-Theatre. One approach could be to dramatize the history of this arts group. Instead, the Hong Kong movie makers chose to fit it into a gangsters' yarn, for reasons that are painfully obvious. The gangster story is banal and too drawn out. But I do give credit to the movie makers for devoting more than half of the movie to U-Theatre, in the middle section when the protagonist, a kingpin's son, is in exile in Taiwan and becomes a new student in U-Theatre. As well, both founders Liu Rou-yu and Huang Chih-chun are in the movie playing themselves, together with other members of the group, giving the movie authenticity.While I am not particularly impressed with the script, the acting is fine. Jaycee Chan, looking as like his father Jackie Chan as I've ever seen him in a movie, handles his character's spiritual transformation reasonably well. Lovely Angelica Lee, among the best Chinese actresses today, is not even challenged in her role. The Hong Kong gangster movie veterans have all delivered – Tony Leung Ka-fai, Roy Cheung Yiu-yeung, Josie Ho, Kenneth Tsang Kong. For eye-candy, there is Cheng hei-yi, better known to the Hong Kong Canto pop crowd as Yumiko.