Copyright 22 September 1934 by First National Pictures, Inc. Presented by First National Pictures and The Vitaphone Corp. Released through Warner Bros Pictures. New York opening at the Rialto: 22 August 1934. U.S. release: 25 August 1934. U.K. release: 26 January 1935. Australian release: 26 December 1934. Sydney opening at the Regent — Hoyts flagship cinema — as the main feature Christmas attraction. 7 reels. 68 minutes. SYNOPSIS: During a night swim in the so-called "dragon pool" at the Stamm estate, the Stamm girl's fiancé disappears.NOTES: Number 6 of the 15-picture "Philo Vance" series. COMMENT: Both "The Kennel Murder Case" and "The Dragon Murder Case" were mighty popular movies in their day, in America, England and Australia. This is understandable. The first starred crowd-crowned king, William Powell, the second coasted to glory on the success of the first. Although Kennel has the reputation, I found Dragon a much more pleasing film. Firstly, because the mystery proved not only more intriguing and bizarrely exotic, but the solution as to the killer was resolved in such an ingeniously simple yet brilliantly concealed manner.Secondly, heretic as I am, I preferred Humberstone's direction to the more critically praised Curtiz's. This is not a general statement. I believe Curtiz had an off month on Kennel, whereas Lucky was at the top of his form with Dragon. Ditto Tony Gaudio's wonderfully moody photography versus the rather over-bright (at least in the print under review) work of William Reese.Thirdly, the acting: William Powell, as usual, makes his Nick Charles — pardon me, Philo Vance — a debonair study of affable, if somewhat patronizing charm; whilst Warren William, as usual, makes his Perry Mason — pardon me, Philo Vance — a debonair study of sarcastic, gruffly affable and considerably condescending charm. Frankly, I prefer Mr. William, but I will admit it's entirely a matter of personal taste. As for the girls, I'll take Margaret Lindsay any day, whilst Helen Lowell does more than justice to the colorful role of the mad Mrs. Stamm. And speaking of the Stamms, Robert Barrat's impersonation of the outrageously drunken head of the clan is far more convincing than Kennel's outraged lover. Both Kennel and Dragon feature an ingratiating line-up of favorite cameo players. Dragon boasts William B. Davidson (in a decent-sized role, for once), good old George E. "42nd Street" Stone, plus that wonderfully suave cad, George Meeker. Of course, heartily bluff, wheezily argumentative Eugene Palette makes his bulky presence felt in both movies.

This is the seventh Philo Vance film, the first after the retirement of William Powell from the lead role, and the first and only one starring Warren William as Vance. William is very insouciant and droll, more so than Powell was. (Powell had not yet fully found himself, as he had not become the future Powell of the Thin Man films. But then, he had not found his Loy yet either, with whom he was later to create his ALL-LOY of magic, fusing his silver with her gold.) William also has greater warmth and manages a far better rapport with Eugene Palette as the idiotic Sergeant Heath. When Palette keeps boasting of 'my knowledge of criminality', William genuinely grins sympathetically and teases him very gently like a friend. This works very well, since in previous films, Palette had been floundering around like a stranded fish and over-acting to an embarrassing extent, and Powell never engaged with him. On the other hand, this film lacks the effectiveness of the coroner's grumbling except with exasperation. In the previous film (THE KENNEL MURDER CASE, 1933, see my review) we saw him (played by Etienne Girardot, who despite his French name was born in London and in his films is 'as American as apple pie') being interrupted at his meals and rushing off to examine bodies, but this time that standing joke is taken for granted, no screen time is given actually to showing his frustrations, which are merely referred to in occasional lines of dialogue, and hence that comic sub-plot does not work nearly as well. The story line of this film is however a superior and unusually mysterious one. It concerns a sinister and mysterious pool behind a large house which they call 'the Dragon Pool'. People swim in it all the time, treating it as a swimming pool, but it is a natural feature, not an excavated pool, and it has bizarre features. It links to extended sink holes beyond, and is said to contain a mysterious aquatic dragon who comes out at night and occasionally eats people who dare to swim after dark. This is said to be an ancient Indian legend, and the pool was reputed to have been regarded by the Indians with awe and fear. The film concerns the disappearance and presumed murder of one of the characters who dove into the pool one evening and never reappeared. The pool is drained but nothing is found. An eccentric rich man lives in the house, whose sitting room is full of identical fish tanks (a low budget prevented these from being properly effective, and they look cheap and unconvincing) which contain rare and exotic fish. There are several scenes where the man and his visitors watch 'Japanese fighting fish' killing one another in tanks. That certainly sets a sinister tone at the very beginning of the film. This is definitely a superior Vance film, and the story is so unusual that it could be remade as a very effective modern film if the right people realized its possibilities.

**SPOILERS** When young Monty Montague, George Meeker, disappeared in the Stamm Estate pond while taking a moonlight dip it was at first assumed that he drowned and was stuck, in the thick mud, underneath.It was when the pond was drained out that to the surprise of everyone present there was absolutely no Monty there! This is when ace sleuth Philo Vance, Warren William, who accompanied the police to the Stamm Estate went into action. With rumors of a dragon, or Locke Ness-like monster, living in the pond it at first is believed that Monty ended up being killed and eaten by it. As Philo started to uncover the evidence of Monty's strange disappearance, as well as Monty's badly torn up body,it became evident that he was the victim of foul play. Not by any sea monster or mythical dragon but someone who really had it in for poor old Monty. Someone who Monty was blackmailing and who just got sick and tired of being under his thumb!***SPOILERS***The key to Monty's demise had to do with his engagement to Bernice Stamm, Margarte Lindsey. It was handsome and debonair, as well as expert swimmer, Dale Leland, Lyle Talbot, who was in loved with Bernice and the fact that she had dropped him for Monty made him a prime suspect in Monty's murder. It took a while for Philo to get a hang on things but it was a secret key, to the Stamm Family Mausoleum, that open the door to who really killed Monty. The key not only revealed Monty's murdered but also the reason he was murdered. It also reviled the way he was murdered and who, beside the actual murderer, secretly set him up to be murdered!A bit dry, despite all the water in it, Philo Vance mystery with Warren William as Philo sleepwalking through his role as the famous fictional detective. The nonchalant and effortless way that Warren solved this very difficult murder of Monty Montague took all the tension and suspense out of the film. What really did save the movie and made it interesting was the "Old Lady" of the house or estate the daffy and fuddled brain Mrs. Stamm, Helen Lowell. It was Mrs. Stamm who unknowingly solved this very baffling murder case by her getting Philo on the right track without her not even knowing, in her thinking it was the underwater dragon, who the killer really was!

S. S. Van Dine's sophisticated, witty, "gentleman" detective Philo Vance is back once again in this murder mystery about a group of rich people who have hidden/outward dislikes for each other attending a party and then deciding to take a dip in a naturally-made pool called the dragon pool. One man goes in and never comes out, and soon, with a host of suspects, Philo Vance, the district attorney, and the ever affable, blunderbuss of a policeman - Sergant Ernest Heath(Eugene Palette) arrive to take aim at cracking the mysterious disappearance and later death that is discovered. As mysteries go, this one really is not that bad, it has some real red herrings laced throughout and never gives too many obvious indications of just who the guilty party is. Warren William plays Vance and I thought he was adequate, though not in the league of previous Vance William Powell(who is?) or Basil Rathbone even before him. As with most Vance film, the best lines go to Eugene Palette who never seems to tire of making wonderful wisecracks and not thoroughly thought-out observations. The things that caught my attention more than anything else was the fish room in the palatial house with all of its aquariums. It really showed how the fish-keeping hobby had been started(through wealthy men tracking down different species abroad and bringing them back here). The collection was most impressive. A good period mystery all in all.