This six minute offering involves a man who apparently rents a room. All he has with him is a carpetbag. He begins pulling things out of the bag and placing them around the room. They include paintings, chairs, a table, people, a bureau, and on and on. Yet it all comes out of a tiny bag. There is some wonderful animation here and the pacing is dynamite. Of course, the landlord doesn't think much of what he's done to the place. So much fun.

If you compare this 1909 6-minute movie to Georges Méliès, you will see that they have basically nothing in common anymore. the reason was probably that film was developing so quickly into new directions that the old legends had trouble to keep up with the medium. First of all, this is not a one man show anymore like almost everything else he did. Actually Méliès own son plays a character here. And then there are the colors of course, probably the most innovative factor. Still, all of this did not really save this film. I was not too impressed watching this and certainly do not consider it among Méliès finest works. This was already almost at the end of Méliès career and when a couple years later sound became a factor, he did not go along with the new changes, but simply stopped making movies. But it's fine that way. he still left us an admirable body of work. Nonetheless, I do not consider "The Diabolic Tenant" among his most outstanding achievements.

I've seen quite a few Melies film over the last couple of years - mostly in roughly chronological order - and watching them in this way drives home just how impossible he found it to adapt to the changing times. Like Emile Reynaud before him, Melies failed to evolve, and essentially ended up repeating the same story over and over by simply varying small details. He could easily have staged this film, in which the devilish tenant of the title produces the furniture for his new dwelling from a carpetbag, as a basic magic show, because there isn't really much of a story. Melies film career would pretty much be dead within another five years, which is a sad thing - had he been able to harness that incredible energy that is evident in every frame of this stencil-coloured film to develop all aspects of his filmmaking talents he might have gone on indefinitely...

Only recently have I discovered the marvelous and very early films of the French genius Méliès. I call him a genius because his films are so inventive, so different and unique that he clearly transcended his contemporaries. Whereas the average films of his day were almost plot less and dull by today's standards, many of his films are still terrific in the 21st century.This movie, named THE DEVILISH TENNENT in Enlish, is packed full of the most amazing trick camera-work and even features hand colored cels--giving it a color look well before the days of Technicolor. Sure the color isn't perfect, but for its day it was amazing--especially since all six minutes of the film is in color--not just a tiny portion. And when it comes to camera tricks, the entire movie is one trick after another! A man moves into an apartment with just a suitcase. But, it's magical and he is able to pull out paintings, furniture, a piano, a fireplace and eventually even his entire family out of the suitcase--in a most convincing fashion for 1909. Then, later when he doesn't have the money for the rent, he packs everything up and disappears--leaving a BIG surprise for his landlord! This is just one of those "you gotta see it to believe it films"--as no review can do this amazing work justice.If you want to see this film online, go to Google and type in "Méliès" and then click the video button for a long list of his films that are viewable without special software.