An allegory of some sort. The film revolves around "wreckers," bandits who beached boats and raided the spoils. We are introduced to a captain, his sadistic girlfriend, a drunk, and the Other Guy. While out raiding crashes one night, out of the ocean emerges two beautiful blonds. The pirates rape the girls. The next day, the captain has visions of the girls. Still alive, they wander into haunted ruins, guarded by a woman in clown make-up and Rasputin. They make a deal with a man locked in a prison under the hill, who might be the devil. He deep-dogs them both and grants them the powers they need for revenge."The Demoniacs" doesn't have much in way of pacing. We lull slowly from one location to the next. The bandits try to kill the girls, without much success. A cross-dresser plays ominous songs on a piano. It drags until we get to the ruins. The moss covered chapels and rotting churches are gorgeous and make a memorable setting. The clown woman is bizarre, especially her first appearance perched on a rock. A man drinks out of a giant bottle before tripping and slicing his neck on the glass. Dead bodies sink into mud as the tide rolls in. The bow of a ship, an animal skull placed there, disappears slowly under the waves. As you'd expect, female nudity abounds and Rollin frequently frames the nubile bodies in a greater tableau, such as a stark naked babe standing on a bed in a ruined room, chastising the cowering men.Once empowered by the devil, you'd think the movie would become a rampage of revenge. Not quite. The girl's abilities come with a few strings attached. In the last ten minutes, the movie descends into almost pure allegory, as the mute girls (Did I mention they're mute?) are set upon by their attackers. Nature intercedes each time, cutting down the villains. Our protagonists are raped again, their much touted innocence further sullied. I think that's what the movie is getting at, something about the death of innocence. I'm not sure.There's some camp. The sadistic woman tries to corner the girls in an abandoned church. They use their powers to make statues fall around her. That's got to feed into the film's theme, statues of Mary and saints shattering. The mute girls hilariously direct the statues by waving their arms stiffly. Despite being a period piece, everyone is dressed in pastels and spandex. There's a lot of stereotypically French stripy shirts. The Devil looks like a swarthy seventies lover. A 1800s pirate in bright red stretchy pants is pretty comical. The girls' tan lines betray the setting."The Demoniacs" is Rollin at his most linear but also his most pretentious. Eventually, it stops making any sense on even an interpretive level. Despite the numerous rapes, the movie never looses its softcore sheen. I suspect the filmmaker was aroused by the images. I'll be returning to the director's vampire movies next where I suspect his talents are better suited.

Les Demoniaques, or Demoniacs as it is largely known under in English speaking country's, starts on a beach where a gang of four people, one known as the Captain (John Rico), his right hand man LeBosco (Willy Braque), Paul (Paul Bisciglia) & an attractive but deadly woman named Tina (Joelle Coeur) wave lanterns to attract ships which then get wrecked on the rocks & sink at which point they steal anything of any value, these gangs are known as 'wreckers'. This particular night things go well & they recover some loot, suddenly they see two young women (Lieva Lone & Patricia Hermenier) stagger ashore, obviously survivors from the shipwreck. LeBosco & Paul rape, beat & generally abuse them while the Captain & Tina have sex together. The gang leave the women for dead & wander off into the night, the Captain ends up at the local tavern where he begins to have spooky visions of the two women while the landlady (who happens to be psychic) Madame Louise (Louise Dhour) becomes suspicious. The two women manage to make it to the apparently cursed ruins of a Church where the devil resides in a crypt protected by a guy with a long beard & a woman dressed as a clown (Mireille Dargent), they release the devil who gives them the power to extract a terrible revenge on the gang of wreckers...This French Belgium co-production was written & directed by Jean Rollin who made quite a few of these arty surreal horror sex films of which I have not seen many, however I thought Les Demoniaques was an OK film if not exactly brilliant. The script tries to tell a decent story about supernatural revenge & it does a fair job at entertaining. The film moves along at a fair pace & never becomes too boring although the character development leaves a lot to be desired, no one in Les Demoniaques has any sort of personality beyond whether they are meant to be good or bad. The two shipwrecked women are good & are violated innocents while the wreckers are uniformly evil who never stop drinking, fighting & having sex. There is no depth or subtly here I'm afraid but then Rollin isn't renowned for his writing abilities is he? No, Rollin is far more interested in the visual side of a film which is not a good thing. Lots of things don't make any sort of sense as he tries to mix horror, art, exploitation, sex & supernatural elements with uneven results, I was also expecting a big 'pay-off' for the wreckers at the end which unfortunately never materialised, that alone made sitting through the thing rather unsatisfying.Director Rollin lays on the visual style with Les Demoniaques being a very textured film, I love the old wooden boats, the inside decor of the tavern, the stone work of the Church, the bright almost cartoonish costumes & the dangerous looking jagged rocks of the beach. Personally I think the arty surreal shots in Les Dominaques aren't that distracting, although the scenes in the Church with the clown, crypt keeper & some guy locked in a room who looks more gay than devil like are bizarre to say the least & destroys any credibility that the powerful & graphic opening establishes. There is far more nudity in Les Demoniaques than violence, in fact apart from some fights & a bit of blood there isn't much graphic horror here while the nudity & sex is plentiful including a couple of very graphic & exploitative sexual assaults which do nothing for me personally. You should also be aware that Les Demoniaques was filmed in French & I don't think an English language version exists so the sparse dialogue is subtitled throughout.Les Demoniaques must have been a really low budget affair, there are barely any actors in it, it has about three locations, no special effects to speak of & as a whole it could be described as minimalist. However the locations Rollin chooses are appropriate, from the Gothic Church ruins to a beach full of stranded shipwrecked boats. Obviously the photography is by far the most impressive aspect of the production although I suppose it's generally well made throughout. The acting is pretty poor from all involved especially the two shipwrecked women who are mute for the majority of the film yet still manage to be awful & irritating, oh & that Tina is a nice looking bird with or without clothes...Les Demoniaques is an OK Euro horror sex film from Rollin, if your a fan of his style of film-making then you'll probably love this, if not then you'll probably hate it. But what about me? Well, I'm stuck somewhere between the two, not my favourite film by any stretch of the imagination but I found enough here to entertain on a basic level. My advice would be to think carefully before you give it a go.

Hell, it's even worse than Rollin's later film TWO ORPHAN VAMPIRES (1997), and that's pretty bad. The only redeeming thing about this film is looking at luscious Joelle Coeur's naked body. She did a few other unremarkable films in the 1970s and then promptly disappeared. Coeur couldn't act worth a damm, but she sure was great to look at.Anyway, two blond-haired girls are shipwrecked on shore and are raped and murdered by the scavengers who lured their ship up on the rocks with lights. There's just a lot of rolling around on the ground and it didn't look very violent to me.Their spirits make a pact with the devil(?) who doesn't even look like a devil in some old church ruin near the shore. There's also a mime or woman in a clown suit who serves no purpose at all.The story is flaccid and hackneyed, the acting is awful (the worst I've ever seen for a French film), and the sets are too bright. There's nothing scary or interesting going on at all except for Tina (Joelle Coeur) taking off her clothes and prancing around nude all the time. Oh yes, she has a soft-core sex scene with the lead scavenger captain (John Rico) who looks old enough to be her father.It has all the feel of a bad Jess Franco film. Terrible.1 out of 10

This is not one Jean Rollin's greatest works, but it does have one shinning light, Joelle Coeur, the gorgeous female wrecker. Like all of Rollin's films (that I have seen) this one is full of all his artistic visions, but for some reason the film still seems slower in it's pace and is a little more difficult to get into. Like all Rollin's film it's worth watching, but in this instance, only for the gorgeous Joelle Coeur.