The main problem with this movie is of course lack of publicity and an extremely poor marketing distribution that led to this becoming the least grossing title of 2005 (they made 423$ from it and spent 50 000$ making it).But what is interesting is that this is by far one of the better movies of that year. The Dark Hours, is a quite interesting and an extremely well done thriller. It touches on a human drama exploring the dark sides of human mind, but does it in a way that a viewer can relate to. It's a simply story, but is quite complex in the way it's presented. The plot twists might leave you guessing, but even in the end you get the idea of what has occurred and what it was all about. The entire movie is in a sense a self-exploration for the protagonist and is a sort of a character description done in a very beautiful way. But although I admire the way this movie has been made: its pace, the brilliant acting, good storyline, I'm quite disappointed how little was put into distributing this movie and making it famous.Overall, I give this title 9/10. It's a very good movie.

When I came across the title I had The Dark in mind. It had Sean Bean and Maria Bello and looked like the more interesting one. But that one turned out to be quite awful. Hence I felt eager to give The Dark Hours a chance. Surely a psychological thriller would be more interesting than your typical supernatural horror? But I have to say that this wasn't the case. The Dark Hours does begin very interesting but ends up a very flat story. I have problems with the fact that this movie is being called a psychological thriller. For me a thriller has to do certain things to be categorized as one. It should do more than just feature a character with psychological issues. Preferably it should tell you a story with twists and turns (that aren't obvious) in order to play with the viewers mind and give the viewer something to think about. Or in the least give you a viewing experience that puts you on this thrill ride (whether it is realistic or far fetched). Especially if the ride is full of unpredictable and surprising moments. Let's be real here. Psychology while mostly interesting and compelling can be downright boring if it is too average and predictable. So how does The Dark Hours fare? Sadly this film doesn't deliver on what is promised. It uses some nice tricks, but too much is given away very early on and you just know something is wrong with one of the persons involved. Just look at the trailer underneath where that plot element is given away. If they had excluded this or not addressed this as profoundly then maybe it would have been shocking. Now I must admit the trailer does suggest that the film is focused on terror and therefore could have been very thrilling. If only they had kept the viewer guessing of what really was going on and make you doubt constantly to know what is real or not. And to then be served with the conclusion they give you certainly would have made an impact. There are a lot of flaws in the plot which could be forgiven if real surprises were in store for the viewer. But people, the movie doesn't offer much on this front. It has some gory moments. Only not done in a matter that could be considered exciting. Despite I could appreciate the attempt to make this kind of thriller.So what are my thoughts now (in 2016)? Honestly, I can't even remember the title let alone that I have seen it. Craziest thing is that I can recall having seen the more awful The Dark. I think I also should have added that a psychological thriller at least should be memorable. The Dark Hours isn't by a long shot. Now this could be one that would be perfect for very late night viewings. You know when you already are half asleep but conscious enough to follow a story. Other than that I can't recommend this at all.

I can not say enough good things about "The Dark Hours". Don't let the unoriginal title phase you, this flick is exactly what the horror genre needs. This is a type of film that requires every second of your attention, for every little action comes back and ties in at the end. Performances are believable all-around, and Adian Devin makes a brilliant villain, simultaneously hilarious and terrifying. The film is exceptionally well shot on its tiny budget (less than a half-million Canadian dollars). Paul Fox has truly done a bang-up job on his directional debut here. His style and visual creativity elevate what is already a great film and makes it both intellectually stimulating AND a feast for the eye. Wil Zmak's script is intelligent and never underestimates its audience, and the ending will leave a definite mark on your mind. I'd also like to point out the music score, which was downright brilliant. As a film score fan I can say that even though this score will unfortunately never see a CD release it is quite a remarkable and original score. Gore fans will get a kick out of the finger scene as well. Really great horror film; simply not to be ignored. Why can't we have more films like this?

The Dark Hours is one of those rare horror films that takes itself and its audience seriously. There is no black humour, no manic referencing of horror classics and no "someone-is-about-to-get-diced" eerie music. As a result, Paul Fox has succeeded where most American film directors have failed - in making a scary movie that is actually scary.This film reminds me somewhat of Alexandre Aja's hugely over-hyped "Haute Tension". Both films contain violent home invasion scenarios, which are subsequently turned upside down by revelations about the sanity of the protagonists. In this case, the central character, Samantha, joins her husband and sister for a weekend in their remote cabin. Unfortunately, their stay is well and truly ruined by the appearance of Harlan; an ex-patient of Samantha's intent on revenge. As the story unfolds, it becomes increasingly ambiguous as to whether Harlan is real or a projection of Samantha's own psychosis. The reason why I find The Dark Hours superior to "Haute Tension" is that within this film's (albeit unlikely) parameters, the plot twist not only makes sense, it also serves to raise the suspense. Neither of which can be said for the events in Aja's film.Gore hounds need not be concerned. This is not a lame "psychological" thriller. The Dark Hours contains a significant amount of gritty violence and one startling act of self-mutilation. The gore effects are uniformly well done and horror fans will enjoy several unexpectedly grim plot developments. The bloodshed is balance nicely by the terror of Harlan's games (his interpretation of "Truth or Dare" was a highlight) and the uncertainty about Samantha's own mental state.The performances are generally very good. Kate Greenhouse is a revelation as Samantha. Hopefully she'll be leaving Canada for Hollywood in the not too distant future. Aidan Devine is another standout as Harlan. This actor has been under-appreciated for far too long. Harlan is yet another memorable character to add to his long list. The supporting cast is not as impressive. The actors who play Samantha's husband and sister are rather dismal. Their responses during the "Truth or Dare" game are unintentionally amusing, which was really quite a feat given the context. Paul Fox contributes to the film's success with his stylish direction, particularly his innovative use of sound effects and editing.The Dark Hours leaves a number of questions unanswered. You do not have to scratch too far beneath the surface to find holes in the plot, even if they are neatly camouflaged by flashbacks and clever editing. Despite these faults, I enjoyed the film immensely. I just wish someone could tell me what that damn noise in the attic was meant to signify.