This film's Edinburgh set crime thriller, which dips into murky chase torture at times has a sense that 'Lola' (the modern-ish German classic) is going to be parodied. Obviously pitched at being outside of actual reality, where wealthy landlords, pimps or drug dealers (known in the film as 'private bankers') not only extort their penniless customers but also bait and taunt them, as in some cruel, sadistic game. Unfortunately, this is no The Third Man (shadowy sinister characters lurking on dark corners), Lola (the 'chase' seems to be mainly driving about in a Jaguar saloon) whilst The Trainspotting vibes resonate most. Except, there simply aren't the oddly likable, charismatic characters in that, for a start. There's quite a few Hitchcockian twists with a silent, weaving camera teasing us, though. It seems that the whole thing passed me by without making much of an impression. Not sure exactly where it fell down, maybe a bit in each. I daresay I'll have forgotten it by tomorrow. There have been US equivalents that have worked better, maybe for being more villainous, or better written, or better everything. It's not a bad effort, though and worth watching if it's free and not much else is on. Equally, it won't sink the indie Brit film scene but very definitely, unlike Trainspotting, won't set it alight either.

I hadn't heard anything about this British Independent film before I saw it come up on TV last week. There are some very good Indie films out there and on the face of it this one looked pretty good, but more of that later. The setting is the urban environment of the city of Edinburgh, Scotland.A young man, Sean Macdonald, is down on his luck. He has lived in a flat (or apartment if you prefer) with his sister Alice since their mother passed away. Sean finds it hard to hold down a job and Alice has managed to get herself into a large amount of debt. Even Sean's best friend, Sam, cannot help him out. So when two men, Alistair Raskolnikov and Jamie Stewart offer him the chance to win enough money to pay off all of Alice's debts he finds himself with no option but to take them up on the offer. All he has to do is hide from the two of them from 9PM until 9AM the following morning. What follows is a dangerous game of cat and mouse in the back-streets of Edinburgh. I will not tell you who wins, but there are many twists and turns along the way.What we end up with is a gritty and at times violent chase thriller with plenty of excitement and some interesting twists and turns. That's the first half of the movie. Unfortunately the second half does not live up to the promise of the first. There are decent performances from all of the leading cast, so honourable mentions go to Dougray Scott as Alistair Raskolnikov, Alastair Mackenzie as Jamie Stewart, James Anthony Pearson as Sean Macdonald, Liz White as Alice Kelley and Charles Mnene as Sam. Oh and there's also a brief scene with Karen Gillan, now starring along side Matt Smith on TV in Dr Who.As I said the second half of the film is a bit of a let-down. A lot of the energy and tension built up in the first half is lost and I felt the film just petered out rather than building up to a big finish. So, in the end it was a bit disappointing although Dougray Scott is very menacing as the bad guy. I certainly wouldn't want to come across him on a dark night! Over all, a good first half let down buy a very average second… Not recommended.My score: 5.3/10

But with out a Jean Claude Van Damme or an Ice T it has a wee Scots lad in stead as the hard up hero getting mixed up with rich guys on a human hunting trip.It starts with a title sequence thats Lucky Number McSlevin, red and black animated rooftops and soon as we realise the hard up Edinburgh kid is in a bit of a cash crisis and life's crap Dougray Scott turns up all Lance Henriksen like with a little offer of cash for a challenge.The game begins, we get a lad running through the dark dark streets of Edinburgh that the festival brochure won't show, while Scott and his lesser sidekick give chase, playing coppers and starting on chavs (a lighter moment for those of us who dislike aggressive teenage gangs).Reasons, motivations, peoples, none can be trusted during a long night where bars, clubs, gig venues are all packed out yet no one walks the streets and having been to Edinburgh this is a little silly.Scott plays the hard Bastard a lot better here than in other films like MI:2 and Hit-man but there's no real connection to any characters part in the story so you feel more a witness to a dour hunting party rather than being involved in the chase.After a while the film takes a change of pace and the outcome becomes less obvious but makes the lad being chased far to intelligent and clever to be where he is in life at the start. But it does have a nice conclusion.This movies a bit boring in places and not as thrilling as i'd hoped but it's nice to have a British thriller without Danny Dyer, Tamer Hassan or a London setting which gives it a leg up on a few of it's peers. Worth watching even if it's just to support small independent British film.One question though, if a buildings locked and you have to break a window to get in how come that's not an option when you need to get out?

This film has definitely made it its aim to philosophise about the value of life and money in our modern society while showing as many chasing scenes as possible.I saw it 2 days ago and I'm still not sure whether it succeeded in either. Reflecting on it I realised that it actually developed the main question of what people will do for money in almost all the main characters but without any real revelations or novel answers.References to Crime and Punishment seem to be a bit too much of a claim to real depth.Overall I'd say, go and see it if you like Edinburgh or if you want to kill some time. As long as you don't expect a masterpiece you might enjoy it.