Voted one of the 100 top movies of our century ,not from luck.
... View MoreIf this film was made by a Hollywod director it would feature in the all time top 10. George Tzavelas masterpiece consists of four stories linked together by a counterfeit coin. In each story the characters seek to find happiness or love in things that turn out to be fake, hence the counterfeit pound. In the first story a lifetime silver merchant creates the coin only to realize it brought him nothing but fear, he throws it away and starts a new job as a happy man. In the second story a beggar falls in love with a prostitute and tricks her to sleep with him giving her the fake coin only to realize that she only cares about the money. In the third story a fatherless child finds protection and closure in the hands of a childless man that up till that moment cared only about the money. The final epic conclusion is about a newly married couple that struggle in poverty but remain in love. Until the woman decides to leave her husband for a richer one. He is left alone only with the coin that once represented their love, only to realize that the coin is in fact fake...
... View MoreThe new year's Eve scene with the poor orphan girl and the old childless miser man in the third story is maybe the most touching scene in Greek cinema.Orestis Makris awakens the viewers' hearts with his excellent dramatic performance. A few scenes earlier, his screen-wife had told him 'look at the lime-painter and his wife: they have no money, but they have Fanitsa, their little angel', a line that always brings tears in my eyes.A must-see movie, an all-star film that combines the top theater actors of the time with the then-emerging cinema stars of the following 20-30 years.A film shot in lovely settings of the old-time Athens.
... View MoreOne of the top 5 Greek films ever. A story in four parts, a counterfeit sovereign being the protagonist that links all of them. The concept is simple but the way it is carried out is unique. A rare case of skillful directing resting upon great performances by 'real' (i.e. trained in theatre) actors.
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