The Chambermaid on the Titanic
The Chambermaid on the Titanic
| 11 November 1997 (USA)
The Chambermaid on the Titanic Trailers

Horty, a French foundry worker, wins a contest and is sent to see the sailing of the Titanic. In England, Marie, saying she is a chambermaid on the Titanic and cannot get a room, asks to share his room. They do, chastely; when he awakens, she is gone, but he sees her at the sailing and gets a photo of her. When he returns home, he suspects that his wife Zoe has been sleeping with Simeon, the foundry owner. Horty goes to the bar, where his friends get him drunk and he starts telling an erotic fantasy of what happened with him and Marie, drawing a larger audience each night.

Reviews
row333au

because this film is a poetry...the developing prose of the story with the abstract implying ideas (specially the suggestive narrative story telling) that synchronize in the rhythmical scenes and intense drama of passion, along the scripts playing with language from polite to vulgar.... and then there's how it's filmed rich in emotion from all the characters even by the by-standers, with an almost accurate period movie where past early after turn of the 20th century we get to glimpse travel.... but at always this film remain or kept itself simplistic in style despite the intricate weaving and integrating of the art of old world romance, dark mystery movie and sarcastic humour in suppress comedy, while the drama of human conflicts and aspirations are all in one (it all depends on your receptors at the time of watching)... or very accessible to watch...and then there is the way of how contrasting dimensional realities (but naturally looked at as life) becomes romantic even in the hindsight tragic of titanic (distasteful exploitation of as soon as that event happened)... and then on top of even another dimension is that the story is focus on the fantasy element - huge passionate erotic romantic narration that are all base to the "keep coming back to that ultimate one-night stand" which is the center of the plot....For instance: life in the smelters or foundry, the peasantry lower working families of rural mining processor towns, the intrigues and the theatrics of salacious subject matter have driven the pheasant existence of workers who could only dream of what's life in opulence, of experiencing real passionate romantic escapade in the midst of luxury even as a servitude (instead of just daily toiling and working to meet the basic necessity in the back-draft of small rural factory town)... sexual passion with a sensual stranger in forms of flashbacks that make one wonder of life beyond the town.... the main character's fantasy is now the town's.... whereby it begins to represent the workers' escape of a humdrum life, as all they want is to be entertained with stories of concocted true events or fantastic lies well put together..... which really is the component (patronizing crowd audience) and what is binding to the elements (the story telling or narrative) of the film...what really is surprising and very much what makes treasure of the film is between Olivier Martinez and Aitana Sanchez-Gijon chemistry and real genuine passion, that's hard to fake sensual romantic intensity, as much as naturally born sexiness, sex appeal and good looks cannot be faked either....

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jimpoz

I've renewed my interest in Titanic over the past year or so and happened across this movie. I thought it was an OK movie after I saw it about two months ago but since then there's been an aspect that I can't get around.I can go for how the townspeople were entranced by Horty's stories. They knew him, after all. But once he took the performance on the road and was charging admission to complete strangers, things changed; the least of which is that since they didn't know Horty, I don't think they'd relate to him the way the townspeople in the tavern did.Imagine you were one of his audience members, seeing his show in the weeks following the disaster.To imagine yourself as a member of the audience at that time, imagine that it's November 2001 and you're going to the show of someone claiming to be a survivor of the World Trade Center. You sit there and listen to the speaker go on and on about his torrid love affair with the coffee shop girl on the 80th floor sky lobby. Wouldn't he -- and you, for that matter -- be more interested in what it was like to survive the disaster? And after we've seen the pictures of the poor souls plunging from the buildings, and keeping in mind that the 9/11 lost are as dead as those on Titanic, wouldn't you think that having a set with the side of the building and an actress pantomiming the death plunge, much as Zoe was mimicking the drowning Marie, be in incredibly poor taste? That aspect of his production alone would make me consider Horty to be a shameless opportunist, regardless of what he actually said.

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btflstrngr920

As a new Olivier Martinez fan, I have clamored to get my hands on most of everything he's done. I bought this movie through Amazon.com along with 'Mon Homme' and 'The Roman Spring Of Mrs. Stone.'Anyway, this movie was very different from the very famous 'Titanic' movie made in 1997, as well. The story begins as Horty (Martinez) wins some kind of contest from his boss and he gets a free ticket to South Hampton to watch the Titanic set sail. When he arrives in South Hampton, he goes to the hotel he is staying at and is shown to his room. Suddenly, this chambermaid from the Titanic comes to his door and tells him that she has no where to stay and asks if she could sleep in his room for just the one night. Horty reluctantly, if I remember correctly that is, offers his room and his bed to the chambermaid while he tries to sleep in the chair. After they both settle down, she invites him into the bed just to sleep. He has this romantic dream about her, but when he wakes up she is already gone. He goes outside to watch the Titanic set sail, and sees that a photographer is taking her picture. After she walks away, he goes up to this photographer and asks to have her picture. When he comes home, his friends want to know what happened while he was there. He tells them that the chambermaid, named Marie, stayed in his room for the night. Obviously they were intrigued, and wouldn't believe that nothing happened between them. So, Horty gives in and starts to tell this elaborate story, making it up as he goes along. His wife overhears his stories, and believes that he cheated on her. He tells her that everything is made up and nothing happened. He eventually finds out that that Titanic sank, and figures Marie must have died. Somehow, this acting troupe comes along and wants Horty to make it into a play because he stories about the chambermaid named Marie are so popular in the town he lives in. He and his wife decide to go along and do it, because they need the money. One night as he's about to tell the story, he realizes that this person, Marie, is in the audience! I'll have to stop here, so I won't spoil it for you...This movie is a very good movie, and worth watching! It's not really even about the Titanic, the ship is in the details, but really its about Horty's fantasies about what could have happened the night he spent with a chambermaid named Marie.

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bungle-2

I love this film; it dares to let the audience be soaked in wonderfully melodramatic and lustfully vulgar scenes. Feelings and drama make the film rattle, and when, in addition to this, the humor is so frequent, this film can't fail. It is erotic, wonderful, lovely. Ace.

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