The masked Carson City Kid and henchman Laramie keep holding up stages, but take nothing except the mail. So what the heck is going on.Good to see so many matinée stalwarts in the same movie—Rogers, Steele, Hayes, and Beery Jr. It's a pretty good screenplay too. At first, I didn't know whether Jessup (Steele) and the Kid (Rogers) were good guys or bad. But eventually it sorts out. And was there ever a better jovial character than the underrated Beery Jr. Then too, Hayes gets to do his usual toothless grouch. And now I see why Rogers soon went to Technicolor—how much better to show off that magnificent blond palomino Trigger. Even in lowly b&w, he cuts a striking figure. No Dale Evans here, instead it's the comely Pauline Moore as the eye candy. No, the movie never gets out of familiar San Fernando Valley locations, but is still a better-than-average little programmer with a few mild twists.

Rodgers holds up mail-lines looking for bad guy Bob Steele, in order to settle an old score. Along the way, he tangles with lawman George "Gabby" Hayes and tries to protect young, naive miner Noah Beery Jr., whom Roy's partner (!) and Steele set their thieving sights on.A great role for Roy, this has a great, above average cast and an irresistible chance to see Rodgers going up against fellow Saturday matinée star Steele (who always looked more like a heavy than a hero) in a rare villainous turn.A better than average script, that knows what buttons to push and a quick pace also go a long way in helping make this Republic Pictures production worth watching.The only things that disappoint is the abrupt conclusion and the half-hearted nature of songs.

The Carson City Kid (Roy Rogers) and his partner are, on horseback, fleeing a posse led by Marshal Gabby Whitaker (George "Gabby" Hayes) when his partner's horse is shot from beneath him. The Kid stops and picks up his partner, and they are riding double.The unscrupulous partner then knocks The Kid off the horse and continues alone on horseback. The posse later surrounds the partner and captures him.The Carson City Kid, unhorsed and on foot, hides from the posse that was chasing him and his partner. After the posse captures the partner, and returns to town to jail him, Marshal Gabby Whitaker remains behind, alone, to search for The Carson City Kid.When the Marshal rides beneath a tree, in which The Kid is hiding, The Kid drops a rope over the Marshal and takes his horse, leaving the Marshal to make his way back to town on foot.Since The Kid was on foot, and nowhere near a horse... where did he get the mysteriously appearing rope which he used to capture the Marshal?

The Carson City Kid is a "B" western to be sure, however, this one is a cut above the average.Rogers had not yet evolved into the the yodeling/singing hero of the range. At this stage of his career, the studio was not casting him as himself but as "good" bad guys. In fact in this picture he sings only one song and that is a duet with the heroine.What sets this picture apart is the excellent supporting cast. First, we have Gabby Hayes playing the Marshal and Noah Beery Jr. as Arizona who is befriended by Roy along the way. Heading up the villains are Bob Steele and the venerable Hal Taliaferro. Even Yakima Canutt turns up in an unbilled bit as the bartender. Steele always made a better villain than hero and in my humble opinion, takes the picture away from Rogers.To be fair, Roy was just getting started and didn't do that bad of a job. The Carson City Kid remains one of Roy's better early westerns.