A fairly bog standard Gothic horror entry from Mexico, filmed at the Azteca studios with a strong foreboding atmosphere and some great production design. Expect to see a film filled with classic horror images: the spooky old castle and crypts; vampires rising from their coffins in a cave; oodles of dry ice masquerading as fog filling the screen with an eerie chill and sense of the weird. THE BLOODY VAMPIRE also boasts one of the best openings I've seen in a Mexican horror flick: it involves a carriage (driven by a skeleton!) riding slow-motion through a spooky old forest, making no noise whatsoever as it travels by. It's just a shame that the rest of the movie can't live up to this classic horror imagery.Instead, the film boasts smalltalk, smalltalk, and more smalltalk. Director Miguel Morayta doesn't seem to know what he's doing, as he films long static takes with little action or excitement to enliven them. Instead we get one long monotonously-dubbed scene after another which becomes a little wearing after a while. Conversations about a new method to kill vampires, boring romantic sub-plots between minor characters and even a discussion of the origins of coffee (!) threaten to drag this film right down to the ground and eventually lessen the entertainment value a great deal. Not so that the film is totally unwatchable, but it could have been a lot more successful with a little cutting here and there and a few more scenes of action to recommend it.The special effects employed by Morayta and his team are largely amusing, if limited. The sight of the giant rubber bat (with huge ears) flapping around the sets is a cheesy delight for the bad movie buff. Otherwise most of the effects are of the sound variety – the film is chock full of weird moans, chanting, creaking doors and eerie winds. The sound actually highlights the horror in a number of scenes and adds to the watchability of the film a great deal. Cast-wise, the unpleasant Count von Frankenhausen is played by Carlos Agosti as a sneering Bela Lugosi variation, complete with (added in) pin-prick lights in his eyes and the trick of shining normal lights on his eyes to make them more spellbinding, again originally used by Lugosi. But Agosti just comes off as a thoroughly nasty fellow rather than a truly evil bloodsucking vampire.Glamour content is added by the lovely Begona Palacios, as a purveyor of good who goes undercover as a maid and whose affections are hunted by the evil Frankenhausen (well, who wouldn't?). Bertha Moss is suitably hissable as the evil Frau Hildegarde but Raul Farell leaves a void as the uninteresting Doctor Peisser, supposedly the film's male lead. By far the best character is unlucky manservant Lazaro, who gets violently whipped by the Count for his insubordination. The biggest cheat of the film is there's no real ending; INVASION OF THE VAMPIRES, the superior sequel, followed.

According to Mexican lore, a vampire can survive the usual wooden stake. Who knew? You must use Clammic acid, which can only be distilled from the black Mandragora flower. This flower grows only on spots over which a man was hanged. Killing vampires is tough work!A watchable Gothic horror film with some really spooky music. Perfect accompaniment to the aspirations of Count Siegfried von Frankenhausen (Carlos Agostí)., who plan to turn the whole world into vampires with himself as the head vamp in charge.Where he plans to get blood after that is anyone's guess.The Count's wife Eugenia (Erna Martha Bauman, a former Miss Mexico) is not a vampire. An interesting proposition, with some funny scenes between them.The o0verly melodramatic acting and the presence of Frau Hildegarde (Bertha Moss) make this a must see. You won't be disappointed.The best part is that they will be back in La invasión de los vampiros.

This review is of the English-dubbed, K. Gordon Murray presentation of the film as THE BLOODY VAMPIRE. From the first frames--with a slowed-down horse-drawn carriage almost floating through the fog-shrouded trail, the soundtrack containing an eerie wind punctuated by a slow churchbell and wolf howling--you know you are in the hands of filmmakers who know how to capture a disturbing setting of gothic horror. While this film does have some slow talky moments, I would rate it among the finest vampire films of the 60s, equal to the best ones coming from Italy and the Philippines. Director Miguel Mortaya is a master.The SWV video (which may no longer be available, for legal reasons) is from a fine print, and contains the outlandish and LONG K. Gordon Murray spoken prologue with a swirling, headache-inducing spiral on the screen.If you were to buy only one of the K. Gordon Murray mexican horror imports, this may well be the one to buy. The film is so visually stunning that even those who dislike dubbing may be able to get past it here and let the film's shadowy images wash over them.

For my 100th commentary I picked this little film.Another south of the border flick snapped up for a few pesos by K Gordon Murray.According to some film books this film was hacked down from its original running time but not the dvd I watched.It could have used 15 minutes trimmed.I'll get to that in a moment.This film starts out great.A coach driven by a skeleton races noiselessly through the woods. Rather spooky.In it is the dreaded vampire Count Frankenhausen.When the Count gets to his home we're treated to more fog and spookiness.Then the yakking begins.One of the Count's idiot neighbors is his sworn enemy Count Cagliostro.They've lived nearby for some time and didn't even know it!Anyway Count Cagliostro babbles endlessly about a new method to kill vampires.It isn't even used in this film but is in the sequel, Invasion Of The Vampires.Then the Count Cagliostro goes to the capitol probably to filibuster and we don't thankfully see him until the end of the film.His daughter and doctor fiance discover that the evil Count lives nearby.So Anna goes undercover as a servant to the Countess there.For some reason the Count hasn't fanged his wife but fangs servant girls brought to him by the sadistic Frau Hildegard.Well Anna turns on Frankenhausen and off we go.But in the middle of the film the vampire and the doctor have a seemingly endless conversation about COFFEE!!ARRGGH!Cut this right out of the movie please!There is some real brutality here with the whipping of servants and one has his tongue cut out of his mouth.The last twenty minutes pick up the pace and we're treated to a nice chase and some spooky shots of the vampire.When the vampire changes into a bat however he looks like a vampiric Bugs Bunny.Rabbit ears are on that bad boy!In the end there is a climactic showdown in the cave of the vampires.All in all some of the spooky scenes save this movie.The soundtrack switches from choral music to jarring electronic weirdness which is creepy.Stay tuned for info on the sequel, Invasion Of The Vampires.