Early in "Black Cobra," Detective Robert Malone establishes himself as a maverick, uncompromising policeman (otherwise we'd have not movie) when he guns down several criminals during a hostage standoff. Next, he finds himself protecting a female photographer who has witnessed a murder. She is sought by a moronic gang of motorcyclists who have been murdering and raping at will. Malone finds them, confronts them, and takes care of (police) businessWhat I found interesting about this movie it was made in 1987 but has the look of those 70s Blaxploitation films. I had assumed these flicks would have died out by 1982.It's very much a foreign production with Fred the only American in whole thing and all the roles clearly dubbed. his salary was probably the biggest part of the budget. It's filmed like a spaghetti western. Horrible porn music, and no time for multiple camera setups so there is lots of zooming in and out.It's actually a very slow movie that spawned a number of sequels, so it had to make money. Still I come back to the 1987 copyright. It looks sooo dated.

Stelvio Massi, the Roger Corman of Italy, cranked out an average of 4 films per year from 1954 to his death in 1994. Considering the haste, budgetary constraints and saturation problems this kind of schedule creates, Massi's films are much much better than they have any right to be.Black Cobra stars a slightly bloated Fred "The Hammer" Williamson as an African American version of Dirty Harry - Detective Malone. Malone disobeys orders, doesn't compromise with people who he judges to be "scumbags" and is more than happy to contribute a little lead to anybody who asks for it. A female photographer has run afoul of a group of sociopathic, but nicely groomed, bikers and Malone is to be her protector.Though not original, the story is decently told, and the script, although poorly dubbed, is OK. The acting is about what you would expect from a film of this nature, but some of the Italians are actually good. Nevertheless, the film did manage to cure my insomnia three nights in a row before I finally finished it last night and staggered off to bed in a daze.For Completists Only.

The ever watchable Fred 'The Hammer' Williamson headlines in this action outing that owes more than just a little to the Sylvester Stallone hit Cobra.The plot for instance is directly stolen - erm, I mean borrowed from the aforementioned Hollywood flick and involves a group of disillusioned social misfits led by Karl Landgren (Apocalypse Mercenaries/Demons 2) who are terrorising the city with their decidedly antisocial behaviour. During one attack however, a sexy female photographer (the lovely Eva Grimaldi) manages to snap a few shots of our naughty boy in the act as it were. She manages to escape with her life but subsequently finds herself on the receiving end of the gangs unwanted attention as they desperately hunt her down in order to reclaim the evidence she has of them (oh and to kill her of course!)Where is our main man the Hammer during all this? Well, as it turns out he is given the assignment to protect our damsel in distress. Needless to say - any film with Fred Williamson in it always features a fair quota of ass kicking and this is no exception, although it has to be said that the action isn't handled with nearly as much enthusiasm by the director as it could and indeed should have which is a real shame.Nonetheless, the film remains at least enjoyable throughout and doesn't outstay it's welcome with it's relatively short running time.Followed by three sequels (although the final one barely features Williamson in it!)

Cobra Nero(aka Black Cobra)has average music more suited to Italian zombie flicks than an action film and more than it's share of bad acting,dumb bad guys and sweaty close ups yet it has some well shot action sequences while Mr Williamson is on screen and some well done gore effects.The climax is a bit longwinded but it still left me wanting to watch more.Luckily there have been a couple of sequels since so we can all look forward to seeing Fred Williamson playing Malone again.