Big Shot, The (1942) ** 1/2 (out of 4) B-grade gangster film from Warner features Humphrey Bogart as a three-time hood who gets out of prison and tries to go straight because one more mess up will get him life in prison. After not being able to make a straight living he sets up a heist for a crooked attorney but gets double crossed. Once back in prison Bogart must find a way to escape and get revenge. This really isn't anything we haven't seen in countless other prison/gangster films from Warner but as usual Bogart makes it worth watching. He plays the tough guy perfectly and his image as a tough guy can never be questioned. He even gets a few funny moments including one segment where he's on the hideout in the deep woods and can't get use to cutting wood for a fire. The supporting cast includes Richard Travis, Susan Peters and Irene Manning as Bogie's love interest. Manning isn't too good in her role and it probably would have been better with a stronger actress here but either way, if you're a fan of Bogart then this is worth checking out. It's also worth noting that there's a scene in the prison where Bogart is pitching a baseball, which is filmed pretty much shot for shot like a scene in The Shawshank Redemption.

Not even Bogart can save this film. Bogart's fame had caught up with his talent by the time this film was made. Its surprising that Warner would make such a bad film that could have wrecked the career of its star. If anyone thinks this film is great, just ask somebody who is film buff, which means a Bogart fan who played in "Big Shot", chances are the question will go unanswered. This film is hardly ever played, and its no wonder. For those commentators who liked the chase scene in the snow, they must have never ridden a motorcycle, let alone in the snow on mountain roads. The cops do eventually crash, but not before firing about twenty shots,which means they would have had to reload at least twice, while driving one handed. For those not familiar with revolvers, and apparently the writer's were not, loading a revolver is basically a two handed operation. So that means the cops would have been driving in the snow with no hands on the bars.Unrealistic court rooms are not unusual for most movies, but this one is really bad. Surprise witnesses may be dramatic, but they are hardly an accurate portrait of the court system.Unlike most Bogart gangster movies, you can never figure out whether he's a robin hood bad guy, or just a bad guy. In this film, the writer's created someone who comes across as a little sappy. Wasn't it quite unlike other Bogart characters to be stopped from pulling an armored car robbery by his former girl friend now married to the crooked attorney who for some never quite explained reason will get most of the loot.The only good line in this film is during the prison break scene where the former girl friend is trying to fool around, and Bogart retorts, "I can only do one thing at a time." Not only was it a funny line, but one of the most believable.I am still trying to figure out how Bogart and girlfriend got out of the house into their car. The prison seemed more like a refuge for bad actors, rather than bad characters. If a guy acted like "Dancer Smith" in prison, he would probably been raped so often, he would never been able to dance. This also was the first prison break that used a spot light to put out the lights. A novel but highly unlikely way of to start a break.Its hard to believe that Warner Brothers put this film out at the same time it put out the Maltese Falcon, Casablanca, High Sierra. Some of Best films ever made which makes this film a real stinker.

Humphrey Bogart portrays three time convict Joseph "Duke" Berne, with twenty years of prison time under his belt. But he's running gun shy now, as the next offense will put him away for life. When former cohorts show up planning an armored car heist, the Duke is in, until he runs into former flame Lorna (Irene Manning), now married to mob lawyer Martin T. Fleming (Stanley Ridges). He sits out the heist while the gang gets pinched, but gets fingered anyway by a nervous witness who's pressured to make an ID during intense police grilling.Now he needs attorney Fleming's help with an alibi, which comes in the form of young car salesman George Anderson (Richard Travis). Anderson's testimony will get Duke released, but small time hood Frenchy (Joe Downing), with a score to settle with Duke, rats out his involvement with Mrs. Fleming to her husband. The prosecuting attorney brings in Anderson's girlfriend who doesn't corroborate the salesman's story. Now Anderson and Duke both find themselves behind bars.Almost immediately, Duke starts planning his escape, and forms an alliance with The Dancer (Chick Chandler), a talented con man who will head up the prison's talent show. With the help of James Cagney lookalike Quinto (Murray Alper), who plants a gun under the warden's car to be retrieved by Duke in the prison machine shop, the stage for the breakout has been set.Meanwhile, George is implicated in the escape and faces more hard time if he doesn't spill his guts to the warden. With his conscience getting the better of him, Duke decides to turn himself in. What follows is a quite thrilling car chase scene over slick, snow covered mountain roads. Lorna takes a bullet in the chase, and when she doesn't make it, Duke's revenge on Fleming takes form. In a confrontation with Fleming, Duke gets his revenge, but takes a bullet himself.Told in flashback from the prison's hospital ward, "The Big Shot" is an interesting period piece. Note the sign in a scene from Sardo's Restaurant - "Italian Dinner - 60 cents"! The film's not in the same league with edgier gangster dramas like Cagney's "White Heat" or "Public Enemy", or even Bogey's earlier effort "Bullets or Ballots" with Edward G. Robinson. But it's not bad either, and a well spent hour and a half or so if you can find it. The film hasn't been released commercially, so you'll have to scour the late night cable movie channels, or source it from a private collector.

The Big Shot is a decent crime picture, reminiscent in theme to the previous year's High Sierra, which also featured Humphrey Bogart. Director Lewis Seiler was no Raoul Walsh but handles the familiar plot about the doomed criminal nicely, giving it shadings of atmosphere, urban and rural. The movie is one of the last flowerings of the second major wave of gangster pictures, of which it is a late example. Bogart is excellent, yet one can sense the genre running out of steam despite his performance and the nice pace of the film. There were more pressing issues at hand by the time the movie was made, such as a world war with Germany and Japan, as overall the activity of the criminals in the movie seem small potatoes compared to what was going on elsewhere, in Europe and in the Pacific.