Charles Farrell, a great silent screen star, appears with Bette Davis and Ricardo Cortez in "The Big Shakedown," a 1934 film featuring Allen Jenkins and Glenda Farrell.Farrell and Davis are Jimmy and Norma, a boyfriend-girlfriend who marry later in the film. They run a corner drugstore. Cortez is a post- Prohibition gangster, Dutch Baines, looking for a new racket. Patronizing the store one day, he realizes that Jimmy can make his own products, which are identical to ones on the market. However, he isn't selling them claiming that they are the commercial brands; he makes them so he can sell a house brand for less.Of course, Dutch sees that if these products are sold under the commercial names, he can use their publicity and brand reputation to make a fortune. He talks Jimmy into making toothpaste and beauty products because Jimmy needs money. He's reluctant to do it and planning to quit when Dutch decides to go into medicine and have Jimmy make drugs. Jimmy flatly refuses; Dutch makes noise about Norma's safety, and Jimmy caves.This is a typical crime film interesting because of the cast. Davis' role is an ordinary ingénue one that could have been played by anyone. She was still getting a build-up and hadn't yet become a star with a special image. She's blond and pretty. Glenda Farrell has the role of Dutch's girlfriend, whom he throws over. Farrell, with her distinctive speaking voice and likable personality always stands out. Cortez does well playing the tough, uncompromising Baines.Charles Farrell, whom I used to see as an elderly man (your fifties were considered like the seventies back then) when My Little Margie was in syndication, was good-looking and popular in his day. He had a gentleness about him and also an earnestness which he displays here. He retired in 1941 to become a land developer, but returned for Margie, which was followed by his own show. Then he retired again.Cortez's career as a leading man was just about over. Though he continued working until he retired, he also became a successful broker on Wall Street.Of interest, the actor who played the young Jewish boy who buys ice cream (a cone was six cents), Sidney Miller, went on to become a director and composer, and actually revamped the Mickey Mouse Club for Walt Disney beginning in its second season. Amazing that Bette Davis was the only one to stay full-time in acting.

Pharmacist Charles Farrell goes into business with gangster Ricardo Cortez making counterfeit toothpaste and cosmetics. Soon Cortez wants to branch out into making medication, which Farrell isn't happy about. But Farrell wants to marry fiancée Bette Davis and give her financial security. Early Bette flick before she had really developed her style. She's fine but there's not a lot for her to do through most of the picture but worry about her guy. Charles Farrell is OK. Ricardo Cortez is a great bad guy as usual. Nice supporting cast includes Glenda Farrell, Allen Jenkins, and Henry O'Neill. Fun cat fight between Glenda Farrell and Renee Whitney. Exciting climax you will not be able to predict!

This is an Odd one to say the Least. Now that Prohibition has been Repealed Bootleggers get into the Fake Cosmetic and Drug Business. Making Generic and Ineffective Products and Slapping Brand Names on the Labels.There are Scenes that are Downright Bizarre, like a Row of Gangsters Brushing Their Teeth, a Jewish Teenager who keeps a Ledger and Wisecracks about Sales Tax, a Mother Buying Cough Syrup "for her child", "don't wrap it up I'll drink it, I mean carry it that way." A Cat Fight with some Slang Banter that is Priceless, a Miscarriage, a Brutal Torture Scene, and some Moralizing in the End that is so Over the Top it Defies Dramatic License, and there are Others.Bette Davis Fans can Check this out to see why She was so Disgusted with Light Weight Roles like this that She Fled to England. She Looks Beautiful here but doesn't have much to do. The Film is Worth a Watch for its Strangeness but not much Else. There is a lot of Drug Talk and Pre-Code References to Coke (the drug not the drink) but Nothing Racy or Raunchy.

Although this is typical of the low-budget quickies that Warners churned out like hotcakes in the Thirties it offers Bette Davis in her most youthfully appealing "down-to-earth platinum blonde girl" phase. You can find the same character in THREE ON A MATCH, THE GIRL FROM 10TH AVENUE, THE PETRIFIED FOREST and others. She exudes an innocent but intelligent, unaffected femininity that seems to have evaporated by the time she hit her stride with JEZEBEL, so it's good that this phase of her career is preserved - if only to track her evolution as an actress. Note the energy and vitality she injects (perhaps effortlessly) into a supporting role as the girlfriend-wife, stealing every scene she's in - without relying on conventional beauty. It's kind of fun also to see how the scenarists managed to leap from one implausible, contrived plot development to the next - but that's a secondary matter because most of these films were beyond belief. The point was to make a moral point, not to be narratively convincing. The point here being: evil gangsters, beware of the authorities because they'll get you!