In January 1945, during the second world war, the Dutch resistance kills a collaborator in the street where the 12 year old Anton Steenwijk lives. The man was shot in front of his neighbors house, but is moved by them to the house of the family Steenwijk. Because of this, his father, mother and brother are killed by the Germans, and their house is set to fire. During his life, Anton meets several people that tell him more about what really happened on the night of the assault.What really makes this a great film is how it covers so much of the 20th century, at least the major war events. Vietnam, Stalin, Hungary and more... this is not just a story about the Netherlands in World War II, but really a larger tale of Europe. The balance between the personal and the international is what makes it such a notable film.

Movie based on the famous novel by Harry Mulisch, who also wrote the Discovery of Heaven. In the center is Anton Steenwijk (Derek de Lint), who sees his parents shot and his house burnt after a shooting that killed a collaborator of the German Nazi's in World War II. All his life, Anton is curious about what really happened that night, but when he finds out, will that truly satisfy him? Interesting story, well played and directed by Rademakers (director of 'Als twee druppels water' and 'Max Havelaar'), which won the 'Best foreign language' Oscar back in 1987. And although some viewers won't like the 'coincidental' ending, it's probably one of the best pictures ever to have come from this country... 7/10.

WARNING - SPOILERS WITHIN!!!I first became familiar with THE ASSAULT through the Book of the Month Club. In the package with my book was a slim paperback volume that I hadn't ordered... I suppose they were clearing out the warehouse, and a copy of THE ASSAULT got tossed into my order as a freebie.It sat around ignored for a few months, and then one afternoon I got bored and needed something to read.Wow. Straight through in one sitting.Some time later, with no advertising or promotion of any kind, THE ASSAULT showed up in a local theater.Because of the total lack of promotion, this film is probably the greatest "sleeper" of the decade. It probably only played in the US at Art houses and a very small number of other theaters. Anyone who has encountered the work of Satre or Camus will find themselves right at home with this film. It's deep, involved, and engrossing... it shows that no one, no matter how close they are to an event, knows EVERYTHING about it.Young Anton Steenwjik is the sole survivor of the brutal murder of his entire family by German troops, and the burning of his home in Occupied Holland. The troops did it as retribution for a killing of a collaborator carried out by the local Dutch Underground Resistance cell in front of the Steenwjik home. Anton was there and he saw it all... but it takes a 20 year odyssey that stretches across most of Northern Europe for him to learn the WHOLE truth about that night and it's horrendous events. Therein lies the tale. And it's a tale that's well worth watching.Even tho I promised spoilers in this, I will NOT give you the BIG one... the most unexpected and ironic "Gotcha" I've ever seen in a movie.A VERY HIGHLY recommended film! If you get the chance, SEE IT!_________________________________________________________________I'm updating my comments after the fact.I recently saw the videotape version of the movie, and found myself somewhat disappointed... nay, OUTRAGED... by it.In an attempt to trim the film to fit on standard length tape stock I suppose, the VHS videotape version makes a cut which for me is FATAL... they cut the entire end of Anton's chance meeting with Fake Ploog's son. That 30 second or so edit completely changes the feeling and meaning of the entire sequence, completely destroying the delicate balance that the director put into the theatrical release version.If anyone reads this who is involved with a possible future DVD release of THE ASSAULT... I beg of you... PLEASE... NO EDITING!!!This film is carefully put together like a fine watch. If you remove ANYTHING, it's not going to work right!!! ____________________________________________________________________

This film is based on the Harry Mulisch novel, and both have some distinguishing characteristics that go back - on purpose - to classic Greek tragedy theatre. The incredible co-incidence that carries the story is reminiscent of ancient literary 'vehicles' that carry a story. Thus, you should not look at the chance events as being part of the story, but as being the foundation for the story - they, in themselves, should not really be questioned.Also, note that every chance meeting is preceded by a meeting with some kind of stone. The Dutch word for dice is 'dobbelsteen', or dicing-stone, so that the simile of dice and chance can be extended to stones and chance. This explains the significance of Anton meeting his first wife while visiting the Stone of Scones.The book, more strongly than the film, is also constructed as a Greek tragedy, with a prologue, five acts and then an epilogue.Anton Steenwijk is also interesting himself: he represses the events of the assault, but it keeps coming back at him. But he is an anaesthetist in more than one way - he puts his memories to sleep. Even in the final stages, when the story is already quite clear to him, he uses drugs at his house in Tuscany and seeks to ease a toothache in Amsterdam before going to the Ban the Bomb demonstration.Personally, I think the book was translated into a film in brilliant fashion. My major qualm with it is the mediocrity of the sound and sound effects. Some pretty good acting and a fantastic storyline make this one well worth the watch.