The Adversary
The Adversary
| 28 August 2002 (USA)
The Adversary Trailers

Based on the 2000 book of the same name by Emmanuel Carrère, it is inspired by the real-life story of Jean-Claude Romand. L'Adversaire's protagonist Jean-Marc Faure (Auteuil) pursues an imaginary career as a doctor of medicine in a plot more closely based on Romand's life and Carrère's book than was Laurent Cantet's 2001 film L'Emploi du Temps. The film was nominated for a Palme d'Or at the 2002 Cannes Film Festival.

Reviews
Arnoud Veilbrief

What a chilling experience, this terrific movie. Jean-Marc Faure's loneliness in conference halls and on the highway is so painful that it's hard not to feel compassion for him. All my credits to Auteuil and Garcia for this moving film. As you probably know, L'adversaire was based on a tragedy that truly happened some ten years ago. It didn't just inspire one, but two directors. The other film based on this story is L'emploi du temps, by Laurent Cantet. I watched it yesterday, and I have to admit I was a bit disappointed. Having read the very enthusiastic comments on this site, I expected a film of equal quality as L'adversaire but the latter outclassed it by far. I missed the palpable loneliness and desperateness in l'Adversaire, and Daniel Auteuil is in my opinion simply a more interesting and accomplished actor than Aurélien Recoing. If you haven't seen either of the films, I recommend you watch L'emploi du temps first, or just L'adversaire. It's always interesting to compare, but if you have already seen L'adversaire, you might be in for a little disappointment.

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fallara

This movie which is based on a true story is very incredible to believe it really happened in real life....this could have been an excellent Stephen King plot...but no...it's even scarier to know that someone could be able to do such a terrible thing. A word of wisdom, don't read the story before watching it...that's what I did and I was terribly surprised !

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fiozinho

The magnificent Daniel Auteuil is ... well ... magnificent once again in this study of a common man whose world turns unaccountably pear-shaped, and who is powerless to get out of the increasingly large hole he's dug for himself. The sequencing of the film is very neatly done - we know from the word 'go' that Faure has done something horrendous, we're pretty sure what it is, and we are led to find out why through a complex series of flashbacks. The art of Auteuil is in his ability to make Faure a sympathetic character, despite his many flaws and the gruesome crime he commits. The painstakingly constructed portrait of a man in torment may get painted on a little too thickly at times, but Auteuil's descent from mixed-up family-man to lethal psychopath is gripping stuff.

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germouse

This movie is adapted from a true story, the one of Jean-Claude Roman, a man who made his family and friends believe for 18 years that he was a searcher at the OAS when he didn't even had a job. For 18 long years, he had been crooking his parents and fooling his relations till he finally got discovered. He then killed his wife, children, mother and father. Revealing the end of this story won't bother the appreciation of this movie, since it's a well known news item in France that deeply moved the population in the 90's. As a matter of fact, the story is fascinating enough to make the script interesting and that is the main problem of the film. It relies almost essentially on the unbelievable destiny of Jean-Marc Faure and the performance of Daniel Auteuil, one the best French actors actors actually. His acting is sober and at some moments is approaching madness with convincing realism. But the staging and the whole ambiance remain cold and distant as if there was since the beginning a shift between Faure and the others. This creates an embarrassment that keep us from understanding him.Anyway, it is worth seeing this movie, above all if you don't know the story yet. The only fact to know that this really happened makes you watch it with interest. Another movie was made upon this story, `L'emploi du temps' by Laurent Cantet.

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