I got about five minutes into it and turned it off and threw the disc in the garbage. I mean seriously; my 8 year old could have done a better job directing this 'movie'. The acting was horrible, the cameras were pathetic and the background music was overbearing and louder than the 'actors' lines. Stay away from this one. You'd be better off watching some lame conspiracy videos on YouTube. Sorry IMDb, but this garbage film isn't worthy of '10 lines of text' so I am going to finish this ten lines of text nonsense by talking about peanut butter and jelly sandwiches. First you take a jar of peanut butter and you spread it on a slice of bread. Then you take some jelly and spread it on another slice of bread. You put the two slices of bread together and enjoy something that is 100 times better than this crap movie. There, how's that for a 'ten lines of text' review?

Am I the only one who thought the point of this film was the graphic violence? I knew nothing about Leigh Scott when I rented it, and would not have done so if I had known that most of his previous films were horror films. I am not into that at all, I was just expecting an informative docudrama of the 9/11 report.Instead, I got an almost incomprehensible, violent movie. The only good thing about it for me, was that it made me want to read the report, to figure out what the heck this movie was about.I wrote this because I am shocked that we have become so immune to violence in films and on TV, that it was not even worth commenting on by the bloggers whose reviews that I read.

I rented the DVD in a video store, as an alternative to reading the report. But it's pretty much just more terror-tainment.While the film may present some info from the report in the drama, you're taking the word of the producers - there's no reference to the commission report anywhere in the film. Not one.The acting, all around, is pretty bad - pretty much all of the stereotypes of 'hot shot' bitchy foul mouthed government agents, each thinking they know more than everyone else. There may be some truth to it, but it really has a bad Hollywood stereotype smell to it.IMDb's user community ratings & comments tend to be more right than wrong, and I have started to glance at the ratings before renting whenever I can.I wish I had on this one.

I tried. Lord help me, how I tried. But there are just some people almost incapable of creating quality. Brett Ratner, Uwe Boll, Britney Spears, and Asylum. To their credit "The 9/11 Commission Report" seems like an honest attempt by the company to advance into a more sophisticated state of storytelling and movie making. But for all intents and purposes, it comes off as another truly film in their gallery. At the opening, the disclaimer notifies audiences that all the names have been changed, but the names of the terrorists remain relatively the same. A man named Mussaui attempts to learn how to fly a plane. With a stone cold grimace that would instantly make anyone uneasy, this "undercover" agent is able to learn how to fly on a small computer. And you have to wonder, not how he was able to get into this program so easily, but on how these people didn't even ask questions; because this scene is so far-fetched in its presentation, and the actor playing this man is extremely over the top. And you can see that director Scott attempts to mimic Paul Greengrass with a bright grainy photography that's followed by an awfully dizzying and irritating hand-held direction that, throughout the entire film, attempts to take off from Greengrass's gung-ho guerrilla film-making techniques. You can sense Scott emulating Greengrass's technique for realism, but it becomes rather lame-brained halfway in. Meanwhile the film comes off less a "Traffic" take off, and more a take off on "Law & Order" in which we'll have the disclaimer notifying us the names have been changed, the logo almost reminiscent of the "Law & Order" logo, and then ninety minutes of the actors pumping their chests and discussing politics.Neither of which are ever as compelling as it tries to be. And then when the film seems as if its attempting to be an adult drama, Scott relies on his old failsafe, the sex scene. Scott's new film looks like it really wants to be thought of as a low budget "Munich" but it's not, and it manages to be underwhelming on every such occasion possible. "The 9/11 Commission Report" falls flat, and that's because its limited in its attempts to imitate other films.While I appreciate the ambition inherent behind the camera, this new perspective of the events leading up to 9/11 is flat, and dull. Hard as it may try to be a low-budget "Munich" it's only really as entertaining as a normal Dolph Lundgren film you'd find on Cinemax.