Based on the 1987 novel of the same name by Larry McMurtry, this is a rather disappointing film. It was quite a good idea to make a sequel to the excellent "The Last Picture Show" but Peter Bogdanovich set the bar too high for himself and is unable to replicate its success. The original film was an often moving and occasionally depressing elegy to the bleak, desolate little town of Anarene, Texas which had been slowly dying for years and its inhabitants' sad, unfulfilled lives of wasted potential. The people of Anarene's lives are no more fulfilled in 1984 than they were in 1951 but it is not presented anywhere near as effectively. On the bright side, Bogdanovich's direction is good but his writing is not up to much.Eight actors from "The Last Picture Show" reprise their roles, most notably Jeff Bridges as Duane Jackson and Cybill Shepherd as Jacy Farrow. Bridges is a wonderful actor and it is unsurprising that he returned to the role that nabbed him his first Oscar nomination at only 22 but the material let him down. Shepherd is not any not on his level but she is still good even though she has the same problem as regards the material. Sonny Crawford was the heart and soul of "The Last Picture Show" so it is a major disappointment that Timothy Bottoms has what amounts to little more than a minor supporting role. Obviously, this is because Bottoms' career did not take off in the same manner as Bridges and Shepherd's did after the earlier film but it was still irritating. On the other hand, the more famous but less talented Randy Quaid has a somewhat larger supporting role as Lester Marlow, a character who only had a few scenes in the original film. I can't say that I had much interest in his financial or marital problems. I fail to see why Bogdanovich brought back actresses of the calibre of Eileen Brennan as Genevieve and Cloris Leachman as Ruth Popper when they barely have any screen time. The only newcomer who particularly stood out was the always excellent Annie Potts as Duane's wife Karla. In the first film, Ellen Burstyn gave the best performance as Lois Farrow and I think that she rather than Leachman deserved the Best Supporting Actress Oscar so it was very disappointing that she did not return. Sex and affairs played a major role in the first film but, on this occasion, I practically needed a flowchart to keep track of all the affairs, if so far as I really cared. In contrast to that film, they take place mostly in the background and only a few really have any impact on the plot. This film takes place in the summer of 1984 and it does a good job of capturing the zeitgeist of the period with its references to Walter Mondale running against Ronald Reagan in the US presidential election, the Soviet Union boycotting the LA Olympics and "Material Girl" and "Karma Chameleon" playing on the radio. Of the many references to "The Last Picture Show", my favourite was one of the simplest: the framed photo of Sam the Lion and Billy in Sonny's store.Overall, this is certainly a disappointing film but I am still glad that I watched it as there are some nice performances and I always like revisiting characters after many years to see what has become of them. To that end, I would like a third film but I really don't see it happening.

Having never had the patience or the time of sitting through The Last Picture Show, I picked this movie up on a whim. I had seen once several years ago with my family and remembered it as being OK. For some unknown reason, I came across it at Amazon.com and decided to order it to watch it again. The second time I watched it, I enjoyed it, but some of the nuances of the movie seemed to be lacking. I suppose if I had seen the original movie I might have had more of an idea of what some of the plot twists meant. Annie Potts is at her best here playing the wife of the main character. Cybill Shepherd's character (Jaycee) while having just suffered the loss of a child seemed even more emotionless than one would expect after sustaining such a loss. I did enjoy the location of the movie (Texas) and the craziness of small town living.Overall the ensemble cast is decent, but the movie is somewhat long and tends to drag. There's also not much resolution at the end which disappointed me (I liked my movies to end with a nice wrap up or a decent "pull-together" at the end). If you enjoy any of the actors, it's worth watching.6/10

I have seen this movie. It set a standard from which all crap movies will be measured. I can't sympathize with any of the characters. Everything seems a mishmash, a jumble agonizingly trying to wrestle it free from its asinine plot and hateful tediousness.Jeff Bridges is perfect for this kind of crap. He with that asinine looks and gravity-loving fold around his eyes.I felt relieved for all my transgressions. After watching this movie I think it has been punishment enough to atone for all my sins in the afterlife.Sadly, there is no deserving afterlife for this movie and for all who are responsible for it.

Texasville is easily one of my favorite movies of all time because it doesn't go down the easy road, trying to please everyone, by being the same movie as Last Picture Show was. However, after having seen both Picture Show and Texasville back to back I noticed how surprisingly similar in context and theme they are. Both are about sad adults who look longingly onto the younger generation, all the while committing adultery as a way of recapturing their youth. I love both Picture Show and Texasville equally; but have a soft spot for Texasville because I was 11 during the timeframe shown in the movie, and 17 when it came out in 1990 so it is a bit more relevant to me. Also the dark humor helps make the film more enjoyable for those hot summer nights when the urge hits me to see it.I've never thought of Texasville as fiction, more as cinematic fact. It's about as close to real life as you'll get without living it yourself. It was one of the first films I saw in a theatre as a cinema "connoisseur" and it'd be a shame to let it fade into obscurity. I highly recommend it to anyone reading this, a true minor masterpiece