Was drawn into seeing 'Sutures' with a cool poster/cover, an slightly intriguing but very derivative premise and as someone with a general appreciation for horror. That it was low-budget, which from frequent personal experience is rarely a good sign due to that there are so many poor ones out there, made me though apprehensive. 'Sutures' is sadly however yet another film seen recently, hence some reiteration because the exact same strengths and flaws those films are present here, that to me was incredibly disappointing considering its potential which it doesn't do anywhere near enough with. As a film it's weak, with a plethora of problems (huge ones too) and doesn't do enough with its potential, which was hardly small. There is very little good about itLets start with the positives. The scenery is atmospheric and spooky.Although most of it looks schlocky, some of the shots look decent. The start intrigues somewhat, shame the rest of the film completely goes downhill and never recovers.Unfortunately, the story does feel paper thin, disjointed and over-stretched and some of it feels vague, under-explained in the last third where the film especially became duller, more predictable, more senseless and less scary. Too many characters are too sketchy and with nowhere near enough to make one want to endear to them. Their annoying and illogical decision making and behaviours frustrates.Making the film feel bland and forgettable with not enough heart put into it. The effects are ropy at best, the sound quality is obvious and utilised cheaply (being too loud in the build ups and people's reactions) and it's best not mentioning the uniformly lumbering and histrionic acting.Dialogue can be stilted and rambling, with lots of clichés and no depth whatsoever, while the pace goes to a standstill very quickly and drags on forever with very little going on worth caring about, never recovering. Found too many the supposedly shocking moments not surprising or scary and the supposedly creepy atmosphere dreary, due to the excessive obviousness, a lot of dumb and vague moments and explanations and the lack of tension and suspense. Would not have minded the lack of originality (the film is extremely derivative and in a dumbed and watered down way) if the story and atmosphere were at least alright in execution, in reality they were both dreadfully done. Not to mention a whole novel's worth of inconsistencies and continuity errors and a structure so jumpy and confused it renders some of the film incoherent.There are a good deal of underdeveloped plot elements and often nonsensical and confusing character motivations, while too many of the things to make you jump or shocked are far from creative or scary and are pretty tame. The ending can be seen from miles away and has a twist so ludicrous that the viewer's intelligence is insulted.There is not enough threat here and what there is of it tends to be used poorly, it is completely unimaginative, very repetitive and more odd than creepy, completely failing to show any sense of horror and resorting to cheap typical horror tropes. Some badly sagging momentum too. The direction is leaden, inexperience seems to be all over the film, and the music doesn't really fit. Lets not get started on the far from creative and shaking the head worthy kills and especially the gratuitous and cheap-looking gore.Overall, weak. 3/10 Bethany Cox

STITCHES is another boring rip-off of the whole HOSTEL/SAW shebang and another unwelcome addition to the 'torture porn' category of film-making. This one sees a typically clichéd group of attractive young things end up in the hands of some decidedly nefarious business people working in the illegal organ donation industry.The entire film is merely an excuse for extended and gratuitous scenes of unpleasant torture and bloodshed. Subsequently, the whole of the soundtrack is either full of ominous music or people screaming at the tops of their lungs. It's quickly wearying, and I can imagine that few people would get a kick out of such a spectacle. I found the attempts at cod psychology to be rather laughable, while the interesting cast members are limited to just two: old-timer Andrew Prine (AMITYVILLE II: THE POSSESSION) as the villain, and B-movie stalwart Jason London as a cop.

Sienna, stuck in a hospital bed regales her interviewer with her tale of how she ended up there. Months earlier, her and her friends are vacationing in a charming isolated castle not realizing that a enigmatic man is following them in the hopes of harvesting their organs to sell on the black market. There more to it, but that's the general gist.The acting is sub-par but in this genre on this budget that's easier to overlook. Something i can't though is the story which is haphazardly sutured together. Granted this seems to be more of a deliberate decision than general sloppiness, but this doesn't make the movie any easier to digest. Couple this with a nonthreatening Gothic type bad guy and a nonsensical 'twist' ending and you're left with a movie that's simply not the sum of its parts.My Grade: D+Eye Candy: Kate French (?) gets topless

Sure, there are a handful of horror movies out there worse than SUTURES. Between them, Uwe Boll and Ulli Lommel have phoned in dozens of misshapen monstrosities in the name of fright, after all. But, as Gertrude Stein once said, a turd is a turd is a turd, no matter what else you may care to label it as. Apparently the producers of SUTURES thought they were making a campy version of DALLAS, in which multiple generations of "doctors" built up a financial dynasty based on the black market for stolen body parts. In actuality, they ended up with a poorly-acted flick totally lacking in continuity. Though it comes off more like an effort at HOSTEL-style torture porn, the confusing plethora of "doctors" (no less than 16 are credited at the end of this feature, not to mention 4 nurses and 2 orderlies) indicates that filming was so confused even the extras were quitting mid-scene (no doubt muttering "I'm not getting involved in crap like this!" as they stormed off the set). Nick Holmes, as one of the six road trippers at the core of this story, apparently walked out on his death scene, as he just "disappears" without a trace early on. The twist at the end of this flick makes absolutely no sense, if you consider it for two seconds or longer. The basic premise of the movie is scripted out of the final two-thirds, as the stolen body parts are left to decay in a WRONG TURN-type hillbilly pantry while the dozen-plus doctors compete to see which can elicit the most pain from "victims" before that group of actors can enjoy the only reward SUTURES offers: release from the clutches of a totally incompetent crew.